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12.11.2008, 08:02 | Язык оригинала: Русский #1 |
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Investigation of the technological features of the picture
Interesting and useful articles (in particular: the signature on dry).
-------------------------------------------------- ---- .... A special case study of the paint layer is the study of signatures on the paintings. Since the artist's signature is usually, though not always fairly, the argument for attribution should be more focus on the specifics of its analysis.
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18.11.2008, 12:57 | Язык оригинала: Русский #2 |
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Eugene,
Signed, this is mostly a hoax. Definitely can say that the signature is the author, if it is marked "on the wet, not to be confused with" softened ":-) According to our statistics, caused by wet podpisey1-2%, caused by dry, but to coincide with the main colorful layer of 10-15%. Most of the signature painted much later, and take them into account is meaningless. But many critics, it is still turning a blind eye to the technology, wrote that the signature is identical to the author's autograph, great difficulty is to convince them that this phrase is meaningless and that introduces all the more confusing. Stylistic, art criticism the analysis should be based on recognition of copyright in a work underscore, rather than a signature, and even less in the inscription on the back of the work. I would like to add: So let us drink it :-) |
Этот пользователь сказал Спасибо Art Consulting за это полезное сообщение: | K-Maler (09.04.2009) |
18.11.2008, 13:17 | Язык оригинала: Русский #3 |
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Art Consulting, this (article) for beginners collectors and art dealers.
-------------------------------------------------- ---- Could you please advise: where you can do expert on metal, enamel (to determine the age? "), Or those just engaged in archaeological institutes? If Russia experts on this subject? |
18.11.2008, 13:22 | Язык оригинала: Русский #4 |
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Eugene,
Metal VNIIR likely you will need to turn to Dubrovin he technologist. For enamel can we. If bronze, fine art - Andrew Gilodo Akimovich. |
18.11.2008, 13:26 | Язык оригинала: Русский #5 |
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They do not do .. Dubrovin, it seems the restorer of metallu.VNIIR I personally do not like, behind the life exactly 50 years.
What time you define mozhite (temporary).? And if you can in a nutshell how? |
18.11.2008, 13:47 | Язык оригинала: Русский #6 |
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Eugene,
In fact, a complex question. Full table of bindings nobody was building. Theoretically, tehnikotehnologicheskim analysis for metals involved VNIIR - Dubrovin, as I told you and wrote. They have a few tables on the ligated elements. There is a laboratory in the Museum of Archeology, but it is not clear whether they have any data. But a serious examination of the metal and enamel nobody else does. Most likely, because it can be done only destructive method otkovyryat piece of enamel, rub it and determine the chemical composition, and in accordance with the tables, which in practice is not to determine when it may appear. We can try to determine the age, if the layer of varnish is a thin and pigments in the enamel will be those who will give the dating. Why such complexity, with all the DPI is much easier to refer to Gilodo Andrew Akimovich, you can reset the phone in lichku. |
Этот пользователь сказал Спасибо Art Consulting за это полезное сообщение: | Евгений (18.11.2008) |
18.11.2008, 13:50 | Язык оригинала: Русский #7 |
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Thank sbrosti .. talk it over with him.
[color="# 666686"]Added after 2 minutes[/color] Art Consulting, A archaeologists (the technology for metal) you have no chance in the database? |
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attribution of paintings |
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