Цитата:
Сообщение от Art-ort
Olga Ozolina, unlike many price Deineka and Filonov (in this issue), I was not interested ... I put the question of whether the artists one of which is in fact died of exhaustion is not going to compromise either in life or in the works and the other head of any institutions, and caressed by awards from the Soviet government, unable to relate to one category "A". Because if it turns out that "all is one" and such blunders in your Ranking "a dime a dozen." And if you go to modern art a theme will be "Light Carcasses "...
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I can not agree with you. It seems to me many years has been largely will not care who was in hiding and who is in officialdom. remain pure artistic essence. If we want to understand this point, we should ignore the social aspects of ... Of course we are almost impossible to do, so we are so hard ...
After all, it concerns, say the formal and non-conformism and CX 1960-70-ies. It is now important for us - nonconformist or from the Union, because it is part of our lives - we do not slip out of a never
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Цитата:
Сообщение от Olga Ozolina
It is better to remember the "17 Moments of Spring." There, at the talks in Switzerland, General Wolff said that the hidden collection of paintings by some galleries (Dresden? Do not remember exactly), and pragmatic Dulles asked him: "And what may be the price of these paintings?", As Wolff says: "They do not have Prices (firm pause Lanovoy  ), they are invaluable ". |
In my opinion, they discussed the masterpieces of the Uffizi and Pitti
Цитата:
Сообщение от Olga Ozolina
Offers an example: if we imagine the sale of not only Deineki or Filonov of THG, but Glazunov or Shilov from their museums, I have no confidence, who will be more expensive and who is cheaper  "And what Compared with the prices of Tsereteli price of Berlin or Frangulyan?  |
I think that prices Deineka, Filonov, Glazunov, Shilov will be roughly the same. Just the first two will be buying as an investment, and the second - "the soul" ...
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Цитата:
Сообщение от qwerty
Not so long ago in company with Evgenia Petrova, agreed that the most likely Filonov - № 1 in Russian paintings could be divided is a place with Kandinsky and Malevich.
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I think it also depends on whether - for whom the artist is number 1 in Russia - for Europe, the U.S., for Russia. For Europe - Malevich, and for Russia - Repin and Shishkin (remember the wonderful project of Komar and Melamid do not remember exactly what it was called, such as "best picture .... the people", where vmestomnogotochiya were different nations)