Старый 11.07.2008, 08:01 Язык оригинала: Русский       #1
Гуру
 
Аватар для Евгений
 
Регистрация: 04.06.2008
Адрес: Сочи
Сообщений: 14,663
Спасибо: 18,865
Поблагодарили 16,455 раз(а) в 4,506 сообщениях
Записей в дневнике: 273
Репутация: 32442
По умолчанию "Blue Rose"

«Blue Rose»
 
"Blue Rose" - association of artists symbolist orientation, emerged in 1907 in Moscow. Received the name of the same name of the exhibition, organized in 1907 the magazine "Golden Fleece", published in the means of art lovers and art patron, NP Ryabushinsky. Grouped around the journal Moscow poets simolisty headed by V. Bryusov, which presumably belongs to the idea of the name of the exhibition. In
association consisted of painters and graphic PV Kuznetsov, NP Krymov, NN Sapunov, M. S. Sarian, S. Yu Sudeikin, PS Utkin, N. Feofilaktov, brothers B. AD and ND Milioti, AV Fonvizin etc. The core of the exhibition were uchastnikisaratovskoy "Scarlet Rose", held in 1904, decisively influenced naformirovanie style union "Blue Rose" had a creative VE Borisov-Musatov.
Читать дальше... 
For the work "goluborozovtsev" characteristic expression decorative top, creating original paintings that combine the principles of easel and monumental (painting, tapestry, painting, panel) with a predominance of elegiac, mystical and allegorical
subjects. No chance for some of them - Sapunova, Sudeikina-organic has been a transition in the field of theatrical-decorative art. The works of artists "Blue Rose" features the finesse of a linear rhythm, the attraction to planar solution to the soft, subdued color, often to the tone-painting organization compositions. Exhibitions association differed special, elegant interiors, decorated with fresh flowers, furnished "stylish" furniture, decorated with artfully chosen drapes. In this situation, his poems read poets-symbolists A. White, V. Briusov, KD Balmont, was music of Scriabin.
Association ceased its activities in 1910 In 1925, Russia held a retrospective exhibition of "Masters of the Blue Rose "».

Вложение 18755
PV Kuznetsov - Artist
Вложение 18765
NP Krymov - artist

 
Вложение 18775
NN Sapunov - Artist
Вложение 18785
MS Saryan - artist
Миниатюры
Нажмите на изображение для увеличения
Название: a00f0e74501cd10b7d.jpg
Просмотров: 1388
Размер:	4.8 Кб
ID:	18756   Нажмите на изображение для увеличения
Название: 53d59f29b4ca4e58f3.jpg
Просмотров: 1239
Размер:	10.3 Кб
ID:	18766   Нажмите на изображение для увеличения
Название: c21fea19c9c0c1c168.jpg
Просмотров: 1172
Размер:	8.6 Кб
ID:	18776   Нажмите на изображение для увеличения
Название: 64433412fc20a4d183.jpg
Просмотров: 1213
Размер:	13.7 Кб
ID:	18786  



Евгений вне форума   Ответить с цитированием
Эти 12 пользователя(ей) сказали Спасибо Евгений за это полезное сообщение:
Admin (11.07.2008), Allena (11.07.2008), Glasha (11.07.2008), IrinaC (03.01.2009), Marina56 (09.11.2008), Nik (12.07.2008), nikola (03.01.2009), SAH (03.01.2009), Sandro (03.01.2009), uriart (03.01.2009), олег назаров (20.11.2009), Станиславский (11.12.2008)
Старый 03.01.2009, 09:34 Язык оригинала: Русский       #2
Гуру
 
Аватар для Евгений
 
Регистрация: 04.06.2008
Адрес: Сочи
Сообщений: 14,663
Спасибо: 18,865
Поблагодарили 16,455 раз(а) в 4,506 сообщениях
Записей в дневнике: 273
Репутация: 32442
По умолчанию Investments in the work of the Symbolists



Interesting article party forum Vladimir Bogdanov (Vladimir). (A little old, but relevant today).
--------------------------------------------
Belonging to the informal circle of artists "Blue Rose" has predetermined their participation in the only exhibition of the same name, organized by the sponsor (and a little artist) Nicholas Riabouchinsky in 1907. Name, hinting at the Blue Flower of Novalis (1), was intended to reflect the unifying idea - the revival of traditions of romanticism and symbolism in a rich range of opportunities for their implementation.

What kind of people gathered in the "Blue Rose"? This is today the names Sudeikin, Utkin, Crimea, Sapunov, Fonvizin Sarian needs no introduction. And then it was just a group of very young, but because in general, little-known artists, mostly graduates of "peripheral" Moscow School of Painting, Sculpture and Architecture. Experience has shown that almost all of them did not invent fashion at the time of "isms" is not declared anything radical ... But they can not be reproached for a lack of innovation and contribution to the pictorial method, and many left behind their own school, which serves as a truly objective criteria contribution of the artist in the art. With rare exceptions, they were primarily painters, but not schedules, even when turned to formally graphic techniques - watercolors, gouaches. Decorative style goluborozovtsev, their ability to handle color left a significant mark in the history of the theater, which at that time served as a safe haven for the brightest talent of artists.

Читать дальше... 
What was this time? 1907 - that was not the 1904-th when the artist is almost the same composition gathered at Saratov exhibition "Scarlet Rose", which was held with the participation of their respected creative mentors - Vrubel and Borisov-Musatov. The country has already reaped the fruits of the first Russian revolution in the air breathed a threat to society - the uncertainty, the expectation of change and awe in front of their inevitability. In similar conditions the reaction of German artists in the new reality has expressionist "explosion": what they felt, then painted.

On the contrary, the Russian artist from the circle of "Blue Rose" found her, special, back to a symmetrical response to the new reality - the escape from the horrors of reality in the characters of the ideal of peace, the sublimation of idealistic fairy-tale stories and worlds of serenity. If the historian had to recreate the atmosphere of that period on the fine series of exhibition "Blue Rose", then he probably would have come to the conclusion that the country has not caught the revolutionaries, and flowers planted. But in this sentimental and decorative, perhaps, is the secret appeal of the works of Russian Symbolists: normal people prefer to live in a world where the plant flowers, not bombs and blow up every now and then someone dumped the boat stories. Not surprisingly, the mysterious and somewhat unnatural romance and symbolism of the Silver Age has long attracted the attention of collectors. At sunset era infatuation modernism everyone wants to quiet calm "Russian Impressionism." And there is the view that the thinner the whole, this mood can be felt is in the artist's "Blue Rose".

Looking ahead, I will say that after the 1917 revolution, the fate of the circle of artists "Blue Rose" has developed in different ways. Nikolay Sapunov, considered along with Sudeikin and Utkin, almost the most important artist of the group until October just did not survive: in 1912, aged 32, drowned while boating near St. Petersburg. Sergey Sudeikin, son of the policeman killed by the People, did not take a revolution, and chose the route Batum - Marseille - Paris - New York. Similarly acted in a reasonable manner and Nicholas Milioti. His brother, Basil, remained in Russia, and his work along with the works of Arthur Fonvizin referred to as "the gentle art" - outside the canon of social realism with all the attendant circumstances.

Martiros Saryan, unlike the above-mentioned colleagues, embarked on a path of close cooperation with the Soviet regime, in which made a dizzying career. Rostov Armenian ended his life at the age of 92, a hero of Socialist Labor and the status of almost outstanding master of the Armenian art of XX century. His place in the new system and found Nicholas Crimea, and Pavel Kuznetsov ( "Cotton Order", 1931, Tretyakov Gallery). In this context, it might seem that for the formal recognition of the artists have paid replication "charged" socialist-realist material. What is not quite true. In the evasive comments of art can be found that these artists simply have to carry their painting style, without entering into conflict with the dominant ideology of creativity. Nothing for them it was not. And the landscape - and the communists, he remains scenery.

These details - is more than biographical nuances: they can indirectly judge the availability of works of artists listed on the market. French-American career Sudeikina associated with numerous dekoratorskimi projects for theaters, has allowed much of the artist's works safely reach our day, and decorate with strings of "Russian auction" leading auctions. Sapunova departed work early today were a rarity. Numerous recent Saryan Armenian landscapes are in high demand, they are actively being counterfeited in order to bring demand into balance with demand. Work Kuznetsova (as Saryan) fall to the collectors, even through English Sotheby's. Late watercolors Fonvizin period of Soviet retreat (work not symbolic, but rather expressive) are not a rarity in Moscow galleries. It is said that he drew several sheets a day, and only a very small part of this heritage has drawn on the market. Hence, the average price - around 8-10 thousand dollars per sheet.

The most valuable from an artistic point of view of the early pre-revolutionary work goluborozovtsev today are quite rare, and the prices they can reach hundreds of thousands of dollars for not even the most outstanding canvases. It is these works because of its values have the greatest attraction for investors. And in terms of percentage growth and the budget schedule may be of considerable interest. However, the current rate of price growth in this area can only empirically, relying on the opinions of sellers. Accumulated statistics goluborozovtsev auction until the market allows experts to build a mathematical series and calculate the dynamics of the price index, since the number of auction sales is too small.

Perhaps, from the works of artists mentioned most frequently in the fall auction works of Sergei Sudeikina. Typically, directories are rushing into his eyes bright theatrical gouaches: sketches of scenery with the dolls' houses, costume graphics, folklore, almost bast scene. "Range" is not surprising: in the theater Sudeikin came in late 1890. Then it was entreprise patron Savva Mamontov - big fan of theater, in the 1912-1913 year - Diaghilev's "Russian Seasons". And in New York he found himself in a Paris cabaret troupe of "Die Fledermaus". Then - the contracts with the Metropolitan Opera, the active work in dekoratorskom business. This Sudeikin is not limited Applied Arts, and worked as a machine-painter.

Prices of Sudeikina directly dependent on the period of their creation. For example, gouache 1919 "Georgian cabaret, Tiflis," created before emigrating to the "Caucasian Switzerland", was sold in 2005 at Sotheby's for nearly 300 thousand dollars. And made in a more professional equipment, oil on canvas, but "American Idyll" is 12 times cheaper. Gouache Sudeikina with sketches of costumes and theatrical sets, depending on the quality, find their buyers in the global auction for 12-70 thousand dollars. Over the last amount, for example, at Sotheby's in April 2006 was sold to one of the sketches for the ballet Stravinsky's "Petrushka" at the Metropolitan Opera in the season 1924/1925 year.

In 2007, the Swedish auction Stockholms Auktionsverk still life of Nicholas Sapunova size 53,5 x 71,5 cm was sold for 153.5 thousand dollars. In the late 1990's at Sotheby's sketches of its scenery went under the hammer for an amount slightly above the three thousand dollars. The results of the last three sales of works Sapunova in 2007 (the minimum price - 58 thousand dollars), indicate the new price level for his work. With high probability we can assume that market participants will be targeted specifically at this price range. Investment potential in the work Sapunova very high.

The son of a wealthy landowner Martiros Saryan of the country did not go away, not counting the number of previous trips to Egypt, Iran and Turkey. Although in theory he had the opportunity to think: in the mid 1920's, in a two-year creative assignment in Paris. Perhaps the true source of his inspiration were the East and the Caucasus, because of Paris, he returned to Yerevan. Bright National romantic painting Saryan very recognizable. In the Soviet era, his landscapes went on postcards and in magazines millions of copies. And the arguments for the claim to its symbolism of power, obviously, not enough, and bright decorative work of the artist she appreciated the Lenin Prize.

Collectors also give all possible tribute to the creative colorist. His Armenian landscapes may cost and 100, and 200, and 500 thousand dollars, and much more. Confirmation of this - later painting "The Armenian landscape, sold in June 2007 to Macdougall's more than 610 thousand dollars. Last year the sale of works Saryan hammer three times higher than fixed effects plates of 600 thousand dollars. Rather, in 2008 prices for the best canvases Saryan overcome the psychologically important mark of one million dollars

Peter Savich and Utkin Nikolai Petrovich Krymov some Russian collectors consider the most significant figures in terms of "Blue Rose". Both stayed at home and died in Russia (in the Leningrad and Moscow), both left a rich artistic heritage, both in adulthood taught in art colleges, passing its own system for young painters.

It is known that Utkin until the end of life has remained consistent symbolist, resisting total indoctrination of Soviet art. In 1920 he was among the founders of the association "Four Arts" (there, by the way, coming and goluborozovtsy Sarian and Matveev), which is believed to bargain for a government field of aesthetic freedom in exchange for withdrawal from participation in radical art projects . To say that the works Utkin very airy, decorative and full of light - so to say only common words that do not express and share feelings temp and oil painter. In the world of auction sites it works practically never appeared: in the database A rtinvestment. ru registered all five of his works that, in general it is understandable. For example, exhibiting at Christies work "architectural landscape design with fountains, gouache, was estimated at 150-220 thousand dollars, although it has not been sold. But enough to see once upscale work Utkin, to understand that the domestic market, they can cost any money.


Foreign investment statistics for the creative folk artist of the RSFSR Nicholas Krymova not much more representative. Tiny landscapes, the size of a sheet of typing paper, in 2003-2004, sold in the range 2,5-3 thousand dollars, today it is 10-15 thousand dollars on the logic of this material can not build. But a sale is worth special attention. In December 2004, the Swedish auction Uppsala medium sized landscape Krymov "Evening" in 1915 started with the estimate: 2-2,8 thousand euros. As a result, bidding the price has reached 91 thousand euros (at the time 122,5 thousand U.S. dollars). Such a record disparity estimate is only when a strong underestimation of specific things. But the price is more like the truth. This is another confirmation. In June 2007, at Sotheby 's has been exhibited a painting "Village house in Tarusa" for 100-120 thousand pounds. Despite the fact that work has not been sold, her score was given quite fair.

About Krymov know that in 1920 he developed his own system of tone, trying to pass the color is not only the degree of illumination, but also the texture of objects. Pictures of almost all its periods are in the Tretyakov Gallery. In the late 1920's - early 1930's Krymov actively worked for the theater, in particular, created the scenery for MAT productions.

Late Paintings "Parisian Russian Nikolai Milioti, goluborozovtsa, a committee member of the World of Art", one of the most brilliant artists of the early twentieth century, stands today at auctions around 30-50 thousand dollars. Things same comparable quality, but created in the early 1920's are at least twice as expensive - 80-100 thousand dollars. Record the value of works Milioti owned oil "Feast of Love", sold in November 2002 at Sotheby's for 204 thousand pounds. It is interesting that this work a new owner tried unsuccessfully to sell in November 2006 for 400-600 thousand pounds. Works Milioti the global auction market quite a lot (mostly later) that allows investors to make an informed decision.

Vladimir Bogdanov
-----------------------------

(1) "Blue Flower" - a sign that perfection is unattainable, sung by German Baron Friedrich von Hardenberg who worked under the pseudonym Novalis. Flower became a symbol of German Romanticism XVIII century. By the way, get a blue rose or blue tulip gene engineers failed so far. It is argued that it is in principle impossible.

http://artinvestment.ru/invest/ideas...symbolism.html



Евгений вне форума   Ответить с цитированием
Эти 8 пользователя(ей) сказали Спасибо Евгений за это полезное сообщение:
Jasmin (24.04.2009), Sandro (03.01.2009), sini4ka (09.03.2010), Tana (03.01.2009), uriart (03.01.2009), Артём (03.01.2009), Кирилл Сызранский (03.01.2009), олег назаров (20.11.2009)
Ответ

Метки
Russian art, Russian artists

Опции темы
Опции просмотра

Ваши права в разделе
Вы не можете создавать новые темы
Вы не можете отвечать в темах
Вы не можете прикреплять вложения
Вы не можете редактировать свои сообщения

BB коды Вкл.
Смайлы Вкл.
[IMG] код Вкл.
HTML код Выкл.

Быстрый переход

Похожие темы
Тема Автор Разделы Ответов Последние сообщения
Story "The Cat with a bird in his mouth." This is a parable? What does it mean? Vladimir Art Kaleidoscope 15 03.12.2014 01:00
The exhibition "The language of form," gallery "Eritazh, photo report Vladimir In pictures 17 31.07.2009 23:51
Gallery SOVCOM "auction" Paintings and Drawings of the twentieth century "" Евгений Auctions 14 16.08.2008 16:01
Bo Knatson: "Is art dealer - this is not a profession, it's a lifestyle" Евгений Artists, artworks, art history 6 10.07.2008 09:55
Richard Dietz: "liberalizing law, reduce restrictions on the export" Евгений Artists, artworks, art history 4 08.07.2008 18:06





Часовой пояс GMT +3, время: 12:45.
Telegram - Обратная связь - Обработка персональных данных - Архив - Вверх


Powered by vBulletin® Version 3.8.3
Copyright ©2000 - 2024, Jelsoft Enterprises Ltd. Перевод: zCarot