Turner exhibition at the Pushkin
 

In the Pushkin exhibition opened on Nov. 17, Joseph Mallord William Turner (Oxon, 1775 - Oxford, 1851).

I was there on opening day, because I really like the creativity of the artist and it was time to call to see. I remember at one time was struck by his work at the National Gallery in London. The bright saturated colors superimposed on one another, create a sense of the fantastic space, and sometimes it seems that the image is alive. Such infrequent in nature will see.

I do not know why, but Pushkin went on to the traditional way and brought things (it's supported by Usmanov) only from the Tate Gallery in Londne Britten, and as I understand it is not the best. I climbed up on the site of the Tate, where 507 works stored, of which about 120 later deemed to be the most interesting.

[QUOTE] A small correction.
Turner brought from the Tate Brittain, and not from the Tate Modern.

Thank you, really ... it can not be there)) but the museum is one ))))) corrected with your permission.

Such work, even under the safeguards Usmanov will not give exhibitions ..

Why? Yes, and even if Usmanov was not, why not give 10-15 work?

"Turner - is one of the major figures in British art. Not long ago, from private collections were sold one of Turner's watercolors, and was declared a national subscription. There is not the first time announced national subscription, when they want to leave some art in the country. It simply says that the reverence that Turner enjoyed in their country. "
  http://www.svobodanews.ru/Article/20...130918200.html
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Dear Master, now on this ..

what? we have them for himself whether that leave? our Malevich exhibition at the carry anything like ...

Then restore the years .. and not only Malevicha.Akvareli, pastels do not remove ..
State Museum of Fine Arts Pushkin received insurance compensation for damage to the carriage of Rembrandt's Portrait of an elderly woman. " http://grani.ru/Economy/m.23159.html

And what this person can "guarantee"?
Give money to waste on the organization of the exhibition, yes.
But the guarantees ...

Cyril Syzransky, the exhibition can be conducted on a miserable, the museum level, and can normally .. guarantees, of course difficult to give, but the insurance of the exhibition, probably costs a lot of money .. for this and want Usmanov.
Naturally the best paintings, watercolors Turner still is in England.

among other things, Turner's watercolors have brought more than 40 pieces ... but the oil well 15 pieces they can not bring, huh? You know that quite seriously think so? not even believe it. reason to question infancy and unwillingness to try and make a significant exhibition.
This exhibition Rabin took up non-profit foundation to do and see how a different level than when Pushkin did.

Pushkin could allow
do and not to "beggarly" level.

Painting by William Turner "views of Rome from the Aventine hill" 1835 sold December 3, 2014 in London at Sotheby's for £30.3 million ($47,43 million), with the estimate of £15-20 million

The painting is in a private collection and has a unique provenance in 1878 it was purchased by the Earl of Rosebery, the future Prime Minister of great Britain, and since then was in the collection of the family of robbery.

The previous record price for a work of Turner was installed in 2010 and amounted to £29,7 million

Now in London is a stunning exhibition of the Late Turner". I've been on permanent exhibition at the Tate gallery, and there was heard from the guide version of that in the mid-19th-century artists loved the trick with zagotovka "semi-finished" paintings and effective completion of their eyes with the public. This explains the abstraction in the works of Turner, they say, it's just unfinished work. But after this show, it became clear that this artist is 70 years ahead of its time, and went to the non-objective painting, coming to the end of his life to 100 percent of abstraction.

Yes, when you look at "Rain, steam and speed/Rain, Steam and Speed" can't believe that it was created in 1844, for 30 years before "Impression. Rising sun/Impression, soleil levant" Claude Monet, for example.