Are there many good Soviet films?

[Vlasta]

And I introduced a list of films in ekselevskuyu program , and sort , so it's easier to watch .
I like " The Forty-First " Chukhrai and " Shadows of Forgotten Ancestors " Paradjanov . Amazing movie -strong . For me, as representative of the nation Hutsul , it is also a film of nostalgia for the homeland . Twenty times watched , and every time I look with pleasure .

[Dogel]

Soviet movies a lot, but a good unit

Art Direction Markin NA Honored Artist of the RSFSR , and participated in many films of the USSR " Wii "(1967 ) , " Shadows at Noon " ( 1971 ) and Eternal Call , for his work on this film was obtained Gos.premiya USSR . Opportunity to buy paintings by this artist , see photo http://forum.artinvestment.ru/showthread.php?t=119033

[Ухтомский]

Сообщение от Dogel

Soviet films a lot, but a good unit

Art Direction Markin NA Honored Artist of the RSFSR , and participated in many films of the USSR " Wii "(1967 ) , " Shadows at Noon " ( 1971 ) and Eternal Call , for his work on this film was obtained Gos.premiya USSR . Opportunity to buy paintings by this artist , see photo http://forum.artinvestment.ru/showthread.php?t=119033

Flooding for the sake of spam ?

[Eriksson]

Ukhtomsky, stop, for heaven's sake!
You took that a whole encyclopedia of Soviet cinema tell?
Who needs it?

[Кирилл Сызранский]

Сообщение от Vlasta; 1596961 "

For me, as representative of the nation Hutsul , it is also a film of nostalgia for the homeland . Twenty times watched , and every time I look with pleasure .

In the census of 26 , the hutsuls as brisk and Lemke, were stamped by individual nations .
Then they wrote is as Ukrainians . Now in Ukraine - I do not know , interesting.
Ruthenians , for example , in Transcarpathia want to stand out in a specific ethnic group .

[Ухтомский]

Сообщение от Eriksson

You took that a whole encyclopedia of Soviet cinema tell?

Eriksson, since I decided to reply to the topic, graciously, first to see it.

Сообщение от Ukhtomsky

Solaris 1972
Meek 1960
The last thing Commissioner Berlaha 1971
Murderers go on the road in 1942

Solaris

Director: Andrei Tarkovsky
Screenwriters: Andrei Tarkovsky, Friedrich Gorenstein
Operator: Vadim Yusov
Composer: Eduard Artemyev
Artist: Michael Romadin
Production: Mosfilm
Year: 1972
Premiere: January 22, 1973
Cery: 2
Actors: Donatas Banionis, Natalya Bondarchuk, Yuri Yarvet, Vladislav Dvorzhetsky, Nikolai Grinko, Anatoly Solonitsyn, Sos Sarkisyan

Drama based on the novel by Polish science fiction writer Stanislaw Lem on ethical issues through the prism of human contact with extraterrestrial intelligence.

Tarkovsky on film

The main reason for the film ... I see in him a moral issue. Penetration into the secrets of nature should be hand in hand with moral progress. Making the move to a new level of knowledge necessary to put the other foot for a new moral level. I wanted to show his picture, that the problem of moral fortitude, moral purity permeates our entire existence, appearing even in areas that are seemingly unrelated to morality, such as penetration into space, the study of the objective world, and so on.


The network has director (or assembly?) Version of Solaris

Date 12/26/2006 - 17:29

nik:

About a year ago, the Piterskaya television showed a strange "Solaris".

Strangeness began with the title: there in front of the main titles passed the interview with Chris (in the same format in which an interview with Wallace at the beginning of "Stalker").

Then there were large alterations in the scene report of Burton.

All earthly part remounted, enlarged and overdubbed (for example, views Snout, Gibaryana and Sartorius, which he read out on television Tarkovsky, greatly expanded).

At the station, too, are a bit wrong, especially in the second series, which begins not with the departure missiles, and with the passage of Chris and Hari through the corridors.

After the scene in the library are dialogues Chris and Hari, which generally is not in the movie. In the visions of Chris fully present scene with a mirrored room, turning in a repeat journey Burton city of the future.

The scene with the mother in the other voice acting and all of the other.

Finale music solution otherwise (music arises only from the time when Chris gets on her knees).

Maybe something I forgot.
The impression was shock.
I'm nowhere and did not hear anything that remained uncut "Solaris". And if pro Rublov know and write a lot, something about this movie did not know until last year nothing at all.

Perhaps there is some information about what it was??
I would be very grateful ...
http://forum.tarkovsky.su/index.php?showtopic=17

Here you can watch the first series:
http://video.yandex.ru/users/anevski-v/view/70/

Meek

Director: Alexander Borisov
Screenwriters: Alexander Borisov, Akiba Golburt
Operators: Dmitry Meshiev, Vladimir Chumak
Composer: Lucian Prigogine
Artists: George Kropachev, Bella Manevich
Manufacturing: thumbnail
Year: 1960
Premiere: October 12, 1960
Actors: Iya Savvina, Andrei Popov, Vera Kuznetsova, Panteleimon Krymov, Nikolai Kryukov

A screen adaptation of Dostoevsky's story.

Site You Tube you can see the entire movie (after the end of one part automatically goes as follows):
The last thing Commissioner Berlaha

Directed by: Vasili Levin
Screenwriter: Andrew Shemshurin
Operator: Vadim Avloshenko
Composer: Alexander Zatsepin, Alexander Dwoskin
Artist: Muse Panaewa
Manufacturing: Odessa to /st
Year: 1971
Premiere: August 5, 1972 (TV), 1974 (movie)
Cery: 2
Actors: Nikolai Simonov, Andrei Popov, Nikolai Volkov (Sr.), Svetlana Korkoshko, Nikolai Grinko, Eva Murniece, L. Voinov, Krutikova, Arthur Dimiters, Waldemar Akuraters, Alexander Beniaminov, Uldis Vazdiks, Igor Warp, Lydia Pupure, B. Kazhmers , Z. Zavaedris, E. Makov, Waldemar Dudinsh, R. Ilia, A. Yunkeps

Political thriller based on a story by F. Dyurenmatta "Suspicion."
Komisar police Burleigh (Nikolai Simonov) in postwar Switzerland is looking for fugitive Nazi war criminals. When he learned that under a false name from a clinic led by a former Nazi doctor, seriously ill Berl determined there for treatment.
http://www.kino-teatr.ru/kino/movie/sov/5435/annot/

Site You Tube you can see the entire movie (after the end of one part automatically goes as follows):
Assassin go on the road

Other name: School of meanness

Directors: Vsevolod Pudovkin and Yuri Tarich
Screenwriter: Manuel Bolshintsov
Cinematography: Boris Volchek Era Saveliev
Composer: Nikolai Kryukov
Artist: Arthur Berger
Manufacturing: TSOKS
Year: 1942
Actors: Michael Astangov, Boris Blinov, Alexander Violin, Ada Wojcik, Alexandra Danilova, Oleg Zhakov, Olga Zhizneva, Sophia Magarill George Svetlana
Genre: war, drama

On the stage play, Ferris B. Brecht "The fear and despair into the Third Reich."
"Instruments prohibiting film failed to find. Apparently, this is due to the loss of much of the archive TSOKS as well - a fire in an apartment Pudovkin that occurred after his return to Moscow from evacuation. According to the director of DI Vassiliev (in the transfer film critic TE Zapasnik) movie before the show to senior management was unavailable Arts Council studio. It is obvious that the installation of paintings on display, "two Germanies" resulting from pre-war internationalist traditions, was in contradiction with the statement "enemy image" to be solved cinematography this time in a purely poster vein. Apparently, the feeling is, filmmakers wanted to make a controversy arose with the help of numerous "explaining" the title. It is also possible that the Arts Council studio on guard and unconscious allyuzornost, which undoubtedly marked the picture (the parents are afraid that they will carry her own son, a simple German Führer curses, etc.). Anyway, in favor of this version by the fact that the film was not released at the screen and after Stalin's death, and after the Twentieth Party Congress, among other films, not released in a rolling 30-50-ies. Due to lack of documents is difficult to establish the degree of participation in the orchestra each of the directors. Perhaps the work of Yu Taricha limited to the development of early versions of the shooting script. "- E. Margolit, V. Shmyrov (Iz'yatoe movie). 1924-1953", M., "Double-D", 1995 Last film role of Sophia Magarill.
http://www.kino-teatr.ru/kino/movie/sov/8302/annot/

Site You Tube you can see the entire movie (after the end of one part automatically goes as follows):

[Vlasta]

Сообщение от Cyril Syzransky

In the census of 26 , the hutsuls as brisk and Lemke, were stamped by individual nations .
Then they wrote is as Ukrainians . Now in Ukraine - I do not know , interesting.
Ruthenians , for example , in Transcarpathia want to stand out in a specific ethnic group .

Cyril, well, how do you know everything ? Honestly , I have no idea , as it is now in Ukraine hutsuls . Not often in his mountain am , nor ever asked ( still do not understand > ) about Rusyns read, but like my self to the Ruthenians are not. Although I do not understand in this life I live in Russia .

[color=#666686 " ]Posted 3 hours 58 minutes[/color]

Сообщение от Eriksson

Ukhtomsky , stop , for heaven's sake ! You took that a whole encyclopedia of Soviet cinema tell ? Who needs it?

And I like how Ukhtomsky poses . What 's wrong ? Especially since the movie is also an art , and for our old movies can be almost blush . Good topic in the gazebo .


[color=#666686 " ]Posted 3 hours 59 minutes[/color]
Something cannot some with quotes got ...

[Eriksson]

Сообщение от Ukhtomsky ; 1598351"

Eriksson, since I decided to reply to the topic , graciously , first to see it .

I have read it . If you already saddled on such a civilizing mission , it would be , say, interested to hear your personal opinion about films you've clicked , compared with their feelings and thoughts . And the hell do I read the stupid abstracts from Soviet kinoentsiklopedii ? Type :
Film - reflection on the responsibility of the person in front of other people , native wildlife and the world around us . >
We're not in the lecture , the forum we are. >

[Ухтомский]

Сообщение от Eriksson

... interested to hear your personal opinion about films viewed by you

Why do you view a stranger about the movies that you were not looking?
Many of the films are not known to introduce a wide range of viewers for various reasons. I suggest not to say "paste" and try it.
Whereupon otklanivayus, your hamovaty tone of communication is not interesting to me.

Сообщение от Ukhtomsky

Battleship Potemkin 1925

"Battleship Potemkin" by Sergei Eisenstein will be released in the UK rental
19/04/2011 12:34

MOSCOW, April 18 - RIA Novosti. Restored and digitized version of the legendary film of Sergei Eisenstein's "Battleship Potemkin" will be released in the UK rolled April 29, according to British Film Institute (BFI).
Shows the reconstructed in 2005, "Potemkin" will be held in the framework of Kino, which the British Film Institute (The British Film Institute) carries out the end of April to December. He wore the British public will be able to see the best Soviet and Russian films.
"Battleship Potemkin", which until 1954 was banned in the UK, will become the center of film programs. It can be seen in the eight British cinemas and art center. Painting will be accompanied by music by Edmund Meisel, under which passed its world premiere in Berlin in 1925.
Sergei Eisenstein's masterpiece, filmed in 1925 and almost immediately got into the "kinosvyattsy and still occupies top positions in the rankings of the best bands in the history of cinema. On innovative techniques used by Eisenstein in "Battleship Potemkin" still learning to student filmmakers around the world.
The basis of the script put the events of June 1905 on the battleship "Prince Potemkin Tauride" when the team revolted and seized the ship. The movie was dumb, but Eisenstein it achieved great expression due to special methods of installation.
In 2005 at the Berlin Film Festival premiered the restored paintings, which were restored lost footage and intermediate titles, in particular, the censors banned the original words of Trotsky in the prologue of the film, outtakes at the scene on the Potemkin stairs. Restoration of the film was carried out by specialists of the Museum of Cinema and Television in Berlin with the support of the British Film Institute, the Federal Film Archives in Germany, Russia and other Gosfilmofond Film Institute.
http://www.rian.ru/culture/20110419/366031878.html

[tchaika]

Сообщение от Ukhtomsky; 1600261"

"Restored and digitized version of the legendary film of Sergei Eisenstein's" Battleship Potemkin "will be released in the UK rolled 29 April ..."

"Of all the arts important to us is cinema" - Lenin.
"Movies - the greatest means of mass agitation" - Stalin.

"In Russia, the first movie premiere was held on October 15, 1908. It was the tape" Ponizova freemen, "directed by Vladimir Romashkova based on a folk song about Stenka Razin" Because of the island to the rod. "It lasted the first Russian movie of 7 minutes.

August 27, 1919 People's Commissars issued a decree on the nationalization of kinodela and set a day cinema.
In 1925, screens out "the first domestic non-ferrous strip" - the famous "Battleship Potemkin" (read: black and white film, especially the piercing looks red flag painted on each frame by hand "- is ridiculous to call it" the first native color film " ).

Films of Sergei Eisenstein ("Strike", 1924, "The Battleship Potemkin, 1925," October ", 1927, etc.) were carried out under the political order. This is an example of how to lie in the art used to falsify history . Carried out substitution of concepts and facts, which resulted in the slandered renders the whole period in the life of the Russian state.

In Eisenstein's films, there is distortion of historical truth in two ways: in relation to the Russian Empire, and, on the other hand, with respect to such figures, "October Revolution" (Revolution), as Trotsky-Bronstein and his companions, who were subsequently dipped in the history of Bolshevik Party on Stalin's orders.
 
Sergei Eisenstein was born 10 (22) January 1898 in Riga, the Jewish son of an engineer and architect, since 1917, actual state councilor, Michael Osipovich Eisenstein (1867-1921) and Yulia Ivanovna (née Kopecky), the daughter of a wealthy merchant who owned the company Neva barzhnoe Company. "
"The only son in the family, Sergei Eisenstein received an excellent education before the revolution, spoke English, German and French. After her parents' divorce in 1912, Sergei stayed with his father, who wanted his son to continue his business, and graduated from Riga Technical High School, he enrolled in Petrograd Institute of Civil Engineers. Education was easy, but around the seething revolution of 1917 - and Eisenstein had already become an active participant in "people's militia units." In 1918, his third year he joined the Red Army - where he painted signs, painted the van agitation trains cartoons Entente and the Polish gentry, designed productions traveling troupes Red Army, participated in them as an actor and director.

In 1920 Eisenstein directed to the General Staff Academy where he studied at the eastern branch (in Japanese). Eisenstein arrives in a theater artist Proletkult, where he designed his first performance of "Mexican" on the book by Jack London.
Year of Study (1921-1922) in public higher directing workshops led by Vsevolod Meyerhold in many ways shaped the theatrical aesthetic of Eisenstein, defining it belongs to the art of the Soviet avant-garde. In the theater Proletkult he released performances of "Hear, Moscow" and "masks", which he, trying to destroy the theatrical canon, tried to show in the courtyard of Moscow's gas plant. But the experience proved to be unsuccessful and that this failure led to the idea of ​​Eisenstein's outdated and even dying out of the theater. Together with his team of Sergei Eisenstein went to work in the movies.

Eisenstein worked closely with the group, Vladimir Mayakovsky, the magazine of which (LEF », № 5, 1923) published his creative manifesto" montage of attractions ". He justified the methods of impact on the audience with tricks of the circus, pop, poster, and journalism. "In an effort to actively influence the viewer, Eisenstein built sharp, unusual, spectacular scenes, calling them rides - wrote art historian R. Yurenev. - And so rides were working on the audience as it wanted artist-propagandist, must be skillfully and naturally have them relate to each other, to mount. Hence arose the term "montage of attractions".

Written as follows: "1925 - the period for the victorious proletarian culture. However, the April 23, 1932 various creative associations, among whom was elected by Eisenstein Proletkult, were disbanded, and Soviet art turned sharply to the side of realism, for a long time forgetting the very concept of innovation."

Photo:
- Sergei Eisenstein in his childhood with the bourgeois parents, 1900.
- Eisenstein, with the skull.