With pleasure, but they have - video works. Each weighs at least tens of megabytes. If the forum is technically possible, I would have uploaded. This is - one of the first works of video art (in black and white format) is the mid 60's. Including the notorious George Machyunasa.

I think it's possible, but we ourselves can not download, but only admins. Must agree with them and send them your materials. And then Gregory Zlyuchkin do everything at a top level :)

And a U-tube?

It is not how to forward - it's not a problem - but as a place on the site, because there are limits on the amount that is perfectly normal. It is necessary to Webmaster, explained that for materials, and they will do neobodimoe.

LCR, which is neither yesterday nor today, do not apply - honest art criticism (which I specifically about the collection monstriki from another story, and indeed, for the attention of interested <!--~ a ~-->)

Come on you, we love you any-and with flies and without .. (And even starakanami );)

Lord admins willing to put more than 2 dozen movies Fluxus, totaling up to 700 megabytes. What? Need support.

Added 4 hours 13 minutes
It is hard to pop art without such stellar names as Robert Rauschenberg and Tom Vesselmann. Must be added .. ;)

Добавлено через 4 часа 22 минуты
Rauschenberg.
Stir once drawing by Willem de Kooning, and put it under the title Erased de Kooning !

Добавлено через 8 минут
Tom Vesselmann

Rauschenberg.

Tom Vesselmann

You can put on youtube, and then post links to movies.

George Machyunas

http://www.ubu.com/film/maciunas.html

Posted 1 hour 27 minutes
Machyunas - personality extremely interesting and unusual, and he has shown himself not so much as an artist, but as an organizer and a rather dashing figure. It was he, as an unquestioned leader, formed the Fluxus became a real artistic direction of 60-s. Some art historians consider it frankly is not so much an artist in the usual sense of the word as a kind of eccentric rogue states or from anarchist art. Thought controversial, in my opinion. Though, in something and reasonable. What is true is true - one time he even hid from New York creditors, bringing the civil service on U.S. Air Force base in Germany, where the article, enjoyed slihvoy pro-American Cold War era, while arranging for the German money (!) Radical anti-capitalist festival performance. But I must admit that not every art-activist or artist-activist is all in the teeth.
Upon returning to the states when the fellow gave way to anger to put it mildly, mercy Machyunas going to turn into a kind of Fluxus - neither more nor less - an international corporation and seriously speculated real estate: bought in Soho, abandoned buildings and made a co-operative shops, dreaming of Total Fluxus-space. His ambiguous person can, of course, nedolyubivat, reproach or blame, it could someone and Irritant - original symbiosis of nervous laughter from dyushanovskim sense of humor (at yutyube can find it sounded films and interviews) - but, in my view, the history of modern 20 centuries of art would certainly be poorer without this eccentric virtuoso persuading the world to the reality of their adventurous Project))


Posted 1 hour 38 minutes
Films of other participants Fluxus http://www.ubu.com/film/fluxfilm.html

In the first act of 1940 - the beginning of 1960, you can add more 'auto-destructive art "- a very interesting area, involving the creation of works of art made from a variety of materials, auto-disable after a certain period of their existence. Temporary amplitude in this case, at times, could cover a period of several seconds to twenty years. Such self-destruction might be the result of both natural processes, such as collision, decay or dematerialization, and the impact of artificially caused by factors such as fighting or confrontation between artists, scientists, engineers and so on.
The very same term - auto-destructive art - which is sometimes also used generally to describe any type of work, capable of self-transformation, was first introduced by Gustave Metzger in his manifesto of the 59 th, when he was working on his own, who became famous in European art circles of the time studies, called "political theory and practice of art," he outlined in his five manifestos. It should be noted that the original in their research were many, and presenting them to the theoretical part of his public lectures - there were the same and debate (something that we have taken some time ago called the fashionable word "discourse") - he accompanied them to demonstrate their innovative technologies creating works of art, including, for example, "painting" in acid on nylon. According to the recollections of eyewitnesses, they were so new and sometimes unexpected, that the majority of those present then, is skeptical about the possibility of being perceived as works of art.
Contemporary art in those years is extremely difficult and sometimes painful as you can see its way in life through the obstacles to recognition. However, the twenty-first century in this sense differs little from the last century - one of the most brilliant contemporary curators Andrei Erofeev earlier in Tagansky court demanded real life ..

Sometimes it seems that the last century was much more liberal

LCR, in the second act, entitled "1960-1970-e" can confidently introduce a new protagonist, unjustly forgotten by the unknown author of wonderful tables.

Soft-art. Movement that emerged in the 60's., Which is based on the use of soft and elastic materials for the sculpture, figurative work, which was given (yes, in general, and still other artists are still attached to) the state of some unfinished form. Founder of the soft-Art is Kles Oldenburgh - Swede by birth, but full amerikosy to grasp, tricks, and the blue by the time pasportine. When the siding in New York to a group of artists united not so much because of the general aesthetic purposes and ideals, but because of the hostility towards abstract expressionism, then raging in the arty American minds, he began to experiment with their own heppenings on the basis of the material itself, which provided in abundance in those years, the very atmosphere of New York's lives. Kles opened a company store "The Store", if I remember correctly, which successfully sold a very original objects, playfully making their intellectual and eccentric contribution to the formation of taste New York's establishment, but at the same time - and all the surrounding peasantry and the immense American prairies. America did it - how greedy cow, you need only look nice and confidently present and she swallows it all - from the Atlantic to the el-hi. However, this is a different story .. Well, then that happened and I believe in art scholarship light deviation from the materiality considered quintessence. The fact that the soft plastic sculptures, refleksirovavshie Oldenburg with his characteristic sense of humor products of mass consumption times of universal psychosis led to his erroneous reference to the genre of pop art. Personally, I can hardly imagine his unconditional belonging to this direction, with all that, some experts from the art history in a hurry even managed to make it one of the leaders of pop art

Claes Oldenburg

art is long, life's short <!--~ 10 ->