Старый 06.10.2009, 13:40 Язык оригинала: Русский       #41
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Сообщение от Jasmin Посмотреть сообщение
Her work bears little resemblance to syurealisticheskie, but rather a mixture of naive primitivism, Suprematism and something else ...
In the late 1960's painting by moving closer to Tachisme, but then reviewed surrealist motifs. The works cited above, refer to 1930-1940 and were made to her during the close cooperation with the Surrealists.
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До меня мир рисовали таким, как его видят. Я рисую так, как его мыслю. (с) Пикассо.



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Старый 06.10.2009, 13:58 Язык оригинала: Русский       #42
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Were among the participants of a surrealist movement very interesting person, such as Antonin Artaud. His participation in the surrealist movement was short-lived (from 1924 to 1926 and part of 1928), but bright and active: within a few months of 1925, he headed the Office of Research and surreal, even acted as team leader. As head of the Central Committee, he signed a collective declaration of 1925, which begins with the words: "Five members of the movement - Artaud, Buaffar, Leris, Masson, Naville - signed the following items:
1. First of all surreal and revolutionary interests, in their spirit was dominated by a certain state of violent passion.
2. They believe that this is a fierce passion will help them as quickly as possible to achieve what could be called surrealist insight "


Passionate rebellious spirit that Artaud brought to the group, was seriously alarmed by Breton, who felt he was losing control over the situation. He hastened to push impulsive competitor, especially as between them by that time there were disagreements political. Erupted in late 1926 scandal led to a rupture, which was accompanied by exchange of pamphlets.
With a surrealist Breton headed published in 1927, the text "In the light of day" - libel, impregnated with the poison of hatred. "He saw in the Revolution, only a change in the internal characteristics of the soul, which is characteristic only retarded, impotent and cowards - the document said. - Today we have for that wretch emetic aversion. We do not understand why this scoundrel is still slow in the treatment, why, how it, you swine, probably would have put it, does not become hriastianinom. "

Arto said no less caustic text "dark night, or Surreal bluff," which included such lines? "Yes, and in general whether there is surrealism?" Did not end there in that day, when Breton and his associates decided that the obligation to adhere to communism, and look for the facts and the immediate conclusion of the matter, which normally would occur only in the innermost part of the brain. " After the break with the Surrealists Arto no longer attempt to enter into any group. But in the last years of his life he drew a lot of it is in surreal fashion.
In addition to painting, Artaud was an actor and reformer of the theater. He gained fame radical program preobrazzovaniya drama, especially the idea of "theater of cruelty" that it had made in the manifesto in 1932 he believed that their effect is similar to the plague the theater: "It makes people see what they really are, he takes off the mask , exposing lies, depravity, rottenness and hypocrisy of the world. " Directing Arto supposed to end the "dictatorship of the speech, relying primarily on the use of nonverbal elements of theater, such as sound, light, gestures, facial expressions.
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Старый 07.10.2009, 11:23 Язык оригинала: Русский       #43
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I found another very unusual artist: Hans Bellmer (1902-1975)

German painter of Polish origin.

In his childhood, originates theme anvyazchivo pursuing the artist throughout his life - the theme dolls. After World War Bellmer arrived in Berlin, where he enrolled in technical school, giving him a solid basis for precise and expressive drawing, subsequently so famous his grafka. In Berlin, he zavzyala friendship with George Gross, under the influence of which was for some time. Once in the environment of the German Dadaists, first tried himself as an artist.
In 1932, Bellmer saw a performance of Les Contes d'Hoffmann "Sandman", which literally cast a spell on him. Since then, he remains worried, like a fairy tale Koppeliusu, create your Kopel, a doll, which will be reflected as in a mirror, not just the contradictions and internal conflicts of his crippled in destve soul, but also ulcers and deformities of the world. In 1932 in Berlin, in his studio advertising creates a picture Bellmer book "Doll", which became the basis of numerous photographs depicting the various poses and angles created Bellmer model.
In 1935, the famous magazine "Minotaur" published excerpts from the book Bellmer a catchy name "Modifications and assembly Dumptruck baby. Scandal of this publication was stunning: Bellmer dolls hit a combination of absolute reality, and vsemste so full of absurdity, charming "sadistichnosti the proposed show. The caller feteshim, candor, combined with the open erotic texts were completely in line with the aesthetics of the Surrealists. Following the publication community Surrealists he opened his arms. A full member of the group, active and influential, he became in 1938
During the occupation of France by German troops Bellmer hiding: he disaster, but it is true surreal ideii, varying indefinitely his favorite subject, in which the foreground motives destruction destruction.
Значительное место в наследии Беллмера занимают его рисунки, выполненные тщательно и скрупулезно: в них чувствуется вкус, великолпеное знание формы и немецкой художественной традиции рисования, восходящей к Дюреру и Гольбейну. That creativity Bellmer drawings give the correct perspective, clearly showing that we can not be damaged intellect maniac, and the artist, for whom the issue is the main form.

__________________________________________________ _______________

This is the question of the novelty of contemporary art. Everything has been invented as early as 30 years, even a very provocative things, and they work to further confirmation.
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__________________
До меня мир рисовали таким, как его видят. Я рисую так, как его мыслю. (с) Пикассо.



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Старый 15.09.2010, 00:56 Язык оригинала: Русский       #44
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Cool Resuscitation market surrealism

The author is not important. Index - a surreal plot.
Sizes 50H100sm
Price - 15 000 rubles.
Preferably - oil on canvas. [/QUOTE]

Matera remain apathetic or maliciously squinting, look what funny.

However, public proposal to acquire not just paintings and surrealism - is something! - Something blowing series of monotonous routine and pinned alluring anticipation of a crazy plot with intellectual orgasm in the epilogue. plot would satisfy 110%- because the space of virtual scenes in this case could invent and without leading prompts.

But in our daily quest logic gets stuck in a morass of contradictions.
In painting, as is known frequenters of this topography, Surrealism existed in the form of dubious generalizations of a number of individual art practices.
Further, in the surrealistic painting for centuries the main reason is considered to be not treatable mystery, the elusive spirit of artistic absurdity, etc., and the role of the plot is traditionally considered void.

What is with this in mind remains in the sediment in the ad text?
Size, price, technology and call the game with a behind-the definition of rules. It is clear only that this game involves unconscious (???) agreement of stakeholders regarding the supply simulacra, which honors the acquirer q. authentic syurom. But ... syuroidnogo raw great preizbytok the network and local trade. Myriad artists ready to produce megatons of cheap Syrjälä. What sense to advertise here?
The Da Vinci Code does not provide the key to this riddle, but ... maybe it's provocative action codes Tzara and Breton?

Give us the final, decent tie!



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Старый 20.10.2010, 15:32 Язык оригинала: Русский       #45
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In the history of Surrealist art there are many more pure or blank pages. Even greater uncertainty shrouded era, which could be called the time protosyurrealizma. Although this trend taken to date 1924-70-ymi years, its roots artists of surrealism have searched in the masters' works far away in space and time: such as Bosch or Goya.

In 1527 in Milan, birthplace of the great painter Giuseppe Arcimboldo. Breaking all laws of his time painting, Arcimboldo worked in a completely unique manner in which clearly traced protosyuyurealisticheskie trends. In 1590, the artist creates his most famous work "Vertumn" ("Portrait of Rudolf II"), where the emperor's face is made up of fruits, vegetables, fruits and flowers. After the death of his paintings Arcimboldo asked a whole trend in European art of the XVII century. Artists from Italy, France, Holland, Austria, Spain and other countries have written in accordance with principles open Arcimboldo, of which confirmed the collective name of "archimboldeski.

That's Giuseppe Arcimboldo opened the first page of the art of surrealism. However, neither the artist nor his descendants over the next four centuries, this had no idea. This happens when the Spaniard Salvador Dali surrealism resound powerfully in the world, putting an end to the definition of this style.

Based on the achievements of Arcimboldo and Dali have to admit that in the early twentieth century worked in Lviv artist, whose work can be regarded as the first germ of European Surrealism, at least, by external signs. The name of the artist - Ivan Kosynin.

Most of his contemporaries that name does not say anything. Probably, this is the fate of ordinary persons, distributing the energy of his talent to people without regard for the perpetuation of their own pedestals.

Ivan Kosynin received an excellent musical education at the Lviv and Warsaw conservatories, as well as in Italy, France and Belgium. Already in 1923 he formed the violin virtuoso and composer, with a dizzying toured in Western Europe, the USA and Canada. But another part of the soul Kosynina was filled with music graphics and painting.

The most fruitful period of Kosynina as an artist came in the years 1907-14. in Lviv, where he creates a series of paintings in oils and watercolor techniques, and illustrates the local magazines ("Week", "Pictorial Ukraine", etc.). It is here that we find a manifestation of the avant-garde style - from Symbolism to Futurism and Surrealism. Whether it was deliberate forming shapes of the author, or random finds, now hard to say. But the fact that some papers are reviewed Kosynina moments that, at least outwardly express the idea of the "paranoiac-critical activity, formulated later Dali - a fact undisputed.

In Ivan Kosynina can find all the hallmarks that would later be determined by the product of surrealism: the unnatural connection objects that create new imagery; game visual effects, and the transition from one image to another within a single leaf; hallucinatory fantasies generated by dreams or experiences, horrific phantasmagoria; ignoring the laws of the "real" world view, etc.

However, unlike Dali and his followers who considered their top creations of human genius, I. Kosynin, objectively assessing their creativity "surreal" direction, believing that his art work is one step, standing on which people can get closer to an absolute understanding of their aspirations.

After many decades of Ivan Kosynin again appears before us as one of the most prominent Ukrainian artists of the twentieth century and as a forerunner of European surrealism. Or perhaps - as a prophet "antisyuyurealizma. Only subsequent studies provide answers to these questions.

More about Ivan Kosynine read here:
http://www.artlover.com.ua/Ivan-Kosinin
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Последний раз редактировалось Станиславский; 22.10.2010 в 01:37.
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Старый 21.10.2010, 14:04 Язык оригинала: Русский       #46
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По умолчанию Tell me which way I photograph?

Very interesting view forum visitors.
And this is one of the new pictures and little details
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Старый 13.08.2012, 11:52 Язык оригинала: Русский       #47
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Animation montage
http://www.dailymotion.com/video/xal...e-dan_creation

Added after 8 minutes
Some I did not know anything, tried to find.
O Janet Kupene (the last in the top row), for example, only the echoes of a scandal over his anticlerical appeals in 1930

http://www.ventscontraires.net/artic...oe1908-_?.html

Added after 12 minutes
Georges Sadoul (the second in the bottom row)

Georges Sadoul (born Georges Sadoul; 1904-1967) - French historian, theorist and critic of movies.

He took part in the Resistance. Officer underground newspaper "Letr Frances" (1939 - 1945), "L'Humanite". Professor at the Institute of Higher Film (IDEC) and the Institute filmologii. Doctor of Arts (Art History Institute of the USSR (1956)).

Here is his book, the fundamental work in two volumes.
J. Sadoul Universal film history. M. "Art", 1958.

http://zmier.iatp.by/books/sadul%20t3.htm

Added after 50 minutes
Max Alexander (Wolfisheim, 1899 - Strasbourg, 1976), poet and playwright. (First in the top row)
I found his biography in French (well, that is Google) >
Mildly edited my translation.

Moses Max Alexander b. January 24, 1899 in Wolfisheim Alsace, the only son of a Jewish family. Alsace in the years under German sovereignty (Deutsches Reich) from 1871. German, his native tongue, which he wrote his first poems at age twelve.

During the First World War, he moved to Lausanne with his family, where he learned French and met Rene Schickele who introduced him to Romain Rolland. In Zurich, he met with the Dada movement predecessors including Jean Arp. Back in Strasbourg in 1918, he continued his studies and met Louis Aragon, who invited her to join him in Paris, which he did in the early 1920s. He then decides to write only in French. In Paris, he met André Breton, Robert Desnos and the group that founded surrealism. He was active in the surrealist community from 1923 until 1932, when the conflict between Aragon and Breton in particular, membership in the Communist Party (Aragon was for membership, anti-Breton) leads to the exclusion of Aragon. This is followed by Max Alexander, who does not want to compromise on issues of social justice.

In the years 1932 -1939. Maxim Alexander period alone, but very fruitful in a literary work.
In 1939, he was drafted by France and was designated as PR (supposedly revolutionary) in his hut where he suffered abuse and humiliation. Was captured by the Germans in 1940, he managed to miraculously escape and find refuge in the south, where he met Aragon, Jacques Prévert and André Gide. The Second World War has left an indelible mark, which is evident in his publications 1945 - 1946 years.
The crisis continued until the late 40's and peaked in 1949, probably in connection with the death of his mother in the same year. Paul Claudel advised him to turn to Catholicism, December 8, 1949 he was baptized. Claudel became his godfather. After a time of enthusiasm, he will return from the experience with some bitterness.
From the 50's to 1972, he did a great literary work, but in 1972, he fell seriously ill in 1974, writing becomes too painful, he began to draw.
He died in Strasbourg on 12 September 1976. Max Alexander buried according to his own will in the cemetery Rosheim. During his life, he changed his place of residence 35 times.




Последний раз редактировалось zarajara; 13.08.2012 в 12:05. Причина: Добавлено сообщение
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Старый 13.08.2012, 15:34 Язык оригинала: Русский       #48
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Very interesting picture (also Man Ray), looks like a newspaper photograph.

In this part of the characters, I did not identify.


The second photo shows a surreal 1938
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Старый 13.08.2012, 15:38 Язык оригинала: Русский       #49
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Цитата:
Сообщение от Cyril Syzran Посмотреть сообщение
Perhaps these two topics together ?
Cyril, I do not mind. Before you post a topic I gave search for "surrealism ", but nothing like the first page was not, and I did not think to look , and the second page >

On the other hand, the two themes there is a reason , I guess, that there should not affect the work, and biography, and not just artists.



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Старый 14.08.2012, 09:15 Язык оригинала: Русский       #50
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Сообщение от Art-lover Посмотреть сообщение
action for Grigory, and he has probably ended in a change.
Combined the two themes!
__________________
Всем приготовиться к процедурам...



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