Graphics

Graphics combines several arts, in which the image consists of lines, spots, lines predominantly one color (usually black). sometimes with limited use of other colors. Graphic representation of the conditional nature of the picturesque, as it does not seek to convey all the complexity and richness of colors of the surrounding world, ie, not seeking picturesque completeness of the transfer of live, real flesh things. At the same time, the graphic arts have other characteristics and qualities that make up this well-known conventional graphic language.
 There are different materials and techniques and types of graphics. Easel painting and applied graphics at first, as in easel painting, the meaning and purpose of works completely exhausted their artistic content, and applied graphics and content, and format associated with a particular purpose of the work.
 So, book graphics designed to decorate and arrange the book, and illustrations reveal a visible image of the content of literary works. The poster is intended to reflect the political themes of modernity, to promote the basic ideas and knowledge, or serve the purposes of information. Journal-news-image, which includes a caricature and a portrait, should carry out by means of arts common problem of the periodical press. Finally, Industry chart-draw all kinds of products, brochures, diplomas, calendars.
 Movies, theater. Each of these arts has an arsenal of artistic means, characteristics and requirements for them.
 So, book graphics, serving as a decoration of the book, while designed in graphics, intros, titles reveal a visible whether the images in abstract forms, whether decorative ornament and a font of individual literary works or their common poetic, spiritual and ideological meaning. Performing originals for book illustrations produced by all existing graphic materials, but almost always the originals then reproduced in the book photomechanical means. In a production schedule demands of utilitarian, practical use of the work performed by artists combined with the artistic and aesthetic problems.
 In other words, labels, calendars, wrapping, etc. must be comfortable. Desirable, attractive, responding aesthetic ideal consumer, national, professional, age traditions and the requirements to have stylistic relationship with the environment. Graphics do not have the rich possibilities of the modeling forms such as portrait or landscape that are inherent in art. Unlike painting, where they can apply different frameworks (canvas, wood, cardboard, paper, metal, wall, etc), the sole basis for the graphics used sheet of paper. Even for those called to the deep specificity graphics as an independent art form.
 Paper since its inception has never been for a man of simple materials. On a sheet of paper is closely related to writing, the art of calligraphy.
 What is to decorate the painted portrait in calligraphy location of two contrasting materials-and-white paper and black ink, depending on how you found the ratio of these two materials. Equally important that the lines themselves in the portrait form a consonant with one another and graceful in themselves forms and shapes and that they gave her filling the beauty in the portrait remains clean paper. This skill is a single movement of the wrist at the same time to organize and black and white space, the principle of complementary harmony of black make up the essence of the decorative graphic art that is different from painting, where color consistently fills the entire plane. The shape of objects in the chart are transmitted mainly more generally than in oil painting, most often through the silhouette and the necessary parts-a hint, it is conditional and only to the extent that they fall into a decorative design of the work.
 On the contrary, such ephemeral phenomena such as shadows, light, smoke, etc., there may acquire materiality is not peculiar to them in the painting. This is due to the duality of graphic images, so that the images are actually here to the state of the planar plate.
 Meaning which the artist reveals in the mark.
 Graphic materials and tools are quite diverse, and their options provide a variety of effects. In addition to spot means the graphics are line and bar. Each in its own way, they are also relative. On the basis of drawing the line as discussed in Appendix I want to say that in nature there are no clear lines, that visual sensations line represents the trajectory of the eye and the image-conventional boundary shape.
 In the linear figure stands out several types of lines, differing in the degree of conditionality. The closest answer to the real visual experience those that depict the outer limits of the form or indicate sharp bends, the contrasts of parts. But sometimes artists represent the line of smooth transitions in reality forms within the picture, wanting to maintain the style figure, the unity of representational resources.
 Such a method used by such artists as A. Durer. Work stroke is widely used in prints, and the easel chart, and preparatory drawings. It is characterized by high mobility in the changes of density, diversity of texture and softness of the modeling circuit. Depending on the material and problems it can produce very different impressions.
 Barcode enriches toning, replacing a sharp contrast between black and white, it gives a softer and contrast, and the nature of the boundaries for many intermediate shades. Serve the same purpose and graphic materials with different strength tone. hues, texture and above all the usual graphic pencil. He gives a silver-gray tone, they can be carried out and the sharp and soft lines; Italian pencil leaves a dark, velvety trail; Coal peculiar soft, vibrant texture, similar, but more dense texture inherent in Sangin-colored materials (usually shades of brick), also pencil, charcoal, dry brush, etc
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