1946-1950 Studied at the Moscow City School of Arts at the MS Perutskogo.
1950-1951 Studied at the Moscow Regional Art School "Memory 1905" on specialty art theater.
1951-1953 Served in the Army.
1954-1960 Worked as a theatrical artist in Severodvinsk, Lysva, Pskov, and Zlatoust.
1963-1969 Taught at the Moscow City Art School on Kropotkin.
1969-1976 Taught at People's University of Arts Absent them. Krupskaya.
1978 emigrated to France.
1975 Flat Valerie Dobrokhotova (Armenian Lane., D. 1A), Moscow, USSR
1980 La Cite Internationale des arts, Paris, France
1982 Beneth Gallery, Tel Aviv, Israel
1983 Galerie Georges Lavrov, Paris, France
1985 Galerie Georges Lavrov, Paris, France
1987 Studio Galerie, Hamburg, Germany. (Catalog)
1988 Galerie Georges Lavrov, Paris, France. (Catalog)
1991 Galerie Jorge Alyskewycz, Paris, France (Catalog)
1993 Galerie Jorge Alyskewycz, Paris, France
1994 "Every time at the exhibition ...". L-Gallery, Moscow, Russia
1995 "Moscow series. L-Gallery, Moscow, Russia
1997 Galerie Jorge Alyskewycz, Paris, France
Apartment Pauline and Anatoly Gluzmanov, city Levittowns, New York, USA
1999 Gallery 15m2, Center for Contemporary Art George Soros, Moscow, Russia
2000 Gallery of Red-Art, Moscow, Russia
2001 National Center for Contemporary Art (overnight), Moscow, Russia
2002 State Tretyakov Gallery, Moscow
2004 State Russian Museum, St. Petersburg
Selected Group Exhibitions
1962 Exhibition of works of theater artists. Central Exhibition Hall Manege, Moscow
1963 Exhibition of young artists from the theater and cinema. The building of the All-Union Dramatic Society, Moscow
1964 Exhibition of works by Mikhail Roginsky, Mikhail Chernyshov, Aleksei Panin, Gregory Perchenkova. Youth Club Dzerzhinsky district Komsomol committee on Nasdaq st., 23 (formerly Cinema "disc"), Moscow. The exhibition worked a half day. Closed authorities
1975 Preliminary apartment views to the All-Union Exhibition. Apartment Joseph Kiblitsky (Bryansk st., 28, Apt. 38), Moscow
Painting Exhibition of Moscow Artists. VDNH, Pavilion House of Culture ", Moscow
1976 Exhibition of works by Eugene Izmailov, Natalia Kaminir, Leo Povzner, Mikhail Roginsky. Apartment N. Kaminir (Sumy st., D. 12/17, kv. 219), Moscow
Group exhibition of Moscow artists (experimental). Showroom MOSH on Running, Moscow
Exhibition of works by Boris Scourge, Eugenia Izmailov, Vyacheslav Koleychuk, Mikhail Roginsky, Mikhail Chernyshov. Apartment M. Chernyshov (Kirovohrad st., 24 bld. 3, apt. 231), Moscow
1978 "Les russes and Paris". Galerie Bellint, Paris, France
1981 "Travaux sur papier". Exhibition Hall of the People's Palace of Culture, the Villeparisis, France
1982 "Salon de Montrouge". Montrouge, France
1983 "Come Yesterday and You'll be the First". City Without Walls: an urban artists' collective Inc. Contemporary Russian Art Center of America. Newark-New York, USA. (Catalog)
1984 "Pays - Paysage". DRAC, Reims, Department of Champagne - Ardenne, France. (Catalog)
1985 FIAC'85 (Galerie Georges Lavrov). Paris, France
1986 Art Basel'86 (Galerie Georges Lavrov). Basel, Switzerland
1987 "Retrospective: 1957-1987". Hermitage Association, Exhibition Hall on Profsoyuznaya 100, Moscow
1988 FIAC'88 (Galerie Georges Lavrov). Paris, France
5 russes and Toulouse ". Centre Culturel Aerospacial. Toulouse, France. (Catalog)
1989 "Collection Leonid Talochkin. Regional Museum of Art, Kuibyshev
Collection of Tanya and Natasha Kolodzei. State Museum of Fine Arts UzSSR, Tashkent
"Humeur et Revolution". CANNES, France - Gerona, Spain
1990 "Transit: Russian Artists Between The East & West". Fine Arts Museum of Long Island, New York - Eduard Nakhamkin Fine Arts, New York - The State Russian Museum, Leningrad - Central House of Artists, Moscow. (Catalog)
"Towards the Object". Showroom Krasnogvardeyskoe region (Gallery "Gardener"), Moscow
"In the Soviet Union and beyond. Stedelijk Museum, Amsterdam, The Netherlands. (Catalog)
"L'art de decode". Galerie S. de Beyrie in the commercial building stock exchange, Paris, France. (Catalog)
"Tetes". Galerie Jorge Alyskewycz, Paris, France
1990-1991 Other Art. Moscow. 1956-76. The State Tretyakov Gallery, Moscow - The State Russian Museum, Leningrad. (Catalog)
1991 "Contemporary Soviet Art: From Thaw to Perestroika. Setagaya Art Museum, Tokyo, Japan. (Catalog)
Exhibition of gallery artists. Galerie Farideh Cadot, Paris, France
1992 "Decouvertes'92". Galerie Jorge Alyskewycz, Grand Palais, Paris, France
1993 "The predecessors of Russian Pop Art" (with Boris and Mikhail Chernyshov Turkish). Central House of Artists, Moscow
1995 "Kunst im Verborgenen. Nonkonformisten. Russland 1957-1995". Wilhelm-Hack-Museum, Ludwigshafen am Rhein - documenta-Halle, Kassel - Staatlisches Lindenau-Museum, Altenburg, Germany. (Catalog)
Kwangju Internationale Biennale. Gwangju, South Korea.
"From Gulag to Glasnost" (The Norton and Nancy Dodge Collection). The Jane Voorhees Zimmerli Art Museum at Rutgers, the State University of New Jersey, New Brunswick, New Jersey, USA. (Catalog)
1997 "History in the faces. Exhibition of Contemporary Russian Art 1956-1996." Nizhny Novgorod, Samara, Perm, Novosibirsk, Yekaterinburg. (Catalog)
1998 "names". Art Manezh '98. Central Exhibition Hall Manege, Moscow
2000 "In the space of traditions. Tomsk Regional Art Gallery, Tomsk, Russia - Krasnoyarsk Art Museum. VISurikova, Krasnoyarsk - Kemerovo Region Picture Gallery, Kemerovo - Novosibirsk Regional Art Art Gallery, Novosibirsk
"Walls". Museum and Public Center named after Andrei Sakharov, Moscow
2000-2001 "Faces". Art Gallery, Novosibirsk, Russia - Art Museum, Barrow - Regional Museum of Fine Arts, Kemerovo, Russia - Volgograd Museum and Exhibition Center, Volgograd - Ulyanovsk Museum of Contemporary Fine Arts. AA Plastova Ulyanovsk - Museum and Exhibition Complex Mikhail T. Kalashnikov, Izhevsk
Products are kept in museums and private collections:
The State Tretyakov Gallery, Moscow
State Museum and Exhibition Center ROSIZO, Moscow
National Center for Contemporary Art, Moscow
Collection Leonid Talochkin Other Art Museum, Moscow
Collection Mikhail Ershov, Moscow
Collection Eugene Nutovich, Moscow
Collection Kolodzei Tanya and Natasha, Moscow
Collection and Ada Leonid Belyaev, Moscow
Collection Myagkova Irina, Moscow
Collection of Michael Agroskin, Moscow
Collection Valeria Dudakova and Marina Khashuri, Moscow
Nemukhin Vladimir Nikolayevich (b. 1925), Russian painter, a master of painting, the representative of Russian "unofficial" art.
Born in Moscow on February 12, 1925 in a family originally from the village, became a worker. He spent his childhood in the village Pryłuki (Kaluga region), on the Oka River. In 1943-1946 studied at the Moscow Art Studio AUCCTU. Advice of artist P. E. Sokolova, through which discovered the art of post-impressionism and cubism. Some time (1952-1959) earned his living as a designer and poster artist. Actively participated in the privately-residential and public exhibitions of avant-garde art, including the scandalous "Bulldozer Exhibition" in Moscow wasteland in Belyaevo (1974). Since the late 1960's his paintings are increasingly recognized in the West. He lived in Moscow and Priluki.
After early Oka landscapes in the traditional manner, as well as experiments in the spirit of cubism and abstract painterly found his own style of cards in a random motif in beach sand (in poker on the beach, painting and collage with real cards, 1965, the Museum of "The Other Art" at Rossiyskom Humanities University, Moscow; version of the same year - in the Zimmerly Museum at Rutgers University, New Jersey, USA). By mid-1960's this spontaneous motive was formed in semi-abstract "Still Life with maps, which were very distinctive manifestation of the" informelya "- special abstraktsionistskogo flow, based on a combination of pure pictorial expression to the dramatic-symbolic element. Then Nemukhin years varied its discovery, sometimes turning the surface of the canvas in the subject "kontrrelefnuyu" plane, reminiscent of an old, moth-time of the wall or surface of a playing table. Often he wrote - in the mixed, as if painting-graphic technology - and on paper (series Jack of Diamonds, the end of 1960 - beginning 1970).
Assimilation paintings subject works brought him close 1980 with pop art. During this period more than once turned to sculpture and three-dimensional abstractions, biomorphic and geometric (series "tracks-initiations" - DM Krasnopevtsev, E. A. Steinberg and P. Cezanne - 1983-1985; property of the artist and other meetings) then increasingly, exhibit their works, accompanied by paintings and graphic sheets of large installations. At the turn of 20-21 centuries. lived mostly in Germany (Dusseldorf), constantly naezzhaya in Russia, where in 2000 his work took a prominent place in Moscow's Tretyakov Gallery and the Museum of Modern Art. In 1999 a book was published Nemuhinskie monologues (written M. Urals).
------ Вложение 18225
"Playing cards - a symbol of partite world in his removal from the human personality procedure, spontaneity and capricious volatile states. Declaring the map as an aesthetic phenomenon, I have tried to distance itself from its usual home of symbolism, though aware that it is impossible to ignore completely. In everyday life, real world map is both a thing and the game, and a unique communications tool that links together the various socio-cultural types ... " V. Nemukhin.
Pictures http://www.citycat.ru/rest/cards/painting/nemukhin/ http://artinvestment.ru/auctions/930
Эти 3 пользователя(ей) сказали Спасибо Евгений за это полезное сообщение:
Please, write about borrowing. It is much more interesting.
You know after all: "From the other I praise - that ashes from you and blasphemy - praise."
First of all, let me emphasize that my opinion may be wrong: everyone has his own views on art, in this lies its charm.
For me, the artist is interested, when he was the discoverer of something new when you can reflect on his search and finds, even when his experiments failed not leave you indifferent. I am therefore interested in the avant-garde and not interested in the Wanderers, and even more so - Socialist Realism.
In all the books name Zlotnikova associated primarily with the developed his "alarm system", which is "investigating the nature of art, studying the mechanism and the specific impact of the subject in color and shape - is a quote from an article about him. But it is precisely these, word for word, were engaged in Ginhuke Matyushin and his team! Compare the work of Ender and Zlotnikova - in my opinion, ideas, composite solutions, color is almost identical, only the "organic" have written a whole theory about the "advanced" vision of why and remained in the history of art.
Figurative painting Zlotnikova also not completely independent. fross, compare your portraits lined with portraits of his mother, Falk (№ 630 in the catalog-reasonable) - just a copy! A genre scenes from Zlotnikova very similar to the later work quite uninteresting Lentulova.
Well, if her short. In no case do not say that Zlotnikov bad artist, just for me, there are others.
Эти 5 пользователя(ей) сказали Спасибо qwerty за это полезное сообщение:
Markin in the latest art chronicle of his swearing. They say, requires the artist's unique work, and Infante makes him unique, and then more pieces 40, if the work is like Not the exact quote, but somewhere close so ...
Markin in the latest art chronicle swearing at him. They say, requires the artist's unique work, and Infante makes him unique, and then more pieces 40, if the work is like Not the exact quote, but somewhere close so ...
Well this is - as Tselkov with etching (somewhere in the 74-75 years.). Official copies of, say, 30 copies, numbered.
10 pieces number 1
10 pieces number 2 and so on, until the board is erased ))))))))
Эти 5 пользователя(ей) сказали Спасибо LCR за это полезное сообщение: