Nelly Baranchuk
Запись от Acland размещена 15.08.2009 в 08:35
Recently visited the studio of artist NE Baranchuk. Who loves
art and visiting artists in their studios, knows how
remembered those visits and how long to keep thrills
head - even sorry that no one with whom to share them. I love
floral still life, and in this artist's found what he was looking for.
Flowers - the image of paradise, only they had escaped the fall and saved
fragrance incorruptibility.
All my life N. Baranchuk wrote flowers. Even the "Honored" received for
them - is in the Soviet time, when these were needed
portraits of leading workers and milkmaids. However, against such portraits
I personally have nothing against and I am sure that they Baranchuk N.
turned out to be interesting. Once, according to the artist, she wrote
portraits, but it is still in Khabarovsk during her life. Now
is moving to central Russia, she wrote, and still lifes
tries themselves in the landscape. The next year she will personally
Exhibition dedicated to the round date - 80-th.
Previous anniversary exhibition of the artist out color catalogs of the artist,
Internet is a small gallery of
work: http://www.library.vladimir.ru/srk/barancuk00.htm.
I was attracted to her work a noble and refined taste, fantasy, color,
genuine skill, the use of spectral colors (instead of mixtures
giving the dirt). But the main thing - beauty. Dense yet very refined texture,
with a neighboring areas almost unpainted canvas. In the still lifes good as flowers,
and the background to them. I saw several works with nudity, written conditional
color - beautiful and unusual.
On the shelves in the studio - Matisse, the French, our
sixties, Japanese artists. All the walls in the pictures on
windowsill is a pot of geraniums, which released a green flower
arrow with a red inflorescence at the end - is a kind
color tuning fork. N. Baranchuk pointed to a relic - her portrait
in the technique of Chinese ink on rice paper of the Japanese
artist Toshiko Maruko, with whom she was talking when I lived in
Khabarovsk. Workshop - an island of peaceful tranquility among
Sea and everyday social ills. And at the same time - a place of creativity.
Once again, I realized that lost in the Soviet period the art of the private
(not public, ie, official), the interior is preserved in the workshops
artists, where they are, as opposed to flats, to give rein to their imagination
and create an environment to your liking. Maybe worth thinking about creating
Bank image workshops and studios of artists? In the future it will
very interesting - as it is now would have been interesting interiors shops
Levitan Churlionis or Somov, not to mention the Impressionists or artists
XVI - XVIII centuries. Anyone who has seen photographs of Matisse's studio, will understand me.
Were several works NE Baranchuk. I would like to know the opinion about them
participants.
art and visiting artists in their studios, knows how
remembered those visits and how long to keep thrills
head - even sorry that no one with whom to share them. I love
floral still life, and in this artist's found what he was looking for.
Flowers - the image of paradise, only they had escaped the fall and saved
fragrance incorruptibility.
All my life N. Baranchuk wrote flowers. Even the "Honored" received for
them - is in the Soviet time, when these were needed
portraits of leading workers and milkmaids. However, against such portraits
I personally have nothing against and I am sure that they Baranchuk N.
turned out to be interesting. Once, according to the artist, she wrote
portraits, but it is still in Khabarovsk during her life. Now
is moving to central Russia, she wrote, and still lifes
tries themselves in the landscape. The next year she will personally
Exhibition dedicated to the round date - 80-th.
Previous anniversary exhibition of the artist out color catalogs of the artist,
Internet is a small gallery of
work: http://www.library.vladimir.ru/srk/barancuk00.htm.
I was attracted to her work a noble and refined taste, fantasy, color,
genuine skill, the use of spectral colors (instead of mixtures
giving the dirt). But the main thing - beauty. Dense yet very refined texture,
with a neighboring areas almost unpainted canvas. In the still lifes good as flowers,
and the background to them. I saw several works with nudity, written conditional
color - beautiful and unusual.
On the shelves in the studio - Matisse, the French, our
sixties, Japanese artists. All the walls in the pictures on
windowsill is a pot of geraniums, which released a green flower
arrow with a red inflorescence at the end - is a kind
color tuning fork. N. Baranchuk pointed to a relic - her portrait
in the technique of Chinese ink on rice paper of the Japanese
artist Toshiko Maruko, with whom she was talking when I lived in
Khabarovsk. Workshop - an island of peaceful tranquility among
Sea and everyday social ills. And at the same time - a place of creativity.
Once again, I realized that lost in the Soviet period the art of the private
(not public, ie, official), the interior is preserved in the workshops
artists, where they are, as opposed to flats, to give rein to their imagination
and create an environment to your liking. Maybe worth thinking about creating
Bank image workshops and studios of artists? In the future it will
very interesting - as it is now would have been interesting interiors shops
Levitan Churlionis or Somov, not to mention the Impressionists or artists
XVI - XVIII centuries. Anyone who has seen photographs of Matisse's studio, will understand me.
Were several works NE Baranchuk. I would like to know the opinion about them
participants.
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