Продам: Graphics good artists and a little painting

[kashalot]

Dear Sirs,

I would like to submit to your court his small collection of graphics and a little painting.
Put this list in this section, as ready to discuss the possibility of selling each of these works. At the same time, there is no reason, forcing me to sell something in a sort of speeded up. If someone is something of the following is interesting - we can discuss.
The collection continues to grow almost weekly. If there is interest, I can report on any new revenue. They can also be regarded as an object of sale.
Unfortunately, I have no experience in photography and transfer images to a computer. Especially since we are talking about a whole list of works. If something interested and you will need to lay out the concrete work on the Internet, we will solve this problem and somehow decide. All the works are located in Moscow, they can see.

List of drawing and painting

1. Chirkov AI (1867-1913) "Autumn" (the end of the XIX century.) Oil on canvas, oil. In the frame. 24.5 x17
2. Khokhryakov NN (1857-1928) "In the Garden" (end of XIX - beg. XX century.) Expert opinion Krasnoyarsk thin. Museum. Surikov. Pencil on paper. In the frame, Antireflective glass, museum board, antikislotny backdrop. 10.5 x16, 8.
3. Tsionglinskogo YA.F. (1858-1912) "Two lying buffalo, harnessed to a cart (from the Crimean sketches). On the flip side - a sketch of a female figure. 1900s. Pencil on paper. 20h27, 4
4. Tsionglinskogo YA.F. (1858-1912) "Two buffalo standing in the harness (from the Crimean sketches). 1900s. Pencil on paper. 20h27, 5
5. Tsionglinskogo YA.F. (1858-1912) "Tatar street" (from the Crimean sketches). On the flip side - women's feet in shoes. 1889-1900s. Pencil on paper. 20h27, 9
6. Tsionglinskogo YA.F. (1858-1912) "Mountains" (from the Crimean sketches). 1889-1900s. Pencil on paper. 20.2 x27, 3
7. Tsionglinskogo YA.F. (1858-1912) "Three tatarchonka" (from the Crimean sketches). 1889-1900s. Pencil on paper. 20.1 x27, 8
8. Tsionglinskogo YA.F. (1858-1912) "View of the fence in the mountain village" (from the Crimean sketches). 1889-1900s. Pencil on paper. 20.1 h28
9. Tsionglinskogo YA.F. (1858-1912) "Mountains and Sea" (from the Crimean sketches). (1889). Pencil on paper. 20.1 x27, 9
10. Tsionglinskogo YA.F. (1858-1912) "Mosque" (from the Crimean sketches). 1889-1900s. Pencil on paper. 20.1 x27 6
11. Tsionglinskogo YA.F. (1858-1912) "The Tartar at work" (from the Crimean sketches). 1889-1900s. Pencil on paper. 20.1 x27, 5
12. Tsionglinskogo YA.F. (1858-1912) "The Tartar in the kitchen" (from the Crimean sketches). 1889-1900s. Pencil on paper. 27.5 x20, 1
13. Turzhansky LV (1875-1945) "Dog Pal" (1920s). Paper, colored pencil. 10.5 x 11, 7
14. Koltsov SV (1892-1951) "The Old Man in a cap" (1928-30). Pencil on paper. 26h18, 5.
15. Koltsov SV (1892-1951) "The old man with a beard and long hair" (1920s). Pencil on paper. 14.2 x9, 1.
16. Koltsov SV (1892-1951) "A teenage boy wearing a cap." On the reverse - an outline of the Chinese and the Whale (1920s). Pencil on paper. 17h10, 3.
17. Koltsov SV (1892-1951) "Sketches of people walking down the street (9 adults and 1 child (1920s). Paper, pencil. 21.7 x17, 2.
18. Prophets BI (1911-1972) "Work of pre-revolutionary Russia. Examination, the conclusion of THG. Paper, ink. In the frame, under glass. 18.5 x10, 5
19. Yakovlev, BN (1890-1972) "fatherly admonition" (1934). Paper, ink, pen. In the frame, museum glass, museum board, antikislotny backdrop. 11h13, 2
20. Rudakov KI (1891-1949) Sketch illustrations to the tales of the Brothers Grimm. " The painting on the back of the widow. 2 nd half of the 1930s. Pencil on paper. 25h18, 2
21. Shcheglov VV (1901-1984) "Dagestan" (1936). Pencil on paper. 8.1 x12
22. Shcheglov VV (1901-1984) "of Dagestan. Highlanders "(1936). Pencil on paper. 16h25
23. Shcheglov VV (1901-1984) "The Guest from the Arctic" (1978). Stamp Detgiz. Mixed media on paper. In the frame, glass, museum board. 22.5 x17
24. Lions PI (1882-1944) "Moscow Courtyard" (1939). Watercolor on paper. In the frame, under glass. 28.5 x21, 5
25. Lions PI (1882-1944) "The Monastery" (1939). Watercolor on paper. In the frame, under glass. 25.5 x19, 5
26. Khrapak GV (1922-1974) "at the front." On the flip side - note the artist to his mother. 1940s. Watercolor on paper. In the frame, under glass. 24.5 x17, 7
27. Bruni, TG (1902-2001) "to suit the German production of" On the eve of Turgenev. (1960) Gouache on paper. 26.8 x18, 8
28. Bruni, TG (1902-2001) "The Suit a German artist in the production of" On the eve of Turgenev. On the flip side - a pencil drawing Harlequin (1960) Gouache on paper. 27.1 x18, 8
29. Svetogorov ED (1913-1981) "View of the river bank" (1960s). Watercolor on paper. In the frame, museum glass, museum board, antikislotny backdrop. 30x42
30. Svetogorov ED (1913-1981) "Village street" (1960s). Watercolor on paper. In the frame, museum glass, museum board, antikislotny backdrop. 32h43, 5
31. Svetogorov ED (1913-1981) "Country Landscape". On the flip side - in the arms of her mother. (1960s). Watercolor on paper. In the frame, museum glass, museum board, antikislotny backdrop. 36h27
32. Svetogorov ED (1913-1981) "Hamlet" (1960s). Paper, ink. In the frame, museum glass, museum board, antikislotny backdrop. 27h39
33. Svetogorov ED (1913-1981) "City Outskirts" (1960s). Watercolor on paper. In the frame, museum glass, museum board, antikislotny backdrop. 27.5 h34, 5
34. Svetogorov ED (1913-1981) "tent town" (1960s). Watercolor on paper. In the frame, museum glass, museum board, antikislotny backdrop. 30h31
35. Leporskaya AA (1900-1982) "View of the Monastery" (1975). Watercolor on paper. In the frame, under glass. 26h18
36. Zinshtein AI (Born 1947), "chaser" (1970s). Pencil on paper. In the same frame with the N 37, glass, museum board, antikislotny backdrop. 14.5 x10
37. Zinshtein AI (Born 1947), "Portrait of a Friend" (1970s). Pencil on paper. In the same frame with the N 36, glass, museum board, antikislotny backdrop. 13.5 x 8.

[Yurko]

"well, would demonstrate fografii at least some of the work

[kashalot]

As I have written to me taking pictures of paintings is a certain complexity. Therefore, if there is a specific interest in specific works, I can somehow resolve this issue. But due to technical "neprodvinutostyu" is not just for me.
Added to the list of another work:
38. Rerberg FI (1865-1938) "The model" (1916). Pencil on paper. 17h15
Question to a colleague who sent a message in a personal, interested in the 6 studies. I told you a private message, but for some reason sent it did not appear. You have received a message from me or something does not work with mail?
Questions related to specific works better not discuss in general branch, and through private messages.

[Мимопроходил]

Yes, the response is received, thank you.
Further communication - in PM.

[kashalot]

Added to the list of new job:
39. Bruni, TG "Set Design with a pergola for a production of" Don Paskvale "(1954). Paper, pencil. 18.4 x26, 9.
Tried to photograph some work. Obtained unprofessional, but in general you can make out.
True to attach these photos to your messages is impossible.
Those who are really interested to talk on the acquisition of works, I reset the email.

[dedulya37]

Сообщение от kashalot

They tried to photograph some work.

The size of your work allows you to scan them at a household scanner A4.

[Кирилл Сызранский]

Сообщение от dedulya37

The size of your work allows you to scan them at a household scanner A4.

Yes, all work in frames and under the glass.

[kashalot]

Work is not everything in frames and under glass. There is something in the release.
Yet learned to take photographs, though not very high quality.
With regard to size, then my approach is based on the fact that it is better to have a small picture of decent artist than most, but an artist who only took place.
About the scan. I do not know, does this process to keep a job. Perhaps I too am anxiously for this issue, but those works which fall to me, I try on a maximum protected from harmful influences.
Still, the real art is to live for many centuries, and not for the life of its specific owner.

[dedulya37]

Сообщение от kashalot; 1328641"

Still, the real art is to live for many centuries, and not for the life of its specific owner.

It is so you will live longer.
I assure you that once you have so anxiously for his work attitude. Others, unfortunately, will treat him only with the mercantile interests.

[kashalot]

Added to the list of new job:

40.
Epifanov GD
(1900-1985) "Rostov Kremlin".
On the flip side - "Still Life" (1955).
Paper, double-sided watercolor.
29.5 h41, 5.