Organizers of the Moscow Biennale of Contemporary Art secrets revealed
Third Moscow Biennale of contemporary art is brought into the capital of no worse than its Venetian counterparts. First, the measures agreed to be the curator Jean-Hubert Martin, former director of the famous Pompidou Center and curator of the classical exhibitions "Moscow - Paris and Moscow - Berlin". Secondly, among the participants declared artists from 25 countries, among them Erwin Wurm, Anish Kapoor, Wim Delvua, Blue Noses, Yuri Albert, "AEC F". Biennale, called "Against Exclusion", will be held from September 25 to October 25 this year in the center of modern culture "Garage". Perhaps not only lighting the new stars, but also the birth of new scandals.
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Title Biennale is best explained directly by the curator. "Against Exclusion" means for any art for any copyright embodiment conceived. A few years ago, the one who followed the love, for example, to classical art, was to reject the modern art. Now, globalization in the sense of synthesis of the arts came in the art world. Most experienced Jean-Hubert Martin believes that the time has come "to return the exhibition the artists, so that they worked according to the dictates of his heart, but not in order to please the curator. Therefore Moscow Biennale should be a panorama of international modern art.
For the curator of the Moscow Biennale of Contemporary Art boundary incredibly broad. He wants Russia to invite the viewers and critics, on the one hand, works based on deep religious beliefs, but on the other hand, a series of portraits of naked people. By the latter, the famous American artist Spencer Tunick have recently captured ten selected them naked Russians on the streets of Moscow. It is logical to assume that in the case of works Tunic there are some who would call all this pornography, and religious associations in contemporary art in Russia today, and so sore point.
Biennale commissioner Joseph Backstein believes that the revolution in the minds of citizens in relation to contemporary art has come. But perhaps this is still far away. In any case, Jean-Hubert Martin compares the current domestic situation in France, 70 of the last century, and this is worth thinking about. Nevertheless, the third call in Biennale Yet many succeeded: art by contemporary artists and the truth has become a legitimate, post-Soviet art space has acquired any common shape, and organizers practically patented its own format - not only the main program and paralllelnoy Biennale, but also large number of special projects and special guests.