How to protect graphics on the walls of the house in the Maritime environment?

[Вивьен]

Сообщение от Vladimir

abstractly and Generally to talk about all wrong - you need to study a specific problem with a specific subject.

It is Yes. This correctly.

[K-Maler]

Сообщение от Vladimir

Question two:
1. Is it true that the Maritime climate is detrimental to graphics? If faced with this restorers?
2. Are there any modern technology, hermetically packaging graphics for hanging in the rooms of the house by the sea?

You and all collectors should be familiar with the labor M. C. Farmakovsky "Watercolor, her technique and restoration". The book reprinted: Moscow LLC "Publishing Century Shevchuk" 2000

In it You will find a comprehensive answer to the questions of storage and protection of works on paper.
Humidity is harmful, harmful light, dust and all suspended in the air of harmful gases... and many more reasons spoiling works on paper.

Maybe this book can be found on the Internet. In any case it can probably be found in the library of the CX.

[Jasmin]

[QUOTE="Vladimir;3353801"]Sea are interested in the Mediterranean, and the city - Telaviv@

In tel Aviv a very humid climate. But I never heard there spoiled watercolor or graphics. Watercolor spoiled only from direct sunlight for 24 hours a day for several years. And if hanging under glass in a dark room, so can be hung 300 years. I was surprised, but it turned out that watercolor is very durable.

[Пряник]

[QUOTE="Vladimir;3353101"]I saw once in the apartment in the house by the sea, locked up for a few months, rose colorful mold. Because it was not ventilatie@
I'll try to suggest on the basis of their construction experience.
Mold is a fungi.
For infection should be provided certain conditions are met:
-available nutrient medium, most often paper and glue;
-initial hydration of the nutrient medium (paper) water (condensate, direct wet);
-mushroom spores.
For some fungi-biretrosteel white stone limestone is enough only to have moisture only in the initial stage, in the future, the fungus takes the necessary water from the air.
Pave that hydration charts (paper) may occur when the condensation on a cold glass in the morning after warming up the air.
The temperature of the object by which its surface falls condensate is called the "dew point".
The calculation of the temperature "dew point" is made on the basis of temperature and humidity. If the glass temperature is equal to or lower than the temperature of dew point, the condensation cannot be avoided.
Further, the condensate can flow into the gap between the frame and glass, or even to fall on the inner side of the glass, wetting the paper and contributing to the infection...
I apologize for any unnecessary details. I hope that was not written in vain.

[Vladimir]

Well, letís look at it from the other side.
What are modern materials and design rules for graphics, so it does not disappear in the indoor environment? What adhesives, glass, and cardboard are the most perfect? What rules must comply with conscientious artist?
And Yes, the conditions are the same: tel Aviv, humidity is certainly higher than 60%.

[Пряник]

Сообщение от Vladimir

tel Aviv, humidity is certainly higher than 60%

At a relative humidity of 60% and a temperature of t=30 C condensate falls on the object's surface cooled to t=21.1 C and below.
Probably, it is required to comply with the thermo-humidity conditions in the room, or decapsulate" schedule.
Assume, in the ideal case:
Frame to choose with a deep profile.
Tightly glued the glass to the frame sealant along the contour.
The joints of the frame also to seal.
Work to separate from the glass-air gap with the help of Passepartout.
The back of the cardboard to underpin the work.
Glue along the outline on the rear part of a frame of a thick sheet of waxed tracing paper or wax paper.
Into the gap (1-2 cm) between the tracing paper and cardboard backdrop to put in a bag of silica gel.
Think that will help.

[Пряник]

Perhaps, to put a sheet between two panes of glass and glue them along the contour will be even more reliably.
No air - no steam and condensate.

[artcol]

[QUOTE=Пряник;3355311]'ll Try to assume on the basis of their construction experience.
Mold is a fungi.
For infection should be provided certain conditions are met:
-available nutrient medium, most often paper and glue;
-initial hydration of the nutrient medium (paper) water (condensate, direct wet);
-mushroom spores.
For some fungi-biretrosteel white stone limestone is enough only to have moisture only in the initial stage, in the future, the fungus takes the necessary water from the air.
Pave that hydration charts (paper) may occur when the condensation on a cold glass in the morning after warming up the air.
The temperature of the object by which its surface falls condensate is called the "dew point".
The calculation of the temperature "dew point" is made on the basis of temperature and humidity. If the glass temperature is equal to or lower than the temperature of dew point, the condensation cannot be avoided.
Further, the condensate can flow into the gap between the frame and glass, or even to fall on the inner side of the glass, wetting the paper and contributing to the infection...
I apologize for any unnecessary details. I hope that was not written naprasno@
Never seen such.. so the dew on the glass inside the room...

[artcol]

Сообщение от Vladimir

Recently heard from one collector that houses the sea spoils graphics decorated in the standard baguette under glass. Whether salt air, humidity, mold...don't know how, but spoils. Allegedly.

Question two:
1. Is it true that the Maritime climate is detrimental to graphics? If faced with this restorers?
2. Are there any modern technology, hermetically packaging graphics for hanging in the rooms of the house by the sea?

It is known that the Japanese auto industry makes cars for domestic consumption with much more serious corrosion protection. Because humidity, and sea salt water. So, it is possible and graphics spoils...

And sealed not a problem: two glasses, such brackets are special and sealant along the contour.

[олег назаров]

Сообщение от Vladimir

What are modern materials and design rules for graphics, so it does not disappear in the indoor environment?

Is the frame a special Museum for graphics support microclimate. Saw these on "ITERATEE" they have an office in Moscow

here I found---- the representative of the company HALBE in Russia
Museum of the magnetic raimis [/B]classical volumetric light
Phone: (916) 543 64 34
E-mail:
[email protected]
Sites:
www.halbe.ru