Russian avant

[Jasmin]

Сообщение от Chernomashentsev Vladimir

On the fifth page of this topic is a certain lady with a long name (not surname): Turin Maria Aneta Robertovna Liandre.
I, of course, not art, but to me as an expert on the construction of the impression that it has no relation to the topic of Russian avant-garde. At least those miniatures that stand. I for some reason not too disappointed that he did not know it before.

I am increasingly sinking into the darkness of misunderstanding.: Confused:

[Евгений]

Сообщение от Chernomashentsev Vladimir

Turin Maria Aneta Robertovna Liandre.

  At the forum about it: http://forum.artinvestment.ru/showthread.php?t=15015
Vladimir, at the expense of the avant-garde hard to say, but it works good.

[Черномашенцев Владимир]

Сообщение от Jasmin

I am increasingly sinking into the darkness of misunderstanding.

Look at post number 42 - there is this long lady. And I do not like. And I can not understand how it relates to the Russian avant-garde?

[Евгений]

Сообщение от Chernomashentsev Vladimir

I can not understand how it relates to the Russian avant-garde?

Vladimir, dear qwerty asked:

Сообщение от qwerty

(brown, I provided the names of which are now virtually nothing is known, and I am very grateful to anyone who can find them some information .).

In particular, the artist T. Liandre.
Samvel said all ..
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[Черномашенцев Владимир]

Сообщение от Maroussia

You yourself told me!
And how soon will we end the crisis in stritelstve? This ritrichesky question. Direct question: When will construction will take you?

Am I mistaken the thumbnail on Russian avant-garde? Sorry, dear Maroussia, you believe that Long Queen - it is the vanguard? Well, I'm certainly not art, but Frost Shchukin brothers were not with diplomas.

[LCR]

Сообщение от Chernomashentsev Vladimir

.
On the fifth page of this topic is a certain lady with a long name (not surname): Turin Maria Aneta Robertovna Liandre. :

OK, understood, thanks.

Сообщение от Chernomashentsev Vladimir

And even Jawlensky, with all respect for him, too late for 20-30 years, to be in the ranks of the Russian avant-garde.

And here I beg your pardon, I just can not agree. Nowhere Jawlensky not too late: his work is simultaneous with the most ambitious artistic search for the beginning of the twentieth century, both in Russia and in Western Europe.
At 30 years old, eq you bent! What do you want him to their wild head painted in 1870. and presented them with the Wanderers? You know, I'm afraid that Ilya Efimych would not approve. Him - Jawlensky - and so tightly had initially, but that would be done with him in 30 years, afraid to imagine ))))))))))))

[Тютчев]

Сообщение от Posav

And me many pictures of those shown do not like. Those not interested in whatever freshman, or even on the applicant's engineering and execution.

   

     Posav, indeed, many representatives of the Russian avant-garde did not differ literate techniques in terms of academic education. Some of them had no art education at all. For example, a doctor Nicholas Kulbin.Lissitsky was certified engineer-architect. Many of them do not even finished the artistic educational institutions in which to study. And if you do not have completed the Academy and drawing studios and schools. Aristarchus Lentulov so for all my life and never learned to draw hands. Can enumerate further. But, despite this, these artists and other representatives of the Russian avant-garde, of course, real artists, and the phenomenon Russian avant-garde (the RA) - the brightest pages of the world of art!
    Like any real phenomenon in the arts, RA not be analyzed only in terms of technical performance. I would even have taken the liberty to say that, whether avngardisty academically educated, they may not have been so in the young insolent, greedy, to life and be independent in their work (on the contrary tzhe true)! The phenomenon is inseparable from the Russian avant-garde of the revolutionary era, from the atmosphere, filled with anticipation of great things from some mad general intoxication of faith in the inevitable tomorrow's happiness for all!
    Russian avant-garde, in general, all imbued with a protest against something "old", "academic", "Yesterday", "unnecessary". This protest was in tune with the time, was a natural need of artists of that era, a nervous pulse "of Russian modernism. Scientific discoveries and social changes created a unique creative atmosphere in which even an amateur felt a titanic opportunities! This was the time! And it will never happen again!

[Маруся]

Sama "bewitched theme" Today, myself and my fault ...

[Jasmin]

Maroussia, you do not "jinxed"! Interest in the subject, and thank you, that you opened it ... The artists in question, really talented and unusual for its time. And it's good to know more about them and about others.

[Тютчев]

Сообщение от Posav

... and here are sample pictures of the ladies in lace and flowers.

     If I understand correctly, in this thread are trying to understand the Russian Avant-garde as a phenomenon, and this inevitably leads to the inclusion in the context of the discussion as the pillars of the avant-garde artists, and those who surrounded them and was part of the unique creative atmosphere.
       It is impossible to study this phenomenon outside of different contexts: historical, literary, musical, scientific, domestic, international art and so on. It is difficult to understand where begins and where it ends Russian Avant-garde, he seems to be specific and imprecise. All refracted and reflected in the Russian Avant-garde. This shows the exceptional value of the phenomenon, its timeless and beyond the spatial values. That is, having a specific meaning, spatial and temporal framework, he seemed to penetrate beyond them.