Such a question is - why the table so cruelly treated the history of art, breaking off at the end of the 80's?

In 40-60's, you can add "arte nukleare" - movement that spread among the Italian artists of the 50's. It was founded in 1951 by Enrico Bajema, together with Sergio Daniel and Janie Bertini to promote one of the - quote - "a sweeping fiction, avant-garde styles. In its first manifesto of 52-year artists have presented the idea of "nuclear painting and made it clear that pretend to express feelings, thoughts and feelings post-war period, recalling its consequent dangers for humanity. According to his convictions movement was in opposition to all those in power at risk, as they wrote, the very existence of life in an age of atomic weapons in order to express, in general, universal, for that period of society fear of a nuclear apocalypse, yet, in fact, humanity itself finally grown accustomed to the idea.
Artists from arte nukleare, of course, went a little further reasonable fear, protesting against its reflection of uncontrolled hazards posed by nuclear physics, including, as a science. From a purely artistic positions as artists opposed to all forms of geometric abstraction, following instead the effects of - quote - "the unpredictability of surrealist automatism."
In the mid-50's Gianni Dov and several other artists have successfully participated in the publication of the journal Phases. In January the 59 th they are once again released its manifesto - already the second - no one special at this time are not surprising: it was a warning against new technologies, including those coming from certain aspects and perspectives of the process of nuclear fission.
Although they have and there were several exhibitions, and they acted in nearly a decade, the movement was without ideological support of the then existing in Europe, similar trends (such as, for example, al informel) and thereby subsequently it has not received its further development.
Thus, by the early 60's with a proscenium European art history is gradually and sadly it went down another episode ..

Sweetheart, LCR, like we all directions, movements and genres of 20 th century took up, without losing even those for whom other artists (and one has to confess - a critic) and the hearing may not be heard. Art-world Europe with the two Americas dissected on the block meticulous research! And yet, how did inorganic, is lacking looks, oddly enough, in one piece table without a world famous (!) (Rather than through, for example, Italy's small-town), our ex-Soviet non-conformism, or as yet determined his successful Boris Groys - Moscow romantic nonconformism.

In anticipation, of course, the possible confusion of some adherents of strict adherence to geographic settings, I explained: contemporary art of the past century, though carried a naturally bind to certain loci, but the content and character expressed by gestures inevitably had international specifications. It is no coincidence that so many people from among the Soviet non-conformists, dashing in those years, yet behind the curtain, organically integrated into the international mainstream - and all because the language of their statements was identical to the already international. (Although, there were the inevitable failure.) Or, as, for example, to evaluate such a thing as published by the remarkable nonconformist artists Vadim Zakharov log Pastor? He, like Pastor, collects for the publication of material from scattered through Europe in the Soviet past, artists - people from the very same "flock", a priori and its combined outstanding set of invisible spiritual nity. Yeah, Moscow nonconformism would never have arisen and would not as such out of the soil and the atmosphere that spawned it. But, in my opinion, this phenomenon was of a much broader scope than the strict confines of one country, having transformed its continuation in the works of artists who found themselves in new environments, where already the country was not.

One of the most useful topics!

Added after 1 minutes
must of course develop the Russian part!

so many interesting topics ..

Be so kind, please explain, a considerable number you begin with a digit? Two, three, Sam, vosem - somewhere like that?
Could you provide the names of examples of the organic integration?

And yet, I would like to know what you mean by major international trend?

Pre-1000 thanks.

How do I find
 

Dear Sirs,

I am new to formume, tell me, please, you say that somewhere there is an updated table on contemporary art, and where is she?
Thank you in advance

 What "An updated table? It?

Good afternoon, the table - in the annex to the first post in this thread.

Mark Rothko. White Center
 

Lord, help me to understand the artistic value of Mark Rothko.
White Center

http://artinvestment.ru/invest/ratin...top12rus.html?