Сообщение от qwerty
I also have no doubt, but, of course, interesting that you even know about it.
A. Vesnin came to the Chamber in time. And Tahir very welcome arrival in a theater is an architect.
After the failure of production in the 21-m, the "Romeo and Juliet" with the design of A. Ekster. *
After registration of the staging of the Annunciation "Claudel in 1920, as Vesnin sderzhenno draws" Phaedra "in the 22-m.
Shown is a thumbnail sketch actually covers program **
depicting AG UNC (1889-1974) in the role of Phaedra and KG Eggert (1883-1954) (not to be confused with Konstantin Eggert, editor in chief of the Moscow bureau of BBC Russian Service) in the role of Theseus.
And Vesnin this cover preserved portrait similarity with Alice Georgievna, and Konstantin Vladimirovich.
And on the topic presented in the two sketches (not from Bahrushenskogo) shows that the performers do not know what to do and how the author's thoughts. There simply rasskraska similar, formal.
I do not want a long time, because me in this topic, if I start and stop hard. Sam stop.
* in his design of" Romeo and Juliet "Exter resorted to the luxury and magnificence, which for Tairov was" too visual ". His design of the performance, her sets, costumes, their "excesses", "bakstovskim" shine she "scored" and dramoturgiyu and rezhessuru. Statement failed.
A. Efros wrote in his book about the Chamber Theater on this production as "the most bitter page in the history of this theater.
Gouache, gold, silver, ink, pencil, 47 , 5H31, 8.
The sketch covers are available in the collection Dmitrievich Nikita Lobanov-Rostovsky, and in the collection of MP BN