Сообщение от Solnce
I do not advise to do the examination of hundreds of thousands of pictures and up - too much risk . Fakes are shops .
One accomplice bandit you can pass dubious thing and then another " buy " it and all - you got under extortion and looting . " Shit sold him into prison , home collection , all taken away. " You never thought about it ?
I do not mean "papers " Petrova and not about saying " svoyachkovye " expertise. I'm talking about the normal technical and technological expertise and talking about knowledge of museum collections of standards . Expertise does not happen enough . Maybe just the right information to emerge , such as " was this thing we have been ... " Do not be stingy , not risk . I'm not talking about bribes experts . An ordinary visiting expert " on the street" and without overpayments .
Oddities what you write, so do not be angry . I do not buy
questionable thing is not for " accomplices bandits " not their " associates ." <! - ~ 1 ~ ->
Firstly try to acquire, what like, but try this
learn to understand. When the direction of what art you
sincerely care about - it is much easier to do , and if not interested
even more difficult to understand .
Secondly, try to communicate with people experienced , there is always
opportunity to learn .
Thirdly, that even among the questionable things , I try to see things
authentic , it happens sometimes .
I think not buy fake or valid for $ 200 or 100
I repeat - I do not buy a thing if he does not believe in it , of course opinion
expert is important , but the money that I pay. <! - ~ 1 ~ ->
Added after 3 minutes
Сообщение от Alekseev
Surely there are passionate collectors , but in relation to examinations better believe the experts - after many years , and sometimes multi-decadal experience with things standards makes itself felt . Though of course , much depends on the particular specialist and his talent .
Yes indeed work with standards , just often prevents experts properly understand the authenticity of the product . Better, certainly so in the old book was the work of the pre-revolutionary or exhibition lit. <! - ~ 1 ~ ->
And you know what to say then I'll have the money , not the expert ?