Organics

[Meister]

since I started this parsley, then let's talk about prices ...
qwerty, sold as organic? and where it appears in the sale? how to evaluate it?

[qwerty]

Сообщение от Sandro

qwerty, but if you have the work of Peter Miturich? If there is, put please.

At the request of workers 5 works of Peter Miturich. The first two - hello Vasarely. At last - cubes, which made Miturich - the so-called "hub alphabet" Velimir Khlebnikov. Miturich illustrates the construction of a new world. Sound and letter - the original unit, which occurs world.

[Sandro]

Dear, qwerty, but what you say we Miturich (above fasting), similar or not?

[qwerty]

Сообщение от Sandro

Dear, qwerty, but what you say we Miturich (above fasting), similar or not?

Not undertake to say 100%, still not so well I know him - very rare, but rather a "yes" than "no."

[color="# 666686"]Added after 9 minutes[/color]

Сообщение от Meister

since I started this parsley, then let's talk about prices ...
qwerty, sold as organic? and where it appears in the sale? how to evaluate it?

As I already wrote, Russian avngard, including organics, are extremely rare. The last time I saw this Matyushina (quite similar to the first picture in the message 11 of the branches) in a Moscow gallery two years ago. They asked a million of American money, could not strike a bargain.: (

[qwerty]

In 1932 the State Publishing House of Fine Arts in Leningrad, a book was published MV Matyushina written on the basis of its long-term studies of perception of color and form, "Handbook of color. It consisted of four notebooks, tables - colorful harmonies and large-trehtsvety article "The pattern of variability of color combinations. Color tables were performed by hand stencilled Matyushina group of students, hence the circulation - 400 copies.
Cromatics Matyushina based on establishing a direct dependence of aesthetic qualities of color harmonies of psycho-physiological factors of perception, closely aligning itself with the psychology of creativity.
Handbook, "as the text says," is designed for use in the work on color in the production of: internal and external decoration of architecture, textiles, porcelain, wallpaper, printing and other industries. "
Below I will give three pages of this handbook.
At the time this was considered normal scientific work and not claim the laurels of works of art, which should cost a fortune of money. In modern times it would be called "blue on blue and orange", "green to red", "gray and red on yellow" and declared to the top of creativity.: D
For those interested, add: This manual was reissued in 2007 by the publisher D. Aronov with an excellent introductory article by L. Zhadov

[Кирилл Сызранский]

MV Matyushin became a professor of the Academy of Fine Arts May 1st, 1919, when he was 58 years old.
Shortly before the autumn of 1918, the Academy of the contest were selected by professors is not there previously raotavshie AT Matveev, A. Rylov, A. Savinov, L. Sherwood, and others have been them and Circadian BP rhythm leftist movements-H. Altman, AA Andreev, Kazimir Malevich, VE Tatlin.
Kasimir Malevich was appointed professor of the workshop on Dec. 1, 1918 His workshop was called "workshop of Malevich." It expressed a desire to learn Xenia, Boris and George Ender. In the 1930's. Maria Ender wrote that even before the occupation by Malevich's all they have already engaged in a dlmu MV Matyushina.
Malevich could not see much in Petrograd, because the work was loaded in Moscow. He taught in the first and second public art workshops (GSHM). In the second workshop was a leading master of painting. Then they called professors.
Malevich Matyushina asked to lead his studio. In the spring of 1919 Workshop Malevich turned to the workshop of spatial realism Matyushina. Ksenia, Maria, Boris and George Ender were already officially pupils Matyushina. They were joined by Nicholas Grindberg.
In practice pedogagicheskoy Matyushina at the Academy of Fine Arts are two periods.
First-1918-1922-period individual Workshop spatial realism in free workshops. After the reorganization of individual workshops reached the second period,
1922-1926 Messrs.-Matyushin professor of drawing and painting at the Academy program obschevuzovskoy-VHUTEINa.

Added after 14 minutes

After the reorganization of individual workshops reached the second period,
1922-1926 Messrs.-Matyushin professor of drawing and painting at the Academy program obschevuzovskoy-VHUTEINa.

Students Matyushina "second" period:
Astaf'eva Elizabeth Yakovlevna (1900 Ostrolenka (Poland) -1945, Moscow);
Besperstova Vera P. (1898, Irkutsk-1988, Moscow);
Walter Irina (1903, Bialystok, 1993, St. Pietersburg)
Vaulina Olga (1902, Moscow-1996, Saint-Petersbourg);
Delakroa Walid Ernestovna (1899, Liepaja, 1972, Leningrad);
Kostrov Nikolai Ivanovich (1901 Vyatskaya gub.-1966, Saint-Petersbourg);
Magaril Eugene Markovna (1902, Vitebsk-1987, Leningrad);
Khmelevskaya Elena S. (1899, Saint-Petersbourg, 1992, Saint-Petersbourg).

Added after 19 minutes
Yuri Vasnetsov, Valentin Kurds, Eugene Charushin often worked in the studio of spatial realism in MV Matyushina, although not formally been his students.
A. Vasnetsov (1900-1973);
Kurds VI (1905-1989);
Charushin EI (1901-1965).