Показать сообщение отдельно
Старый 19.07.2009, 23:18 Язык оригинала: Русский       #4
Старожил
 
Аватар для Сергей Дородный
 
Регистрация: 17.07.2009
Адрес: Москва
Сообщений: 593
Спасибо: 1,280
Поблагодарили 953 раз(а) в 370 сообщениях
Репутация: 1839
По умолчанию

Цитата:
Сообщение от Turquoise Посмотреть сообщение
The second question is this. Because of the multiple layers of glaze increases the time of writing the picture. Increasing costs. But the best = expensive canvases, paints, etc. Do this at this stage? Or do a lot and fast?
Please describe in detail what you think about it.
__________________
As to the glaze - if three layers are needed for the film, the time should not be sorry (especially if you consider that many artists do not know how to entertain themselves from pictures to pictures and drink, for example, in anticipation of inspiration, but now know myself staining) and if it PONT this - we must calculate whether it has market value.
And at the very most, canvases and paints - paint for the artist's tool - such as "Cobalt Blue Medium Black River - is the key 12 to 16, and" yellow strontia Podil's'ki - hexagonal screwdriver.
A "Blue" № 129 some kind of an Italian - is like a hammer combined with a magnifying glass, to get used to this need.
That Matisse, for example, it is probably only the very best writing and only on the Italian canvases for him, and exhibited at the Pushkin.
(Exhibited). And then realized that not all the canvases of the Italian - and to hell with them all the pancake in the narrow corridors mansion private collections.



Сергей Дородный вне форума   Ответить с цитированием
Эти 8 пользователя(ей) сказали Спасибо Сергей Дородный за это полезное сообщение:
Allena (20.07.2009), fross (20.07.2009), Glasha (20.07.2009), iosif (04.08.2009), LCR (20.07.2009), Sandro (20.07.2009), Бирюза (20.07.2009), Людмила Иларт (25.11.2009)