Старый 27.08.2008, 08:01 Язык оригинала: Русский       #1
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По умолчанию Kropiwnicki Leo (1922-1994)

Today in 1922 - was born Lev Evgen'evich Kropyvnytskyi (27.08.1922-26.05.1994), painter and graphic artist, one of the representatives of the new wave of Soviet avant-garde.
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Born in Tyumen, August 27, 1922. The first lessons of art borrowed from his father. In 1939 he entered the Moscow Institute of applied and decorative arts. In 1941-1944 - in the army, after a serious injury was a disability and returned to Moscow.

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He continued his studies, but in 1946 was arrested on charges of belonging to the "anti-Soviet terrorist organization" and sentenced to 10 years in the camps. He served a term in the Komi Republic and Kazakhstan. Released in 1954, without the right exit from Lake Balkhash, worked as a director and an artist in a local house of culture.

After rehabilitation (1956) lived in Moscow. Since the late 1950's made a living at the works of decorative art, but it is not by no means pure "hack-work for the roof: its colorful posters, as well as an elegant exposition Design (Museum: Literature and the Pushkin in Moscow , Leo Tolstoy in Yasnaya, AN Ostrovsky in Shchelykovo, and others) seamlessly into the then finding a new aesthetically liberating decorating style.

Served as book illustrations and art critic (in the magazine "Decorative Arts"). But fame was primarily as a "non-artist. In the late 1950's - early 1960's wrote a lot of pointless things spontaneously, tashistskogo type, later followed in the main "mythology" of expressionism and surrealism. Worked successfully in the technique of etching
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During the Great Patriotic War, the artist was seriously injured and spent a year in hospital. He made nine operations. After the war Kropyvnytskyi continued his studies at the Institute of Applied and Decorative Arts. But he would have to spend a very short time: in 1946 the artist was arrested. He and ten of his classmates were charged with "plotting to kill Stalin and sentenced to ten years in the camps.
Preserved self-portrait, created Kropyvnytskyi in the gulag. The artist painted it with colored pencils on a sheet of paper the size of a postcard and sent to parents. When a prison guard saw the letter, he ordered Kropiwnicki make a self-portrait more "optimistic" - and the artist pririsoval tie. The warden approved such an unusual decision, finding that tie really gives the picture of optimism, and allowed to send a letter.

When Kropyvnytskyi finally returned home in 1956, he saw that already in full is the thaw. The creative life was in turmoil not only in Moscow but also in the town Dolgoprudnyi, where his parents had lived, also well-known artists. In Dolgoprudny father Leo Eugene Kropyvnytskyi surrounded himself with free-painters and poets. Moscow nonconformists began to gather in a hut on the station Lianozovo, where they can freely communicate and create. Later, this group of artists became known as "Lianozovo.

Soon Kropyvnytskyi became one of the most prominent figures in the Moscow art world. Thanks to its innovative Non-figurative compositions have earned him the father of Soviet glory of abstract painting. Later Kropiwnicki remembered that abstract paintings were a way "cleansed" from the horrors of the Gulag, who pursued him after his release. Kropiwnicki created not only an abstract painting, but also graphics, illustrations, paintings in the style of mystical expressionism.

In order to portray the ugly world of Stalin's camps were required to invent an entirely new pictorial language. None of the existing language has not been able to cope with this task. The question of realism not even standing. In the mid 1960's palette Kropivnitskogo was strict and concise. Each of his paintings could be called expressive symphony of beautiful austerity. In his works dominated gray color, with its delicate harmonies, a variety of shades and transitions from white to black. The pictures Kropivnitskogo nightmares and chimeras coexisted with skepticism, irony and wit. The artist is constantly introduced into their works characters. Huge pensive cat, bull head, scarabs, nuns and various fantastic creatures with beaks appeared on his pictures in spite of the laws of space and time. Each painting was fanned spirituality, each portrayed the human soul, the soul without the top and bottom, is not subject to gravity.

At one of the canvases Kropivnitskogo ( "two bulls") are depicted with a bull's head phallic horns and extremely intelligent "facial expressions". This picture is interpreted as a representation of a dark sensibility, all-conquering power of the animal eroticism and the triumph of man over physical nature of oppressed soul.
But according to "laws" of the Soviet absurdity cloth Kropivnitskogo not perceived as a representation of the relationship between body and spirit. A party functionary saw in "Two bulls" something more "tangible" than an allegory of blind passion. In his view, the main subject of the painting was not an abstract force, driving all the world's processes, and the exposure of individuals and their everyday needs. Kropiwnicki was accused of "karikaturizme" and slandering the Communist Party.

Workshop Kropivnitskogo, who was in the house 18 to Old Basman street was a gathering place of numerous representatives of the creative intelligentsia. Kropiwnicki was known as an excellent host. He was fascinated by astrology and often horoscopes for his friends. Artist entertained guests by playing the guitar, performing songs and reciting his own poems. In his poetry dealt with the same themes as in painting and drawing. When he began talking about eternity, his listeners to forget about their daily chores. At the table, which always had a lot of delicious food, guests Kropivnitskogo discussed everything - from medieval architecture to African rituals of preparation technology of cigars to the secrets of the Knights Templar. Visiting Kropivnitskogo people can feel the freedom - civil, artistic, spiritual. Musty Soviet stereotypes remain beyond the threshold of his shop.

But the war and for a long stay in the camps have not been lost on health Kropivnitskogo. May 26, 1994 71-year-old artist died. When life Leo Kropiwnicki was a classic, after his death, he became a legend of Russian non-conformism. Nonconformist, he was more "aesthetic" than "political".

Most of the works Kropivnitskogo are in foreign museums and private collections. In addition, an impressive number of his works are kept in the collection of his wife Galina and her daughter Natalia. In 2004, the Tretyakov Gallery on the Crimean shaft was Kropivnitskogo commemorative exhibition, which featured the work of the museum's collection, as well as paintings from the collection of the artist's family.
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Эти 2 пользователя(ей) сказали Спасибо Евгений за это полезное сообщение:
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Старый 27.08.2008, 12:24 Язык оригинала: Русский       #2
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Incidentally, most investment potential artist!



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Старый 27.08.2008, 14:13 Язык оригинала: Русский       #3
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very investment potential artist!
I agree 1000%, where to buy? (Auctions disappear).



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Старый 27.08.2008, 14:33 Язык оригинала: Русский       #4
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then only in the galleries ... he did the market not so often appears ... until at least ...



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