Старый 14.12.2013, 12:29 Язык оригинала: Русский       #331
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iside, abstractionist stuck somewhere on the road between realism and symbolism.
All their interpretation fit in Sinanthropus.
(Jasmin and Art-lover interpret this "simple")
__________________
Невозможно человеку самостоятельно открыть Дверь, ведущую в Мир Духовный. Но кто-то иной должен прийти и приоткрыть эту Дверь. (с)

И кто б ты ни был, Дух, пред кем мы пленны,
Привет мой всем — и брату, и врагу.
(с) Константин Бальмонт "ПОХВАЛА УМУ"



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Старый 14.12.2013, 13:44 Язык оригинала: Русский       #332
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iside, I see as an artistic abstraction of prefabricated expressions are not quite clear thought.
Something like the form of meditation-color on canvas ...

Your opinion about the relationship of abstraction with thinking?
__________________
Невозможно человеку самостоятельно открыть Дверь, ведущую в Мир Духовный. Но кто-то иной должен прийти и приоткрыть эту Дверь. (с)

И кто б ты ни был, Дух, пред кем мы пленны,
Привет мой всем — и брату, и врагу.
(с) Константин Бальмонт "ПОХВАЛА УМУ"



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Старый 14.12.2013, 19:41 Язык оригинала: Русский       #333
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iside, you discuss the theme for the flood can be distinguished from another planet?
__________________
Невозможно человеку самостоятельно открыть Дверь, ведущую в Мир Духовный. Но кто-то иной должен прийти и приоткрыть эту Дверь. (с)

И кто б ты ни был, Дух, пред кем мы пленны,
Привет мой всем — и брату, и врагу.
(с) Константин Бальмонт "ПОХВАЛА УМУ"



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Старый 16.12.2013, 19:21 Язык оригинала: Русский       #334
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Today, December 16th - Birthday Wassily Kandinsky .

Цитата:
Wassily Kandinsky (1866-1944) made ​​a revolution in art. And at first he did it literally, returning late from the studio , he found his home in the shadows of the unknown wonderful picture .

When he approached her , it turned out that it was his own work , accidentally ( by chance? ) Hung upside down. It was completely incomprehensible that for the subject depicted in the painting , and it struck the artist. The next day he wanted to experience the same feeling, but did not feel much enthusiasm . And the thing on the web can now be learned , even upside down. Artist decided : Down thing itself "object "!

It is unlikely, however , the master was sober on that fateful evening ( this explains why the morning he was somewhat disappointed ), but , anyway, the discovery was made . Though generally Vasily features , I would say , refined sobriety. Enough to see his pencil sketches , striking filigree . So funny to read now , as some modern scholars of his work on the knowledge abut Kandinsky shamanic practices Siberia ( where he was born , his father ) . And the distinction in his canvases " hallucinogenic mushrooms , inlaid patterns ." So to speak, to get drunk grebes Vasily (neither give nor take Pelevin hero ) regularly buggy and releasing - just behind the brush ! For is it normal person is able to behold it?
Читать дальше... 

But imagine !

Kandinsky published dozens of articles , essays , essays and autobiographical novel . Where quite detailed his artistic method and outlook. Of course, the "experts" contemptuous chuckle : so he describes forbidden . But Burroughs or Huxley such reasons did not stop . Artist's very little that can stop him if " song will spread the wings ."

Kandinsky , in particular, said that getting rid of the "external" helped him disease. Even as a child , because of the high temperature , he watched a couple of visions. And later relapse cases (within a healthy psyche ) . And with the development of imagination he sought accurate reproduction seen "spiritual landscapes ."

Kandinsky as an artist evolved gradually , changing styles and techniques . "For years I myself seemed monkey , enmeshed in a network - he confided . - It was only after much effort I was able to overturn this " wall on the way to the art ." The development of art , like the development of the intangible knowledge , is not a member of the new discoveries , striking out the old truths and proclaim their delusions . Its development is in a sudden flash , like lightning from explosions like "bouquet" of fireworks in the sky is torn and scattered around a multi-colored stars ... "

The results of his efforts are such that only two Russian artist in the ranking of world art are in the category of "heavyweights" : Kandinsky and Malevich . When in 2007, the organizers of the largest premium ( 40 thousand euros ) in Russian contemporary art decide what name to call it , choose only between the two avant-garde . In favor of Kandinsky, it was claimed , were such arguments : he is a citizen of the world ( lived in Germany and France ) and his painting "Fugue" (1914) held the record price for 17 years - it was sold in 1990 at Sotheby's for $ 19 million .

However, already in 2008, " Suprematist Composition " Malevich was sold for 60 million dollars. "The logic of money " in art - a thing , though influential , but questionable . As told by another Russian- French classic artist - immigrant Oscar Rabin , "If my paintings in the 60s cost an order of magnitude less that they were worse ? Or when the price went up to my work - they have improved ? "

But back to the founder of abstract art.

Kandinsky came to his vocation only thirty years. He was an assistant professor at the Law Faculty . In 1895 Kandinsky refuses a professor at the University of Dorpat Tartu and decides to become an artist- pros. And sent to the "kingdom of modernity" - in Munich .

This decision was preceded by several events.

First, ethnographic expedition to the Vologda region in 1889. " I remember when I first entered the farmhouse - recalled the ex- lawyer - stood in the doorway dead. Tables, benches , stove - all was covered entirely simple, naive ornaments of various colors . On the walls - folk paintings . Red Corner was made taped images and reproductions of icons. When I finally went inside the hut , found himself in the picture. "

Patterns and folk art are symbolic and magical significance . Under the influence of this expedition Kandinsky turn to folklore, epics . Heroes of his paintings temporarily become warriors , dragons and beauty in the headdress . But to perform this work will be in a mosaic Kandinsky Klimt style .

Secondly, Kandinsky shook landscape Monet's " Haystacks " on Impressionist exhibition in Moscow. VV (as in the case of an inverted picture ) realized that there is depicted only read the title . Later, he reinterpreted the new French painting, reflecting the disintegration of the whole picture of the world: from Seurat pointillist dots to the broad strokes of Monet and Cezanne geometrized canvases . In the pictures of the most progressive modernist then Austrian Gustav Klimt's world resembled a mosaic . As we would say now, Kandinsky saw the assemblage point . Additional experience on Kandinsky made ​​the discovery of fission of the atom. The material world is rapidly losing strength ! It turns out that it can be "disassemble" . But what's next ?

Third, Kandinsky struck Wagner's opera "Lohengrin" at the Bolshoi Theatre : then in the minds of the Moscow doctor right sounds distinctly stained in certain colors ...

On a similar path with Kandinsky moved Dutchman Piet Mondrian . Just as Kandinsky , he was fascinated by French fashion spectacular innovations and mystical traditions : theosophy and anthroposophy . But , unlike plastic , receptive music Kandinsky , Piet was cold philosopher. Under his " disintegrating " scenery revealed structure of the world , its "skeleton" in the form of crosses and squares. Mondrian canvases like designer Lego. This world is static .

Kandinsky also fascinated speaker: "Painting has thundering collision of different worlds , designed by the struggle to create a new world, which is called the product . Each product is technically occurs as space originated by disasters such as the chaotic roar of the orchestra, eventually poured into a symphony , whose name - music of the spheres . Creating a product is the universe . "

That is, using paints artist simulates space processes , which are comparable with symphonies . And vice versa. At the intersection of painting and music theorist Kandinsky made ​​an important conclusion: the artist no longer mandatory need to draw from life . It can work , obeying inner impulses : "Work arises entirely " of the artist , " is known in the music for several centuries . In this sense, the painting caught the music. "

Continuing the line of " sounding " paintings, Kandinsky calls his work "songs ", " improvisation " and " fugues ". By the end of 10 -ies of XX century, it starts to produce true masterpieces .

From this semi-abstract " Detail composition IV», or "The Cossacks" (1910). The artist claimed that its plot inspired by the Cossacks , going down the street in 1905.

In the upper left corner of the painting two Cossack saber fight . Right, bottom - stand with peaks . Blue hill far away from the palace. From the viewer to the castle is a bridge in the form of a rainbow . This motif near future Blok 's poem "Twelve" : having passed the crucible of revolution , our citizens will rise over the rainbow - bridge to the spiritual palaces ...

At this time, Kandinsky published his work "On the Spiritual in Art " (1912 ) and made ( along with his friend the German painter Franz Marc ) almanac "Blue Rider" (1912). Was officially declared the era of the Great Spiritual when synthesis of the arts happen , because when there is external differences "inner identity of sound, color , words ." ( In line with these ideas - tsvetomuzykalnye symphonic poems by Alexander Scriabin. )

Already established master Kandinsky in 1914 returned to his homeland .

Franz Marc was killed in the First World shrapnel .

Already smaller " rainbow " of colors in software Kandinsky painting "Moscow . Red Square " (1916). Essentially on canvas - theosophical Planet Moscow (like planets in a fairy tale worlds Exupery "The Little Prince ").

In the center of the canvas man and woman around several areas which are located skyscrapers , churches, cemeteries , river. From the upper corner has a sun through the clouds , from the right - ready to hatch the moon . For a gentle yellow- blue sky starry abyss opens - it is lyrical and mystical painting , illustration seemed to have not written Bulgakov 's novel " Master and Margarita" .

About my favorite city Kandinsky wrote: " Moscow: duality , complexity, the highest degree of mobility , collision and confusion of separate elements of the exterior ... This external and internal Moscow, I think the starting point for my quest. Moscow - my scenic tuning fork . "

October Revolution Kandinsky enthusiastically adopted as the Bolsheviks initially supported leftist movements in art . Social upheavals inspired the artist to create vivid apocalyptic canvases, which seems to be a struggle going on different planes of reality (" Troubles " in 1917 , " Impression ," 1917 , " In the twilight" , 1919).

Kandinsky tried to cooperate with the Soviet regime , but soon realized that he , a descendant of nobles and cosmopolitan , not on the way to the dictatorship of the proletariat. In 1921, he was sent back to Germany.

Abroad, he continues to develop the principles of non-objective painting : his paintings are calm, meditative and balanced. He teaches at the Academy in Weimar Bauhaus . In 1933, the Bauhaus was declared "dangerous nest of Bolshevism" and closed by the Nazis.

Kandinsky emigrated to Paris.

In 1937 fifty works by Kandinsky get to the exhibition in Munich " Degenerate Art ." In France, it Respect : visit often visited by celebrities but with the public to VV interest discreet . Before the war, he received French citizenship.

His paintings of the late 30s are cold and lifeless. Since 1940, he " inhabits " canvases beings smacks of plankton. Perhaps the simplest organisms in these Kandinsky saw the most perfect expression of the laws of cosmic harmony ( as, for example , in the clam shell ) .

He died at his home in the western suburbs of Paris, Neuilly- sur-Seine, 13 December 1944 .

Abstract art boom begins in the 50s , but in the United States.

Representatives of American abstract expressionism ( Archil Gorky, Mark Rothko , Willem de kunig ) Kandinsky call their teacher.

Finally I would like to quote some of the statements of the Master. Painfully good!

Principles of responsibility of the artist for their creations , made ​​by Kandinsky in his book " On the Spiritual in Art" , not lost relevance. And show them the situation in art medium if deducted from our contemporaries.

"Competition" is growing. Wild pursuit of success makes Hunt more external. Small groups who accidentally made ​​their way out of this chaos of artists and artworks, digging in the conquered areas. The remaining audience watching , not realizing loses interest in such art and calmly turns back to him . "

" Sometimes the artist uses his power for indulgence basest needs: in an art form he allegedly depicts impure content , it attracts weak elements constantly mixes them with evil , deceiving people and helps them to deceive themselves , convincing themselves and others that they crave spiritual and satisfy this thirst from a pure source . This kind of work does not help the movement upwards, they inhibit , displace ago pressing forward and spread around the contagion . "

"Artist - minister higher goals , commitments which are accurate, high and holy. He should educate yourself and learn to deepen, must first cultivate the soul and to develop it to his talent became something vestments , and would not have been lost glove with unfamiliar hands - empty and meaningless likeness hands. "

" An artist has a threefold responsibility , compared with non - artist : 1) it must be used productively given him talent, 2) deeds , his thoughts and feelings , as well as any other person , form a spiritual atmosphere , purifying or contaminating the environment , and 3 ) actions, thoughts and feelings are the material for his works , which , in turn, affect the spiritual atmosphere . Artist - "king." ......
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Эти 4 пользователя(ей) сказали Спасибо iside за это полезное сообщение:
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Старый 18.12.2013, 23:09 Язык оригинала: Русский       #335
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По умолчанию fly in the ointment)

Цитата:
Сообщение от iside; 2898281"
Here I sit reading Catherine Tar , which recently permeated great respect and reverence , and she writes the following:

Quote:
After the line was given the command "at ease" and was invited to see an exhibition of recent works by Mark Rothko , which the museum is very proud . All shops Tate cups made ​​in the proper stripes - dark red color , the color of dried blood ( in a late Rothko had a vision of the world). Exhibition as an exhibition , but visitors are clearly divided into two groups : simple visitors and those who have recently visited the exhibition Kabakov in Moscow. First went to admire the view , and the second with slightly confused ( it's not my fiction, I asked someone ) . The fact that after Kabakov characters such as Charles Rosenthal any exhibition " later work " , especially those pathetic , impossible to watch without laughing . Long series of dark gray walls with absolutely identical - in both size and color - abstract paintings , radiating incredible and nothing is not based spiritual claim. This, of course , pure water Charles Rosenthal , unless Basilius Lokhankin .

Still, we must not forget that the original abstract art conceived as a big sell, how rude refusal to layman image with bare aunt. So and Malevich great that he is very frank . When this point begin to sell carefully camouflaged , and VIP- everyman accompanies and sagely asserts that only dreamed of dark red stripes and no naked woman he does not need - it's all worthy of the pen of Daniil Kharms . Or Kabakov .
There are as many as two reasons for this light banter from the column secular art chronicles in 2008 worth to react somehow .

First, he cited here . That is to say , tasting a spoonful of tar in our barrel of abstraction.
Second, the passage here gives a funny and instructive example of a mutation in the perception of the text depending on the context .

After all, what can be deducted from it in the form in which it is given ( in respectful mood to ED ) Iside?
1. Kabakov did a project in the light ( or shade ) which all Rothko and others. pretentious look anecdotal brethren . Now and forever .
2 . Abstract art was conceived as a fig Grunder inhabitant market is converted into a sweet fig . And now Veri impotence Persons - regressed from GB ( Naked Baba ) realism to GB ( Grandiose Bessmylitse ) pointless - mimic ecstasy of this candy.
Inoculation of humor , according to E.Degot should return poor fellows extinguished reflexes. In general, all the townsfolk systems march on "The Life and Art of Charles Rosenthal ."

Now contrast the original quote with comment Kabakov to his project " Rosenthal " (which , in turn, are a subset metaproekta "Total installation " )
Цитата:
About the "artist - CHARACTER "

Under this concept , we will be referring to the result of a process in which the author (aka creator , the "creator" ) does not create art objects paintings, sculptures , etc. , and creates a main and most important his work " artist - character ", which has , in turn, creates , "creates" the relevant art works : paintings, sculptures , etc. ...

Today's art scene is filled , according to this version , many " artists characters ", but to describe their appearance, should refer to the beginning and middle of the XIX century. This is the time when the whole system of artistic production work, so to speak , in automatic mode, and only with the advent of romanticism and realism varies somewhat " beam of attention" artists: a sublime , ideal images taken academicism that beam down to the ground below , illuminating new themes and images .

In parallel , first slowly, then faster and faster, this "ray" ceases to be a ray of intense , detailed attention, loses its focus and replaced fast, almost instantaneous , " experience ", which come to the fore very different effects defocused world color, light, white and black spots , zigzags and dots, rather than the form , scope and sharp contours , as it was before .

Changes accordingly and look at the painting of a vision of changing technology and the method of its execution.
Читать дальше... 

But no less important is the simultaneous process deprofessionalization artist , incompleteness and inadequacy of his artistic education , the degradation of the classical school of learning. On the background of today's almost complete lack of arts education in Europe and America, this observation may not appear convincing, but in due time , at the end of XIX century, the " loss of Excellence" has been widely discussed , but no return to the past , nor stop it was not possible. On the independent scene appear gradually work people to reject a certain time professional artistic community as "professionally helpless ." In this case we are talking about Cezanne and Van Gogh .

I misspoke , writing the word " people." Cezanne, not the past academic school and worked in the first period of his life as an autodidact (by today's terminology) , went further towards the creation of "full " picture using his own invented technology , infinitely tedious , painful method ( turning into a real eye landscape set of color patches , and then transfer these spots on the canvas in a certain sequence ) . Interestingly , as a result had to be in the picture is the same realistic landscape , still life or portrait.

Here , it seems , for the first time there is the activity of " artist - character " : amateur practices experimenter who grows alone in a flask artificial product which , when properly throughout the process, should be similar to the product obtained in an organic way .

In Van Gogh , we see a different type of " artist - character " : a true artist is a madman , running into a frenzy during the approach to the canvas , connecting in a fit of the brush , the appearance of colors and irritating nerves adjusted to maximum shrillness impressions of nature into a single unit . Description of care consciousness into madness , understanding that only under this condition is possible genuine artistic process and high-quality result , the adoption of the terms of the exchange of art consciousness sounds from every page of his letters to his brother .

Termination need artist to depict the external world leads to another example of the "artist - character " : the emergence of an intellectual observer functioning processes of artistic things in the art world , provoking and observing the results of these provocations he remained in the side at the position is quite "normal" person with common sense (referring to M. Duchamp ) .

At the beginning of the XIX century and is characterized by many times reproducible figure avant-garde artist , is also essentially " character ." This man taking on the heavy burden of the leader and prophet , which linked his fate with a spiritual mission . Weakening of church influence on society has led to the fact that this place was occupied by an art gifted nature , mix together the concept of aesthetic and religious exaltation , opened with new connection symbols and signs . In this case we are talking about some of the Russian avant-garde artists ( Malevich , Filonov , Kandinsky and others).

In all these cases we are talking about typical modernist duality of man and the artist, a complex drama of their relationship within the same person, then the control of man over an "artist ", the "artist" over man. In the former case the observation or experiment on the activity of " character " ( Cezanne , Serra , Duchamp ) . Second contrary , capture " character " of a person , its dissolution or " madness " or " prophetic " ( Van Gogh, Kandinsky , Malevich ) . But in both cases , this pair acts as a single entity , living up to the end of their common destiny. Thus there is one feature of activity " artist - character ' focus has shifted from the product produced by the overall strategy and the meaning of his art practice , at its core , as now, would say , " project ". "Artist - character " is not focused on the production of " masterpiece ." His main work , the subject of his attention becomes himself, his entire career as a character , understood them as a whole, as a single product throughout its life. ...

In the pre-war era of XX century, all the value characteristics described in a couple of people were accented characters on the second concept of the character . He riveted the attention of the public , or rather okolohudozhestvennoy environment , it was loved and understood correctly . Natural , and even mandatory , it was an oddity , exclusivity , soreness, irrationality . His luck and success in this environment is attributed to his inspiration and talent that is not available the rest of the mortals and unique to the artist as a special anthropological essence.

After the war, the stable seemed situation gradually began to change , and the focus of attention parsed couple " people person " was to shift towards the "man" in the side of his ordinary human roles in the so -called civilized world .

There were some reasons . Gradually contact with the modernist work of art in society begins to decline and simply dry up and disappear with it prestige and respect for this occupation in other words we can say that the work and artistry even lose in a society that "aura" , which seemed to take forever was inherent in the visual arts. Lost what is called " prestige " in this lesson , and the artist ceases to be a magician , sorcerer , a resident of another , the sublime world of arts, communication with which is a special ritual and meaning.

At the same time completed the 80th years of XX century building a global international art world with clearly defined art institutions : galleries, museums and auction houses . As clearly defined by the profession and the distribution of seats in this gigantic institution: curators, critics , artists , directors, borddirektorov museums free dealers , historians ikusstva etc.

Parallel clearly and steadily began to operate international art market ( talking about the contemporary art market ), which penetrates and has a greater influence on the situation in art institutions.

In this new , completed by yourself and functioning already own , within himself worked out the laws and regulations by the art world (of course, if he got there , if it is accepted there , and it's not easy) is looking for new forms " of character " , successful in the new situation . I want to repeat that success here understood solely within the institution , and not among the " educated public art ," as it was before the war and even earlier, in the XIX century , where the view of the " public" was extremely important . New institutionalized art world no longer needs for its operation in the opinion of the public, it is not included in the number of " employees " of the new giant company , and she provided a passive role of the observer and the spectator side for everything that is done and it is shown as produced there, behind the glass product.

Returning to the author's situation , we can say that this tightness , autonomy, the relative isolation of the art world from the outside world has provided unexpected and interesting possibility of transferring various forms of human activity and behavior , and even some professional classes of external , real world into the art world , and due to the status of the world as an artistic , aesthetic legitimately inheriting tradition, all these well-known in the normal everyday life and practice immediately in the art world receive the status of " art " and " artistic ." Again , but this time on a global scale , the effect of repeated " Readymade " Duchamp . While also immediately became clear that conduct which "normal" life can be characterized as dangerous , socially reprehensible and a misdemeanor , as part of the art world is not only permissible but desirable as every time the next "new" step in the development of modernism, imperative implementation of "freedom " and " experiment."

.....

Most recently , according to many , the process of collapse and rapid dissolution of the art world in the surrounding world media , simultaneously expanding and blurring its boundaries. In this situation, the art scene for new types of " artists characters ." We only mention the two most active and declared themselves massively in recent years : it is " a child suffering from amnesia and knows only computer images " and " gay characters of " who exercises " visual art " combined with music, dance and make up essentially part of the lifestyle of the group . Common to these new types of " personazhnoye " indispensable requirement game , ease optionally , " gaiety ", but with all this publicity and indispensable requirement of all this activity , advertising, video and audiopublikatsy etc.

I wrote by inertia " characters," but in fact it is not. New actors on the new stage at all, does not seem to feel the need to be somebody. They "work" quite naturally, as well as live , "they are what they are ," they do not consider it necessary to adapt , to change shape " underneath something ," they are " real ", "realistic " in the strict sense of the words.

But not whether such a "realistic" were orthodox ( in the sense of style ) artists of the middle and end of the XIX century , but , in fact, during the whole of modernism, but not drawn into its orbit ? Did not consider whether they should be fair , naturally portray real life for his canvas in natural even believe that ? Do not closed in the beginning of the end ? In this case, the entire history of modernism is , perhaps, special education, strange and artificial, where one of the features of its actors and the characters have to be where it is well known when it happened and ended where it was , and whose title ' Art world " well looked its edge , self-sufficiency and remoteness from everything around , and above all, paradoxical as it sounds , from the viewer. Last waiver " from the audience " is so interesting in itself a problem of the contemporary art scene , which certainly deserves a separate detailed consideration.

.... Here , in this review , we mentioned only on demand in the art world , " the artist- characters ." But outside of the so-called art scene there are other , as yet unfamiliar : " amateur artist ", " artist who " wanted to " draw something ", " artist autoterapevt " and others. It is possible that under the new rotation of art history, they come out of the shadows and be succeeded by new big names .

.... the most developed version of the "artist - character " I made in the image of the artist Charles Rosenthal , first shown as a large multi-genre first retrospective in Mito (Japan) in 1998 , and then in Frankfurt, Städel Institute in 1999

The general concept of this last idea is this: as you know , the history of classical modernism described by well-known names and well-known and studied art practices and theories . The theme , as they say , is closed. But I have long been interested in the problem of existence of other possible ways of development of modernism, another version of his story, in particular , is not as radical rejection of the past century XIX , and opportunities to combine discovery and reduction techniques with elements of the avant-garde achievements realism of the XIX century . Would look like an artist who has chosen this path , such a concept ? I was also attracted to the idea of ​​this invasion is complete story Art Nouveau some of the ideas developed by postmodernism . For this brief mention of the name of my favorite character S. Rosenthal I finish this text written by another character " critic " by adding material to his show , and all this accompanied by reproductions of his works.
Do you not feel " some confusion " on what ED, referring to the draft Kabakov, translates not project ideas and strange glitches ?
After Kabakov - wise serpent : his conceptual irony embroidered with complex overtones , the topic of his project - dramatic personality , social archetypes art and time.
Not funny to judge the Bible by " Funny bible" Leo Taxila ? Well regarded as fun face Kabakov, Rothko, Malevich cosmetic mirror Tar all combed a la Basilius Lokhankin .

Vrochem itself ED long sitting in total snuffbox Ilya Kabakov :
Цитата:
"... basically ending process deprofessionalization within the art world is characterized by the appearance of double or mixed occupations where new " personazhnoye " heroes curator, acting as a painter , an artist in the role of curator and critic in the role of curator and artist , etc. "
Hard to balance on three chairs : pop journalist , art critic and art left functionary . In principle , ED she is aware yet in parting with OpenSpace.

Tar ambivalence towards the avant-garde consequence of hyper - focus on the struggle against capitalism and its main hydra - consumerism .
Malevich , for example, a hero, if he wanted to cheat the consumer, and if he wanted to prophesy , it is insignificant , because the consumer vparival his prophecies .
The same yardstick Tar makes all other " prophetic " pathetic characters modernism.
Since capitalism can appropriate the any thin. strategy and make the product, the only revolutionary worthy of your artist , logically Tar is the attempt lohanutsya consumers in new ways. But when appropriated by himself Big Swindle left art , then all kapets , Gran Rifiuto. We have to go out of the art.




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Старый 19.12.2013, 11:31 Язык оригинала: Русский       #336
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Hurrah Art-lover here again ! <! - ~ 1 ~ ->

Цитата:
Сообщение от Art-lover; 2905551"
Heavily balance on three chairs : pop journalist , art critic and art left functionary . In principle , ED she is aware yet in parting with OpenSpace.
Yes , I read this is goodbye "colta, fasci etc " , for an art - it was a bit paranoid , in my opinion .

Цитата:
Сообщение от Art-lover; 2905551"
Tar ambivalence towards the avant-garde consequence of hyper - focus on the struggle against capitalism and its main hydra - consumerism .
.....
Since capitalism can appropriate the any thin. strategy and make the product, the only revolutionary worthy of your artist , logically Tar is the attempt lohanutsya consumers in new ways .
To some extent, I like her honesty radicalism (and here I have started a stupor because I sympathize and Ayn Rand , too , and even more so ), especially given that even the Great HU already starts sling ink on Contemporary design and Groys voobshe said that the design - it is a new religion , it becomes like sad when choosing someone to read.

And as Kabakov, I'll write you a PM.
__________________
Per aspera ad astra




Последний раз редактировалось iside; 19.12.2013 в 11:45.
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Старый 22.12.2013, 03:44 Язык оригинала: Русский       #337
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Цитата:
Сообщение от iside; 2905971"
though that is not even the Great HU starts sling ink on Contemporary design and Groys voobshe said that the design - it is a new religion , it becomes like sad when choosing someone to read
The fact that we can not just abandon the design , life itself takes us by the collar and muzzle pokes this design .
Цитата:
... the only adequate approach to design is to turn to the subject matter : he wants to apply themselves what form he wants to give himself and how he wants to appear before the eyes of the Other. (Boris Groys)
According to Groys , a form of aesthetic compulsion : if we refuse to engage samodizaynom , we guaranteed a great social enema .
Struggled to every proletarian became an artist , and that's got : an artist to survive, has to be factory worker design , reproduce and buyable recognizable clichés.
The paradox is that today the original thing may receive public recognition as the original , only ceasing to be such, becoming familiar eye punching accompanied by the usual platitudes ear .

How you ask , this dictates the design interfaces with abstract art ?
For those who in recent years following this direction , the answer is obvious: the overwhelming majority of new abstract canvases nothing more than a more or less refined design refinements .
But does this mean that the artistic achievements of abstract should be buried in the past and the future be left to intererschikam and outsiders ?


Over the last three days of this topic was over three thousand views . Hence , a subject of interest for many.
During the same time joined the three topic posts ( including this ) in two regulars. Hence , the interest does not reach the level of symptoms.
What a statistical phenomenon ? Waiting ? What? Sensations , theoretical breakthroughs , new works ? Nostalgia for the past ? Thickening of vague premonitions ?



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Старый 22.12.2013, 05:11 Язык оригинала: Русский       #338
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Цитата:
Сообщение от Art-lover Посмотреть сообщение
What a statistical phenomenon?

It's time to papers and coursework.
__________________
Невозможно человеку самостоятельно открыть Дверь, ведущую в Мир Духовный. Но кто-то иной должен прийти и приоткрыть эту Дверь. (с)

И кто б ты ни был, Дух, пред кем мы пленны,
Привет мой всем — и брату, и врагу.
(с) Константин Бальмонт "ПОХВАЛА УМУ"



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Старый 11.03.2014, 02:22 Язык оригинала: Русский       #339
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По умолчанию Lady Tar appointed art director of the Academy of art in Cologne

Цитата:
Сообщение от iside; 2898281"
'm reading Catherine Tar , which recently permeated great respect and reverence
This post it will take two years .

Academy of art (Akademie der kuenste der Welt), Cologne, announced the election of Catherine Tar its art director . This post is a Russian curator, art theorist and critic will hold for two years . New CEO appointed Academy musicologist Moltreht Elke (Elke Moltrecht). Academy of art - a non-profit organization founded in Cologne in 2012 . It is a network that brings together artists, living and working all over the world , connected virtual socializing and going to Congress every two years . Academy announces an effort to get away from the Eurocentric version of the history of culture , at the same time avoiding romanticizing multiculturalism and globalization. Lady Tar was a member of the Academy since its inception . As one of the leaders of the Academy Tom Holert , Tar enjoys the full trust management : " We look forward to what will be presented to her in the next two years - it will be part of an exciting and thought-provoking program."



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Старый 23.04.2014, 11:10 Язык оригинала: Русский       #340
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По умолчанию

.............



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