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02.08.2011, 05:54 | Язык оригинала: Русский #41 | |
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Assign someone you like, and you challenge what you want, in this formulation, the question will be no respect for the Russian art or art history to the Russian ... Sorry, went to the wrong topic. |
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02.08.2011, 07:31 | Язык оригинала: Русский #42 | |
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Names of experts, I deliberately did not name, because here, everything is not so simple. Art historian, expert accepted by the market, a dealer, a museum worker, a gallery owner, buyer of art for interior decoration, a collector, an expert with a bad reputation, an expert representing the organization, a young-inexperienced expert, curator, etc. etc. - All qualities, roles, functions of market participants, which are those directly or indirectly. One person can be both different and the third in one, and perhaps only someone one. There are different options. And an understanding of who is who, is made up of long-term practice. All who are in the subject will understand what I mean. See, art can not always be an expert, but an art expert. There are dealers who understand the subject better than the official experts, but they still have to turn to the experts (per document), which satisfied most of the market. The experts have their strengths (topics), but there are areas where they "swim". Sometimes, having a positive formal conclusion of the expert has to consult with colleagues or anything other experts who do not give the papers, but their opinion is important to you. And a lot of different nuances. Market - is a complex dynamic system. Understand it in some way can only be received once inside and experience. And if you're not inside, and you have no experience, it is best to treat people with a good reputation in the market. "The devil is in the details." (Last) [color="#666 686"]Posted 17 minutes[/color] Actually, I asked you: You can answer this my question? [color="#666 686"]Posted 30 minutes[/color] In what sense? Последний раз редактировалось Тютчев; 02.08.2011 в 15:55. Причина: Добавлено сообщение |
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02.08.2011, 10:31 | Язык оригинала: Русский #43 |
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In the Tretyakov Gallery is a huge fund works Larionov and Goncharova inherited from Tomilina . Stores it seems Ilyukhin , she wrote the same article . Strictly speaking, the reference number of foreign Goncharova well for the study is available.
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Эти 3 пользователя(ей) сказали Спасибо Тихая Сапа за это полезное сообщение: |
02.08.2011, 13:48 | Язык оригинала: Русский #44 | |||
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The very design of marriage with Larionov was due to some concerns about it just send heritage home, like me in the same Tretyakov explained. All the foreign period of Goncharova and Larionov in Russia now studied fine work of these artists because of their extensive correspondence is known for literally days , much of his work in the theater (and on the easel , by the way , too ), they left a lot of records. Yes, in the Tretyakov Gallery is the world's largest collection of their works. |
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02.08.2011, 14:36 | Язык оригинала: Русский #45 | ||
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[color="#666 686"]Posted 3 minutes[/color] Цитата:
Последний раз редактировалось Vladimir; 02.08.2011 в 14:39. Причина: Добавлено сообщение |
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Этот пользователь сказал Спасибо Vladimir за это полезное сообщение: | Евгений (16.08.2011) |
02.08.2011, 15:10 | Язык оригинала: Русский #47 | ||
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You may not want to release the findings of numerous studies, but if you're not talking about the first year of "A", then it may make sense to say at least once "B"? Цитата:
So do not cover their unwillingness or inability to share information (although the reasons for this may be quite reasonable, even), the mythical possibility of a ban. Tell me honestly: to publish their information on the forum can not or do not want to, but then I whole situation begins to resemble a soliloquy of Figaro in Beaumarchais: pretend that you do not know what they know everything, but you know what is not known to anyone ... |
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Эти 2 пользователя(ей) сказали Спасибо Allena за это полезное сообщение: | Евгений (16.08.2011), Кирилл Сызранский (02.08.2011) |
02.08.2011, 15:46 | Язык оригинала: Русский #48 | |
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Ilyukhin , incidentally, is accredited by the International Confederation of antique and artdilerov. |
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03.08.2011, 08:12 | Язык оригинала: Русский #49 | |
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and then , in these collections, the reports are not only art , but also engineers , etc. , there is a wide range of specialists. For example , when the Pompidou Centre, the exhibition made by Goncharova, specially invited Pospelov. otherwise agree with Tyutchev |
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04.08.2011, 17:06 | Язык оригинала: Русский #50 | |
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Maroussia, make sure to look the whole subject, it is important. |
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