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24.03.2010, 13:56 | Язык оригинала: Русский #11 |
Авторитет
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All he knew! Read his letter. "Black Square" is a manifesto! How can it?! End of figurative art. Suprematic reality for him was a reality that he was trying to convey to their students. Just need before making conclusions about the square, at least read a little about its creators. Nothing difficult. (Sorry if Oveta sharply)
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«Художник – это человек, который пишет то, что можно продать. А хороший художник – это человек, который продаёт то, что пишет». ПАБЛО ПИКАССО |
Эти 5 пользователя(ей) сказали Спасибо eva777 за это полезное сообщение: | artcol (21.06.2010), K-Maler (17.06.2010), LCR (17.06.2010), Samvel (25.03.2010), Кирилл Сызранский (24.03.2010) |
25.03.2010, 07:58 | Язык оригинала: Русский #13 |
Бывалый
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Initially, the famous square of Malevich first arose in the scenery of the opera "Victory over the Sun" as the plastic expression of the victory of the active human creativity over passive form of nature: a black square instead of the solar disk. This was the famous scenery of the fifth stage of the 1 st action.
"Square" played a role in the design of Malevich's funeral in 1935. During the funeral, on an open platform of the truck with the image of the black square on the hood has been installed Suprematist sarcophagus, and over the tomb (near the village of Nemchinovka) was placed a wooden cube with the image of the black square. Soon the grave was destroyed. |
25.03.2010, 21:57 | Язык оригинала: Русский #14 | |
Новичок
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21.06.2010, 12:42 | Язык оригинала: Русский #17 |
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Revelation, they say, caught up with Malevich while working on a second (never implemented) brochure victory over the Sun. Preparing drawings in the 15th, he did the last step on the path to irrelevance. The significance of this most radical turning point in his life, he realized at once it would seem, as we immediately dashed off a letter to Matiushin: they say it will be important in the painting and what was done unconsciously, now let's extraordinary results. Although, I should add, they were his and some apprehensions. And not in vain.
When Malevich wrote his first booklet "From Cubism to Suprematism", published again his faithful friend Matyushin and distributed at the last Futurist Exhibition 0,10 (nol-desyat) all the same the 15th, he suggested it as Suprematism heir of Futurism and encouraged to unite under his banner. But no such luck - Pals sharply opposed, and its rejection was explained by the fact that not prepared to say unequivocally take a new direction, insoluble Malevich called his paintings "Suprematism" in any directory, either on display anywhere. As a result, he had literally an hour before the opening day handwritten posters with the name of Suprematism art and spur of the moment to hang them side by side with the works. It was then, and saw the most spectacular in my view point - in the "red corner" of the hall, he hoisted the black square, shaded display of the remaining 39 paintings. Those that have survived and have become classics of high 20 th, and now, and the 21 st century There is absolutely no doubt that the black square is a kind of zero point of reference, as if it encompasses all forms and all colors of the world, bringing them to a plastic formula, which is dominated by black (total absence of light and color) and white (the simultaneous presence of all colors and very light). Underlined simple geometric shape, sign, not ideologically linked to any way, subject or concept existed in the world. In general - a genius, but - genuine genius. Frankly seek its own way, some desired .. But his tomb really was not kept. When he died in the 35-m, was so great and recognized his authority, that on Nevsky Prospect, proceeded whole mourning procession and an open platform of the truck with the Black square on the hood has been installed suprematic sarcophagus. From there, with the Moscow station's coffin was taken to Moscow and after the cremation urn with the ashes buried in a field under a tree. Five years later, precisely in those places walked worst in the history of the war .. |
Эти 6 пользователя(ей) сказали Спасибо ni_m за это полезное сообщение: | DSF (21.06.2010), eva777 (21.06.2010), LCR (21.06.2010), SAH (18.10.2010), Кирилл Сызранский (21.06.2010) |
17.10.2010, 22:59 | Язык оригинала: Русский #18 | |
Гуру
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Последний раз редактировалось I-V; 18.10.2010 в 19:52. |
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17.10.2010, 23:59 | Язык оригинала: Русский #19 | |
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And it was necessary to have the intellectual courage to write it. Important and significant thing, only for her performance as "top" does not fit. Tops were in the 15-17 century on the hills and valleys. |
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24.10.2010, 22:50 | Язык оригинала: Русский #20 | |
Гуру
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Among the supernatural and spirits, the most realistic for the Tahitians were tupapau, the ghosts of dead people, who are usually at night. Gauguin himself was convinced of the power of this belief, when one day he came back very late in the cabin and found his girl-bride in the dark, sprawled on the bed, frantic with fear. Tahitian women never slept at night without light, while Gauguin was over oil lamp, which was one of the reasons for his departure. Paul Gauguin: "Lying in the background colors exist only in imagination, so I made them look like sparks." "Sheets written by an eerie yellow color because it is sudden and strange to the viewer, so that the yellow color reminiscent of the light bulb." (From the book: Robert Uolleys "World of Van Gogh"; Moscow Terra, 1998). Последний раз редактировалось I-V; 25.10.2010 в 09:32. |
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