How to protect graphics on the walls of the house in the Maritime environment?

[Jasmin]

Сообщение от Vladimir

What are modern materials and design rules for graphics, so it does not disappear in the indoor environment? What adhesives, glass, and cardboard are the most perfect? What rules must comply with conscientious artist?
And Yes, the conditions are the same: tel Aviv, humidity is certainly higher than 60%.

It is best to give the work on the design of the framework workshops in tel Aviv. There are working with materials, adhesives, cardboard, etc. most suitable for local humid climate.
Instead of glass now use plastic. It is lighter and unbreakable.
The biggest problem with paper is that it eventually will go waves". The reasons are different: bad tension, humidity, dryness, quality paper.

[Кирилл Сызранский]

My wife now recounted the episode of "Kokoko" (I haven't seen it, alas, although there... but not the essence, okay) and told her about the episode as one of the two main characters in the flat at the second (A. Mikhalkov) wiped with a damp cloth to the schedule on the wall: "It was Tyshler", - said the landlady and added something like - "it's her fault, glass breaks, all is not inserted".
The graphics, as I could see in the first seconds trailer, coal or retouching.

[K-Maler]

Сообщение от Пряник

'll Try to assume on the basis of their construction experience.
Mold is a fungi.
For infection should be provided certain conditions are met:
-available nutrient medium, most often paper and glue;
-initial

Gingerbread spoke almost as Farmakovsky, listen! The rest are wrong. The tightness also harmful! Back better than plywood. Not colored Mat. All of the best paper. Humidity is more harmful! Not the sun! Hang curtains. Hide in a dark place when I leave. Many more conditions. Read Farmakovsky!

Added after 2 minutes

Сообщение от Vladimir

What are modern materials and design rules for graphics, so it does not disappear in the indoor environment? What adhesives, glass, cardboard I

All these questions have answers in Farmakovsky.

[Кирилл Сызранский]

Сообщение от K-Maler

To all of these questions have answers in Farmakovsky.

Yes not at all. The second day I leafed through this book is a useful, but rather restorers. Much about mold, which then ultimately and focused attention, there is not very much, in General terms, so to speak.

[Acland]

I advise you to look at the book: Plenderleith, John. Storage of prints, drawings and manuscripts translated from PNG. C. M. Navarinou. M.: Publishing house of the Museum of fine art to them. A. S. Pushkin, 1947. - 64 S. the 3000 copies
Chapter 1 is devoted to the material. Chapter 2 is called "the Mount, storage and exposure. Chapter 3 - "Corruption and measures to eliminate them". Chapter 4 - "Practical ways of cleaning and restoration.
Maybe something in the book is outdated, but to read it will be useful to everyone.

[mihailovoh]

[QUOTE=Пряник;3355541]Probably place the leaf between two panes of glass and glue them along the contour will be even more reliably.
No air - no steam and condensate@
When it was required to decapsulate old-expensive sheet.Asked ecomical.a few minutes turned the glass block was even proposed to make vacum in the glass block.
But mostly under the glass.the back of the plywood.Passepartout, not colored cardboard.sealed with silicone sealant.