27.02.2009, 17:20 | Язык оригинала: Русский #21 | |
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03.03.2009, 00:46 | Язык оригинала: Русский #22 | |
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Surrealism - terra incognita
In October will round date - 40 years from the day when the manifesto in Le Monde declared the end of the surrealist movement. As concrete historical movement of surrealism ended. The funeral passed quietly. Breton-based company by then had become an anachronism: surrealism no longer needed a guardian and long ago started an independent life - with different masks and different manifestations. So, adherents of the flow could justifiably vosklinut: "Surrealism is dead. Long live the surrealism!"
By the anniversary of the adoption to sum up. It would seem, a retrospective of forty years - enough time to crystallized definition of at least most of surrealism. But something here standstill - as if trying to grasp the concepts of a network of phantom. Are you satisfied, for example, the definition of the authoritative French dictionary of art: Цитата:
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03.03.2009, 10:10 | Язык оригинала: Русский #23 | |
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Этот пользователь сказал Спасибо Мунк за это полезное сообщение: | Meister (03.03.2009) |
03.03.2009, 13:17 | Язык оригинала: Русский #24 | ||
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Munch, let us cite one another so as to avoid collapsing context:
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To all these arguments and are going to come back to the artists and view their work with fresh eyes. |
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04.03.2009, 12:14 | Язык оригинала: Русский #25 |
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more artists to explore, the better.
I want your attention at present known in the West, but completely ignorant here, the artist Kay Sage (Kay Sage) (1898-1963). She is known not only as a surrealist, but also as the wife of Yves Tanguy, who, by marrying him in 1940, went with him through the rest of his life was his nearest pillar and support. Her work has been shaped by the work of Tanguy, Dali and de Chirico, although it is still known as a poet. To me it works very even liked)
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До меня мир рисовали таким, как его видят. Я рисую так, как его мыслю. (с) Пикассо. |
Эти 17 пользователя(ей) сказали Спасибо Meister за это полезное сообщение: | Allena (05.03.2009), Art-lover (04.03.2009), eva777 (04.03.2009), Fam (11.12.2012), Glasha (04.03.2009), Hollandup (11.04.2013), K-Maler (14.08.2012), LCR (04.03.2009), Martin (11.11.2009), qwerty (04.03.2009), Samvel (04.03.2009), Sandro (04.03.2009), sur (16.02.2010), Кирилл Сызранский (04.03.2009), Магнолия (21.08.2012), Мунк (04.03.2009) |
04.03.2009, 23:19 | Язык оригинала: Русский #26 | |
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[color="# 666686"]Posted 1 hour 17 minutes[/color] In her pictures noticeable sustained motive - a drapery pull out. It looks like a hard shell. Sometimes - a veil that fetter the human figure. Sometimes the folds are fantastic architectural framework or landscape formations. But always drapery - a self-contained character. I wonder what kind of character? I like the most average in the bottom row of thing - where lying on the ground shell reveals a decayed skeleton, and in the conditional sky threatening its dominant viable twin. It seems that this is surreal vanitas. And the average in the top row of thing associated with the subject "Christ in the Desert." |
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05.03.2009, 11:36 | Язык оригинала: Русский #27 | ||
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До меня мир рисовали таким, как его видят. Я рисую так, как его мыслю. (с) Пикассо. |
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05.03.2009, 17:54 | Язык оригинала: Русский #28 |
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I have about the Surrealists no belief, no prejudice. . I try to loyal to any art.
It is guessed the motive of "march", which causes direct association with the "Sacred Grove" (1882) Arnold Bocklin . If Beklin - a procession to the sacred fire souls in the netherworld realm, the work of Sage meaning reduced, screened by the fact that the procession begins and ends outside the picture. Comparison of the emotional content of pictures confirms that mysticism is present in both works. In this paper, Sage it - on the surface, we immediately encounter the mystery. And we can indulge in arbitrary fantasy. What is it? Why does the soul go down the stairs, and not rise to the top. In the Grove is the mysticism not connected with the problem of mystery as such, but with a secret, waves of any person - death and the other world. The mystery remains under the veil, but not scared - a beautiful grove beckons, there is nothing repulsive. The viewer feels understandable sadness at the thought that someday inevitably will join this march, but the transition does not seem terrible. Bocklin gives us the opportunity to relax, to experience catharsis. A surreal painting, by contrast, are locked out, creates gratuitous tension, not allowing it. Master, I want to ask: "What is the meaning of this riddle?" |
06.03.2009, 00:47 | Язык оригинала: Русский #29 | ||
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As direction of painting, Meister.
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"Surrealistic painting" is not a direction in the sense of something unified, whole. This phrase is used in a collective sense - to denote the set of paintings "surrealist" (the last word needs to be clarified, this was already discussed). Surrealists, followed exactly the aesthetic premisses of surrealism, did not create any significant works of art. Creation of any outstanding Surrealist always somehow go beyond the doctrinal premise of surrealism. Цитата:
Judging from the folds of her robes, the figures facing each other. |
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06.03.2009, 17:46 | Язык оригинала: Русский #30 |
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No, I think.
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