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23.07.2008, 08:26 | Язык оригинала: Русский #1 |
Гуру
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On examination of works of Leonardo da Vinci
I am not convinced that they had found the right place for this article, but if anything, Admin it will bring in a more appropriate section. I myself have not seen this report - I have no TV, I just translated the text from this site (stupid is simple enough )
http://www.artcult.fr/_Lejournaldunf...mp;Chapitre=29 According to historians of art usually has more weight than the opinion of the scientist, even if the scientist himself a great lover of art. French television program Arte (Arte) showed a report about Maurizio Serachini, scientist, lover of Leonardo da Vinci, who tried using the latest technologies to unravel the mystery of the masterpieces of this artist.
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23.07.2008, 10:15 | Язык оригинала: Русский #2 |
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LCR, I saw a documentary on channel Culture how Serachini searching for this fresco of Leonardo, however, it was about a year ago. Details do not remember, but the story was convincing. Indeed, Vasari, Leonardo's work did not touch, was built a new wall, which he painted.
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Этот пользователь сказал Спасибо Allena за это полезное сообщение: | LCR (23.07.2008) |
24.07.2008, 12:28 | Язык оригинала: Русский #3 |
Гуру
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that is, as far as I understood from the article, "The Adoration of the Magi" is not da Vinci was painted? but, if it knew before, it would also be admired? not made a name most of blagoveynogo worship?
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24.07.2008, 15:08 | Язык оригинала: Русский #4 | |
Пользователь
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Цитата:
1. Significant differences between the preparatory drawing of the final version of the picture can not be an argument in favor of changing the author in the process. 2. Moreover, the very modest collection of information about the nature of the preparatory drawings of Leonardo (or any of its graphics) spoke in favor of the fact that the artist is always a lot of time reworking the track, and any surface suitable for writing (including primed canvas or a wall) could be used not only to develop the product composition of the future, but also for "fixing" of ideas - and this explains the presence of a self-portrait. 3. Naturally, then had to somehow produce a finished item to the customer (with finality Leonardo has always been a problem), so everything is hidden behind layers of painting. 4. Often in the treaties of the artist and customer to prescribe a mandatory condition - agreement on the stage of preparatory work for the so-called vidimus'a (sketch on paper) or a preparatory drawing on the ground. The customer has the right to make their own changes and amendments that should have been included in the final version. In my opinion, this example would be a good explanation for the more traditional arrangement of the final compared with the preparatory drawings. [color="# 666686"]Added after 5 minutes[/color] "Scientific diagnostician, saw a true" Adoration of the Magi " Among obsessed scientists and scheming prelates who inhabit the world of Dan Brown's bestseller The Da Vinci Code ", there is a real person. Maurizio Serachini works decorated with frescoes in the Palazzo with high ceilings, which separates the river from the Uffizi gallery in Florence. Room packed with equipment, which makes him look like a hospital or laboratory.
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24.07.2008, 15:28 | Язык оригинала: Русский #5 |
Гуру
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too many facts that refute and prove different points of view. As a result, the absolute confusion in my head))) It seems a long time before we know the truth))
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24.07.2008, 15:46 | Язык оригинала: Русский #6 |
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I think this is an illusion:
a broad sense, we can not know the whole truth about any one of the paintings. But there is no confusion, no special. This is a normal situation for art XV-XVI century. I do not understand why Serachini so attached it to the "Adoration of the Magi" and in general to Leonardo. He is still there and the symbolism of the Templars found - just some "Da Vinci Code" together with "Foucault's Pendulum"))) |
24.07.2008, 15:53 | Язык оригинала: Русский #7 |
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This Andrei Rublev - the same question
About six months ago watching a program that sounded convincing idea that a true and convincing Andrei Rublev is not too hard to find - all written, recorded, the sources are contradictory, record "does not converge, and a lot of things. Difficult to name, that of the film. But I think it was a movie about how Tarkovsky shot his "Andrei Rublev" and consultant-narrator was Savva Yamshchikov (http://www.zavtra.ru/cgi/veil/data/z...2/438 /61.html). That is why something such association remained. And yet heard that the Trinity is also being renovated several times, and in the original have Rublev and poses and the faces were different. I remember the words Yamshchikova that now with the experience he knows about Rublev's much less than in his youth.
So the problem with the Italians have common - quality and reliability of sources, the ability to separate the colored reality. |
24.07.2008, 17:57 | Язык оригинала: Русский #8 | |
Бывалый
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Цитата:
I personally saw in St. Petersburg in the Russian Museum now NN Ge on the story of the Last Supper, where Jesus is sitting next to a woman, there is no doubt in her appearance and clothing. And years of life Kye - 1831-1894, ie Brown clearly before writing his book. It's not all. In the same St. Petersburg St. Isaac's Cathedral in one of the passages between the pillars on the floor at the desk, the two are opposite each other, two identical semicircular mosaic (small width of about meters each). Both - The Last Supper. On both side of Jesus - a woman, no doubt this is also no. So Brown's far-fetched plot of some kind. In bewilderment did not matter. I even have a documentary about the underpinnings of the "Da Vinci Code, there is one and a half hours of some people, like historians argue about it - it might or might not be so - but nothing sensible to conclude from this is impossible. However, watching this documentary carelessly, he some kind of uninteresting. And the movie "The Da Vinci Code" - well, as a fighter for a single view once more come down, but no more. |
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