Leonti V. Gorbunov . The graph. Born June 17, 1929 in the village area Tselinograd Semenovka Akmola region of Kazakhstan . In 1956 he graduated from the Frunze Art School. Part in exhibitions since 1962.

Since 1979 - Member of the Union of Artists. He lives in the city of Osh. Works primarily in watercolor. Writes on wet paper , using modern techniques of watercolor writing. Artist's creative growth has contributed to the work of visiting all-union groups watercolors . Gorbunov created an entire artistic chronicle of the life of various parts of the vast country , the former USSR . Many works devoted to the south of the republic, which is for him an inexhaustible spring of inspiration .

Participant of republican and international exhibitions. His works are in the Kirghiz National Museum of Fine Arts. G. Aitieva , museums CIS , as well as in private collections.

Kenbai Moldakhmetov SYZDYKOVICH (1925-93 gg.) Kazakh painter, People's Artist of Kazakhstan (1985). He graduated from the Alma-Ata Art College. Nikolai Gogol, Moscow State Art Institute. Vasily Surikov. He studied under F. Reshetnikov. He worked in the city of Alma-Ata in 1956, in 1965-1980. - Professor of painting and drawing Architectural faculty of Kazakh State Polytechnic Institute. VI Lenin, 1980 - Alma-Ata Architectural Institute. Exhibitions since 1949 Moldakhmetov Kenbai belongs to a generation of artists 50s. Pictures of M. Kenbaeva widely reflect the national character, sung by the life and traditions of the Kazakhs. On the artistic value of the paintings of M. Kenbaeva says that the best of them are stored in the collections of the Tretyakov Gallery (Moscow) and the State Museum of Art. Kasteev. The best works of M. Kenbaeva - "Catching Horses" (1961), "Conversation" (1957), "Song of the Shepherd" (1956) - sung by the steppe as a source of life, beauty and poetry. They are imbued with a sense of joy from the feeling of harmonious fusion of man and nature. M. Kenbaeva merit in what he saw and praised the beauty of the everyday, traditional. The most common scene turned into paintings in his majestic hymn to the glory of the owner of land and the surrounding natural world. Critics love to write about paintings folk artist Moldakhmetov Kenbaeva. Even in standby museum press release, you can read an essay about the famous canvas "Catching Horses": "Leaves a hot summer day. At sunset hour blaze snow-capped peaks of distant mountains and gorges in the evening chill descends blue shadows. On sun-scorched grass steppe riders race after snow-white, almost fairy-tale horse. Artist's brush looseness, smear - a free, wide, color - a bright, tight, perfectly conveys the impression of an acute excitement and fury of the chase, feeling the joy of living, life-affirming in man, transforming everyday scene in a romantic, exciting event. " The painting "Catching Horses" is in the permanent exhibition of the Tretyakov Gallery, as well as works of Academician Fyodor Reshetnikov painting, teachers Moldakhmetov Kenbaeva. The author is very fond of this symbolic painting, where he managed, as they say, throw out the soul. Many landscapes and portraits, easel paintings, and monumental compositions, created by the master, with every reason to be called "steppe encyclopedia of painting." This collection is full of boundless wonder at the beauty of their native mountains and steppes, admiration for the peace of mind and a courageous mind countrymen. Master cognized life is not hearsay stories found not reproductions, and in direct contact with reality, in a blood connection with their favorite characters. Kenbai everywhere find it an opportunity for the lyric response, even when it seemed that officially approved by the theme dictated the cold splendor. Here is his own confession: "As soon as I felt that I could pass the means of painting an unusually rich palette of nature, and above all the steppe, its expanse, the vastness, and most importantly, her beauty, I got sick," Steppe's disease, "so to speak. I dreamed and dreamed of the steppe. I wanted to let all so fond of the steppe, as he loved and I love her. It is everywhere with me. "

"Furious Moldakhmetov" - so called friends of the painter. He was an enthusiast, open, explosive temper, hot debater, aggressively defended his opinion, do not hesitate steep emotional intensity. Most likely, this is why the teacher Kenbaeva, who taught painting, drawing and composition, were very fond of art school students and theater and art institute. If praise, so people on the seventh heaven, and if inveigh against, so the creeps and thought: Do not go, until it was too late to learn metalwork.

Died Moldakhmetov Syzdykovich Kenbai in 1993 in Almaty.KENBAEV Moldakhmetov SYZDYKOVICH (1925-93 gg.) Kazakh painter, People's Artist of Kazakhstan (1985). He graduated from the Alma-Ata Art College. Nikolai Gogol, Moscow State Art Institute. Vasily Surikov. He studied under F. Reshetnikov. He worked in the city of Alma-Ata in 1956, in 1965-1980. - Professor of painting and drawing Architectural faculty of Kazakh State Polytechnic Institute. VI Lenin, 1980 - Alma-Ata Architectural Institute. Exhibitions since 1949 Moldakhmetov Kenbai belongs to a generation of artists 50s. Pictures of M. Kenbaeva widely reflect the national character, sung by the life and traditions of the Kazakhs. On the artistic value of the paintings of M. Kenbaeva says that the best of them are stored in the collections of the Tretyakov Gallery (Moscow) and the State Museum of Art. Kasteev. The best works of M. Kenbaeva - "Catching Horses" (1961), "Conversation" (1957), "Song of the Shepherd" (1956) - sung by the steppe as a source of life, beauty and poetry. They are imbued with a sense of joy from the feeling of harmonious fusion of man and nature. M. Kenbaeva merit in what he saw and praised the beauty of the everyday, traditional. The most common scene turned into paintings in his majestic hymn to the glory of the owner of land and the surrounding natural world. Critics love to write about paintings folk artist Moldakhmetov Kenbaeva. Even in standby museum press release, you can read an essay about the famous canvas "Catching Horses": "Leaves a hot summer day. At sunset hour blaze snow-capped peaks of distant mountains and gorges in the evening chill descends blue shadows. On sun-scorched grass steppe riders race after snow-white, almost fairy-tale horse. Artist's brush looseness, smear - a free, wide, color - a bright, tight, perfectly conveys the impression of an acute excitement and fury of the chase, feeling the joy of living, life-affirming in man, transforming everyday scene in a romantic, exciting event. " The painting "Catching Horses" is in the permanent exhibition of the Tretyakov Gallery, as well as works of Academician Fyodor Reshetnikov painting, teachers Moldakhmetov Kenbaeva. The author is very fond of this symbolic painting, where he managed, as they say, throw out the soul. Many landscapes and portraits, easel paintings, and monumental compositions, created by the master, with every reason to be called "steppe encyclopedia of painting." This collection is full of boundless wonder at the beauty of their native mountains and steppes, admiration for the peace of mind and a courageous mind countrymen. Master cognized life is not hearsay stories found not reproductions, and in direct contact with reality, in a blood connection with their favorite characters. Kenbai everywhere find it an opportunity for the lyric response, even when it seemed that officially approved by the theme dictated the cold splendor. Here is his own confession: "As soon as I felt that I could pass the means of painting an unusually rich palette of nature, and above all the steppe, its expanse, the vastness, and most importantly, her beauty, I got sick," Steppe's disease, "so to speak. I dreamed and dreamed of the steppe. I wanted to let all so fond of the steppe, as he loved and I love her. It is everywhere with me. "

"Furious Moldakhmetov" - so called friends of the painter. He was an enthusiast, open, explosive temper, hot debater, aggressively defended his opinion, do not hesitate steep emotional intensity. Most likely, this is why the teacher Kenbaeva, who taught painting, drawing and composition, were very fond of art school students and theater and art institute. If praise, so people on the seventh heaven, and if inveigh against, so the creeps and thought: Do not go, until it was too late to learn metalwork.

Died Moldakhmetov Syzdykovich Kenbai in 1993 in Almaty.

Isupov Alex (Alessio) V.

March 10, 1889 (Vyatka) - July 17, 1957 (Rome)

Painter, graphic artist

Born into the family woodcarver. Original art education in the icon workshop. In 1908 he came to Moscow and entered the MUZhViZ, where he studied under A. Arkhipov, Vasnetsov, as well as in the studio Konstantin Korovin and Valentin Serov. He graduated from college in 1913.

Since 1909 - Member of the Vyatka Art Circle, participated in the organization in Vyatka Art Museum. From 1910 (until 1915) is regularly exhibited his works at exhibitions of Russian Artists Union, from 1912 - in exhibitions TPHV, since 1916 - member of the Association.

In 1914 he was drafted into the army and sent to the reserve regiment in Turkestan. In 1917, exempted from military service at the request of the Union of Russian Artists. In 1919 he taught at the Tashkent edge art school. In 1920 he moved to Samarkand, where on the instructions of the Commission for the Conservation of Historic and Cultural Monuments sketched mosaics and architecture of the ancient city. Created a series of oriental landscapes and genre scenes.

In 1921 he returned to Moscow. Executed a series of paintings devoted to revolutionary themes, written on behalf of the Government a series of portraits of Soviet statesmen. In the early 1920s have been discovered Isupova symptoms of tuberculosis, at the insistence of doctors he went to Italy, he settled in Rome. In the 1920 - 1930 he traveled in Italy, created landscapes, genre scenes and portraits. His paintings quickly achieved fame in European art circles, personal exhibition were successfully held in Rome (1927, 1928, 1933, 1945), Milan (1929-1931), Bergamo (1935), Trieste (1935), Turin (1937) , also participated in exhibitions in France, Holland and Belgium.

The artist's works continued to appear in the Soviet exhibitions, in particular at the First National touring exhibition in 1925, and others. He sympathized with Soviet Russia, was familiar with Maxim Gorky and the Soviet ambassador in Rome, DI Kursk. During the Second World War took part in the Italian Resistance.

After the war he worked relatively little because of progressive disease Hand, wrote mostly still lifes.

The memorial exhibition held in Kirov Isupov (1971), Moscow (1973), Tashkent (1977).

In his work, has managed to unite the Russian artistic tradition and excellent knowledge of the techniques of European schools of painting. But in Russia, his name until recently was known only to specialists. This is largely due to the fact that the largest and most productive part of the artist's life was in Italy, where he gained fame a brilliant draftsman and painter, working with a variety of genres: portrait, landscape, still life, domestic violence and animalistic genres.

Creativity Isupov is represented in many European and Russian museums, including the Uffizi Gallery in Florence, the National Gallery of Modern Art in Rome, Gallery of Modern Art in Milan and Naples, the State Tretyakov Gallery in Moscow. The most significant collection of works by the master has the Kirov regional art museum. VM and AM Vasnetsov, which by the will's widow Isupov received most of the Roman works of the master (300 pictures).

元宝, 元宝, yuánbǎo, yuanbao, sycee, yamboo, yambu

Silver, wholesale money, China.

1) size 8x3, 5sm


2) size 4,4 x2, 2sm

Bratina ( bucket) fancy shape with a handle, which is mounted on the composition in the form of 2- heroes on patrol. Silver , embossing, casting, engraving , assembling , patinated , gilded . Weight about 2500gr Size: 30h35h25sm . Hallmarks : 84 test, 84 samples from the stigma of a woman's head in the headdress , turn right and the Greek letter delta , meaning belonging to the city of Moscow, the master brand "SW" ( Stephen Vyakeva ). Russia , Moscow , workshop Vyakeva Stephen, 1908 1915god . Stephen Vyakeva - owner of the shop , who served orders of Faberge . Items studio Stephen Vyakevy published in the book " Faberge. Jewelers Great Russia." Treasures of the Armoury. T. Muntean.
Package Size: 52h37h35sm .

The Koran, a manuscript in Arabic handwriting "Maghreb", was used until the 18th century, the manuscript is decorated with gold, a larger format 30h22h5sm, 17th century.

Richard Sommer, Karl Karlovich [1] (1866 - 1939) - Russian painter, watercolorist, and one of the founders of the Tiflis Society of Fine Arts.
 Biography

Richard Sommer, Karl Karlovich of 1884 was a volunteer at the Imperial Academy of Arts. During training, he was awarded several medals, large incentive. In 1893 he completed his training with the rank of the class artist third degree.

Since the late 1890s and early 1900s, Sommer has worked extensively in Central Asia in the period from 1912 to 1917 he worked in the South Caucasus: Georgia, Armenia and Azerbaijan.

He is the author of numerous works of painting, as well as a number of graphic works in the main genre of ethnographic character.
Richard Sommer, Karl Karlovich "Chayhona" in 1899. Tashkent

In his works he depicted as a household, and battle scenes, and the types of Turkestan monuments and landscapes of the old quarters of Tashkent, Bukhara and Samarkand.

Since 1894 the work of Sommer were exhibited, "the St. Petersburg Society of Artists", and later - at the annual Fall fairs and exhibitions, "Society of Russian watercolors." In 1915, the exhibition of works by Sommer was held in Tashkent [2].

Currently, works by R. K. Sommer are in the collections of the State Russian Museum, Omsk Regional Museum of Fine Arts, the Tula Regional Art Museum, State Art Museum of Azerbaijan (Baku), Museum of Cultural History and Art of Uzbekistan (Samarkand), the National Art Museum of Northern Ossetia , Museum of Fine Arts of Uzbekistan (Tashkent) and many others

Swiss Orientalist painter Otto Pilny (1866-1936).

Perelman V., Devin DM
1954 55g.g.
Vladimir Mayakovsky in "Window of Growth," .1919 year
oil on canvas 90smh1m30sm


Perelman Viktor
1892, Lipetsk - 1967, Moscow
He studied at the School of Drawing Bogoliubov in Saratov, 1910-1912, and then - in
Kalin P. studio in Moscow in 1914-1915, he continued his studies at the Moscow School
Painting, Sculpture and Architecture in 1915-1919 in N. Kasatkina, A. Arkhipov,
SV Malyutina, Korovin. Member of Association of Artists of Revolutionary Russia
(AHRR, 1923-1932).

Devin-Nuremberg David Markovich
1896 (Yelisavetgrad Kherson Province) - 1964 (Moscow)
The painter and graphic artist.
   Born into the family of an architect-contractor, the younger brother of the artist Amsheev Nuremberg. In the late 1900s - early 1910s he studied at the Odessa Art School in KK Kostandi. Participated in the First World War, was awarded the Order of St. George. During the Civil War belonged to the first anarchists, then moved to the Red Army, was the commander.
   In 1920 he moved from Odessa to Moscow, where he continued his studies in painting at VKhUTEMAS Pyotr Konchalovsky. In 1922 he joined the Association of Artists of Revolutionary Russia (AHRR), took a creative pseudonym Devin. In the 1920s, went to the trip to the Caucasus to Central Asia, visited on many construction sites of socialism, where he completed a number of industrial landscapes. In 1932 joined the Union of Artists. In the same year took part in the exhibition "Artists of the RSFSR XV years."
   During World War II he was evacuated with his family in the Kirov region. On his return to Moscow he worked on official orders: painted portraits and genre paintings of the leaders of an ideological nature. At the same time creating art and graphics in the spirit of "silent art" - intimate portraits of friends and family members, sketches of nudes and landscapes.
    At its creative manner significantly influenced by the art Konchalovsky and other masters of the "Knave of Diamonds." The artist belongs to the newly discovered names of Russian Art, recently introduced into scientific circulation. This contributed greatly to the retrospective exhibition of works by David Amsheev and Nuremberg, which took place in 2006 in the Gallery "The Ark".
   Works Devinova-Nuremberg are located mainly in private collections and from the heirs of the artist. Perelman V., Devin DM
1954 55g.g.
Vladimir Mayakovsky in "Window of Growth," .1919 year
oil on canvas 90smh1m30sm
rarity.

Perelman Viktor
1892, Lipetsk - 1967, Moscow
He studied at the School of Drawing Bogoliubov in Saratov, 1910-1912, and then - in
Kalin P. studio in Moscow in 1914-1915, he continued his studies at the Moscow School
Painting, Sculpture and Architecture in 1915-1919 in N. Kasatkina, A. Arkhipov,
SV Malyutina, Korovin. Member of Association of Artists of Revolutionary Russia
(AHRR, 1923-1932).

Devin-Nuremberg David Markovich
1896 (Yelisavetgrad Kherson Province) - 1964 (Moscow)
The painter and graphic artist.
   Born into the family of an architect-contractor, the younger brother of the artist Amsheev Nuremberg. In the late 1900s - early 1910s he studied at the Odessa Art School in KK Kostandi. Participated in the First World War, was awarded the Order of St. George. During the Civil War belonged to the first anarchists, then moved to the Red Army, was the commander.
   In 1920 he moved from Odessa to Moscow, where he continued his studies in painting at VKhUTEMAS Pyotr Konchalovsky. In 1922 he joined the Association of Artists of Revolutionary Russia (AHRR), took a creative pseudonym Devin. In the 1920s, went to the trip to the Caucasus to Central Asia, visited on many construction sites of socialism, where he completed a number of industrial landscapes. In 1932 joined the Union of Artists. In the same year took part in the exhibition "Artists of the RSFSR XV years."
   During World War II he was evacuated with his family in the Kirov region. On his return to Moscow he worked on official orders: painted portraits and genre paintings of the leaders of an ideological nature. At the same time creating art and graphics in the spirit of "silent art" - intimate portraits of friends and family members, sketches of nudes and landscapes.
    At its creative manner significantly influenced by the art Konchalovsky and other masters of the "Knave of Diamonds." The artist belongs to the newly discovered names of Russian Art, recently introduced into scientific circulation. This contributed greatly to the retrospective exhibition of works by David Amsheev and Nuremberg, which took place in 2006 in the Gallery "The Ark".
   Works Devinova-Nuremberg are located mainly in private collections and from the heirs of the artist.

A pair of bronze candelabra, fire gilding, height 90 cm, each at 10

candles, Russia, Empire, 1940-ies.