29.03.2010, 11:55 | Язык оригинала: Русский #42 |
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It would be nice "But what is the doubt heard that negotiations were under way, but too expensive for them probably , growth is likely to be unique, to start not go .
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29.03.2010, 14:19 | Язык оригинала: Русский #43 |
Banned
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It is necessary to stir the group "Privat" and to stress the fact that all the artists in this collection are Jews.
Near our synagogue built tremendous Jewish Center. There will also be the Holocaust Museum. There also could place and this wonderful collection. |
Этот пользователь сказал Спасибо uriart за это полезное сообщение: | Tana (29.03.2010) |
29.03.2010, 19:14 | Язык оригинала: Русский #48 | |
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Owners? Grandchildren, great grandchildren?
It is possible, and so ... It is the mayor of Tel Aviv asked to donate clothing collection Art Museum of the City. Back in the early 30's. But change denied Meir Dizingoffu is not wanting to "break" this collection. They say that in the mid-50's, this collection was opened to visitors in the apartment Change. Partially after his death showed things from the collection at some exhibitions, but completely after the death of the collector to show it here recently, in 2006. at the exhibition "Odessa Parisians Works from the collection of J. Change in Ramat-Gan, catalog which all have been looking into selling on the Internet. Цитата:
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30.03.2010, 10:22 | Язык оригинала: Русский #49 |
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A lot to sell better, because there is a weak material. Remember Frayerman work in London, which are not available, because a great job. If you select the very best work, and the cost of the remaining equal to zero, so how to sell them separately would be very difficult, the cost per unit will amount to 60-70 thousand USD I am not questioning the aesthetic value of these works, but these items do not have the market dynamics, stability of effective demand.
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30.03.2010, 11:46 | Язык оригинала: Русский #50 | |
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Цитата:
And buy the collection will not be keeping in mind its further movement in the market, this collection, I think, and will continue to be a "one lot" in a museum or private collections, and, possibly, in the corporate, it is possible that some of its vykuait any foundation, corporation, or, as here already assumed bank. |
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