Цитата:
Сообщение от Cyril Syzransky
But there was no "San Sebastian" in 1918.
Oh and do not know what to think. Maybe it's San Sebastian? City in Spain, where in the theater Eugenia Victoria really worked Diaghilev ballet.
In 1918 Gocharova /Larionov, worked on "Russian Fairy Tales" to music by Liadov. Actually even doing enough new version of the suite with the added thumbnail.
|
This may not be the city of San Sebastian, which is written in San-Sebastian, and the figure is written in French St (Saint)-Sébastien.
"Martyrdom of St. Sebastian," D'Annunzio drama set to music by Debussy commissioned Ida Rubinstein, was set up like in 1912 in the Paris Theater du Chatelet, in costumes by Bakst.
Suits on the sketches, placed by the Operator, a little surprising, but perhaps she was inspired by the Byzantine images?
Цитата:
Сообщение от Cyril Syzransky
[color="# 666686"]Bakst had worked on a production of "St. Sebastien" for Ida Rubinstein in 1911-1912 and it is highly likely that Diaghilev or , indeed, one of the ballet /theatre impressarios of the 1930s commissioned Goncharova to make designs for the production.Dobavleno 10 minutes[/color]
I am not strong in languages. But Bakst is working on "St. Sebastian". It is well known. But Goncharova ...
|
He writes: "Bakst worked on the production of" St. Sebastian for Ida Rubinstein in 1911-1912. It is extremely likely that one or the Diaghilev ballet or theater impresario in 1930. Goncharova commissioned to create sketches for this production. "
It is strange that Parton wrote about the 1930's., A Frenchwoman dates these pictures in 1918
Indeed, the intricate story.
Incidentally, Diaghilev, who died in 1929, it would be difficult to order these costumes Goncharova in 1930-ies., Eh? This is such a Parthian shot in the back Parton.
In general, the farther into the forest the more trees
