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Art Kaleidoscope Interesting and relevant information about art. Discuss general art issues and any topics not covered in other forums. It’s only about art — love, politics, sports, hobbies etc. are discussed in “Chatter”. |
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Опции темы | Опции просмотра |
26.08.2009, 20:38 | Язык оригинала: Русский #21 | |
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27.08.2009, 05:00 | Язык оригинала: Русский #22 |
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PALACE EDITIONS, 2002, State Russian Museum, St. Petersburg. Stedelijk Museum /Foundation International Cultural Center Khardzhiev-Chaga, Amsterdam
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27.08.2009, 18:55 | Язык оригинала: Русский #23 |
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With Khardzhiev happened somehow strange. It is unlikely that he would like what happened in the end. In 90 years of breaking off and go nowhere, to sell part of what is the meaning of life and die in an empty, cold, uninhabited house ...
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Этот пользователь сказал Спасибо Ухтомский за это полезное сообщение: | Тютчев (27.08.2009) |
27.08.2009, 19:33 | Язык оригинала: Русский #24 |
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Another strange paragraph:
<<With all the fantastic ingenuity and virtuosity of the work of the great Russian avant-garde Filonova auction value of his works is not close to the paintings of Malevich. According to one art critic for The Washington Post, here affected by the fact that Filonov was a little more understandable to the Soviet arts bureaucracy, making it more likely to buy in domestic museums, and, consequently, fewer were exported to the West. Kazimir Malevich in the Soviet Union feared less, why he had not died in storerooms, and became available for the world. Almost half a century hung Suprematist works by Kazimir Malevich in the walls of the famous Museum of Modern Art (MoMA) in New York and the Museum "Stedeliyk in Amsterdam before they reached the current price exorbitant figures.>> Is not it somehow strange to read about the work Filonova that they are "fantastically inventive" and "masterly". I would certainly not able to use these epithets, referring to the work of one of the most enigmatic of representatives of Russian art. So we can speak of salon painters, but of Filonova as a language does not rotate! Art critic for The Washington Post, "reflects on Filonova!? This is something! American journalist, apparently, could not find any other explanation of the fact that these works Filonova virtually no market? He did not know that Paul Filonov rarely sold (for peanuts) their work, despite the need. And even if we knew it might not have believed it and could not understand how not understand his fellow countryman, Baskervil gallerist, who believed Filonova "the greatest artist in the world" and urged him to sell that be a lot of money. Filonov not agree even on foreign exhibitions, believing that his work must first see at home. The reason, of course, not only in these "oddities" Pavel Filonov, but also in the specifics of his creative method. The fact is that many of his works, he finished over two decades, believing that something else is not completed yet. Filonov not sell their works abroad, but at home his work was not appreciated. A well-known fact that his pictures almost did not include in the exhibition until 1988-year. Almost all of Filonov, in the end, proved in the funds G.R.M. due to the fact that they gave there EN Glebova - sister of the artist. So favor Soviet officials no more than an invention of the American journalist and the result of ignorance of Russia's hack writers. P.S. By the way, I can not for the sake of justice once again not to say that the American gallerists Filonova discerned during his lifetime. |
28.08.2009, 21:35 | Язык оригинала: Русский #25 | |
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Here's another article about Khardzhiev from the magazine "Power", by which explicitly represents Khardzhiev dishonorable man, citing the same old saying Nadezhda Mandelstam. http://www.kommersant.ru/doc.aspx?DocsID=167340 Excerpt from the article: But Nicholas Khardzhiev did not need too much hype around the collection. Nadezhda Mandelstam once wrote a very tough: "Khardzhiev (SOB), a eunuch and loot. Unlike Kostaki, Nikolai Ivanovich never bought paintings and manuscripts. He took the documents to make copies - and delayed them by themselves; left pictures "for storage" and under no circumstances are not returned to the owners. Khardzhiev jealously believed that he has more right to the proximity to the primary sources than inattentive heirs and relatives of the great avant-garde. Following remarks N. M. I came to publish the magazine "The Friendship", in which the printed portion of the book Lydia Chukovskaya (daughter of Kornei Chukovsky and Mary Borisovny Goldfeld) "House of the poet." This work - the objection to the "Second Book" N. M., published in Paris in 1972. http://magazines.russ.ru/druzhba/2001/9/chuk.html Excerpt from publication: What has been done Nadezhda in the pages of the second book from one of his closest friends - his and Anna Akhmatova, one of my friends and connoisseurs M., Nikolai Ivanovich Khardzhiev, this does not want to write, and cry out. By Khardzhiev these pages have nothing to do. There exists and operates under his name for some other person as another person exists and operates in the pages of the second book under the name Petrova, but the most self-portrait of Nadezhda without pages of Khardzhiev would be incomplete and not sufficiently bright. To complete her self-portrait pages on NI Khardzhiev, a true treasure.
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29.08.2009, 09:10 | Язык оригинала: Русский #26 | ||
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Этот пользователь сказал Спасибо fross за это полезное сообщение: | Jasmin (29.08.2009) |
28.03.2018, 20:27 | Язык оригинала: Русский #27 |
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Photos from the exhibition Archive Hardzhieva. Moscow. 2018
Let there also lie down: https://artinvestment.ru/news/exhibi...a_archive.html
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