27.05.2013, 10:39 | Язык оригинала: Русский #321 | |
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Strange. Why beautiful abstract art is welcomed and appreciated, and the text and zhestikulyarny not perceived and decry? |
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28.05.2013, 16:07 | Язык оригинала: Русский #322 | |
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Shimon Antal
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Hungary , he left in his youth as an artist took place in France, received French citizenship in 1982 represented France at the Venice Biennale - so that it is positioned more as a French artist . Antal started as a surrealist , and in 1953 awarded a foreword by Andre Breton catalog of his exhibition . In 1955, immersed in abstraction and remains there until the end of his days . His work 70s , as they say , has influenced a whole generation of young artists. From reproductions shows that he was under the influence of a powerful graphics Matisse. |
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Эти 10 пользователя(ей) сказали Спасибо Art-lover за это полезное сообщение: | DSF (28.05.2013), fabosch (29.05.2013), GalARTA (29.05.2013), Glasha (28.05.2013), I-V (29.05.2013), iside (29.05.2013), zarajara (28.05.2013), Кирилл Сызранский (30.05.2013), Коллекционер-любитель (28.05.2013), манна (28.05.2013) |
28.05.2013, 18:17 | Язык оригинала: Русский #323 | |
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Hilma af Klint (1862-1944)
Цитата:
At least for the sake of historical and gender justice: it appears that new ground evroabstraktsizma silently raised the ladies, and then came running guys that a lot of rustling, beat his breast, and, as a result, have staked out for themselves in the history of art tasty allotment of abstraction. ) Hilma af Klint drew his first abstractions in Stockholm in 1906, to pre-empt a few years Kandinsky. Initial period of abstract art was theosophical (spirits demanded astral artist paintings that show the eternal and unchangeable)), and since 1908, after a meeting with Rudolf Steiner, Hilma dispersed perfume and addressed the anthroposophic reasons. Curiously, Kandinsky met with Steiner in the same 1908. And left this world and Hilma you. V. at the end of one and the same in 1944. The artist has left about 1,000 works, which, according to her will, it was forbidden to exhibit 20 years after her death. The first exhibition took place only in 1986-1987. Последний раз редактировалось Art-lover; 28.05.2013 в 19:47. Причина: add |
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28.05.2013, 22:43 | Язык оригинала: Русский #324 | |
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G.
Roger Denson - Colonizing Abstraction - part 1
Previous post touched a favorite amusement of modernism called "I - the first". But all this controversy kids in the sandbox.
If we go to adult cases, the decisive battle for the birthright in the world of abstraction to be held between Pithecanthropus and Neanderthals. (However, the inner voice tells us that after the upcoming redistribution of the market above all arts will be quoted on Sotsbi abstract artifacts Sinanthropus)). About how dangerous to ignore these things and play by the old rules, recently experienced the hard way the organizers of the exhibition Inventing Abstraction, 1910-1925, which was opened for display at New York's Museum of Modern Art on April 15 of this year. (For a long time trying to persuade himself to follow the example iside and get out of the transfer of invective against Roger Denson MoMA over the last exhibition - especially because I'm not entirely agree with his position - but what I managed to get myself - it agreed to replace the transfer to a detailed account of: Denson argument in some detail, and not without interest to readers section will try it themselves to the tooth). Dimensions of the article and the lack of time forced to cut the text and serve slices. Portion 1: Roger Denson. The colonization of abstraction: the MoMA exhibition "The Invention of abstraction," denies the ancient global sources of abstract art. (Part of the translation, part paraphrase) Цитата:
1. Forgotten MoMA curators were many obvious abstract tradition that existed around the globe for thousands of years. The pictures from left to right are four examples of the last century: the traditional mask of the solar disk bobo tribe of Burkina Faso and Mali, 19th century; Shugetsu Tokan, landscape-style Haboku, ca. 1510; pottery of the Hopi Indian tribe of the Pueblo tribes in northeastern Arizona, the 19th century. Dome of the mosque of Sheikh Loftally in Isfahan, Iran, ca. 1618. (A little help for Haboku - (lit. broken spattered ink or ink) - free technique of ink painting, characterized by contrasts of light and shadow. Unlike the technique of "dry brush", gravitating to the detail of the image, haboku - the letter at once with characteristic laconic composition and refinement Tusheva spots). 2. Kandinsky painted in a past life Tibetan drums? If MoMA rights that Russian avant-garde artist invented abstraction, there can only be one answer. It may be different if the MoMA is wrong, and the Tibetans, as well as many of the community have made abstraction of a vital part of their cultural heritage. Left - painted Tibetan drum, approx. 18-19 centuries, to the right - the famous first abstract watercolor by Wassily Kandinsky, 1912 3. The left image is like a painting by Kazimir Malevich's Suprematist, ca 1915, but in reality it is Tantric paintings based on the illustrations of the 17th century to the Indian religious text. Next - Kazimir Malevich, Black Square and Red Square, 1915, MoMA, New York. Next ill. - The Crucifixion, ca. 1425, Holy Trinity Church Holy Trinity-St. Right - Malevich, Suprematism#56, 1915, Russian Museum, St. Petersburg. It is quite possible - as the best of the Russian Orthodox and Byzantine icon painting abstract and figurative equilibrated in a balanced drama of passion - that Malevich had seen in the iconography of such vital energies of the spirit, which he sought release from the sensory domain-visual attributes. This Malevich affinity with practicing Tantra, who saw in the contemplation of pure forms up the possibility of higher states of consciousness and spirit. 4. Looking as elegant and modern, as well as all that was created after 1900, these three highly abstract sculptures are products of aesthetics, ideologies and technologies, respectively, of the Bronze Age, the Neolithic and Paleolithic. Left - Profile Cycladic head, 2600-2400 BC, Athens, Museum of Cycladic Art, in the center - ambrimsky slit drum signal, the island of Ambrym, the southern Islands of the Pacific Ocean, 1850-1900, on the right - Venus Monruts of Neuchatel, Switzerland, 13,000 BC 5. Left: Nepalese Tantric painting of the 17th century, represents a visual lexicon for the awakening of higher states of consciousness. Right: mesh painting, found in the cave of Pech Merle, France. Dated to between 16,000 and 25,000 BC Последний раз редактировалось Art-lover; 30.05.2013 в 20:54. Причина: добалены подписи к картинкам |
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28.05.2013, 22:56 | Язык оригинала: Русский #326 | |
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Art-lover, is referring to the Chinese so it was empty <! - ~ 1 ~ -> |
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30.05.2013, 01:05 | Язык оригинала: Русский #327 | |
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G.
Roger Denson - Colonizing Abstraction - part 2
Roger Denson. Colonization of abstraction - part 2
Цитата:
Figure captions: 1. Unfortunately, not represented in the MoMA exhibition "The Invention of abstraction," Olga Rozanov Suprematist artists, which we really need to know. She has the honor of being the first we know of contemporary European artists, whose paintings contain a vertical bar on a monochrome background. Left: Olga Rozanov Pointless painting, green bar, 1918, Tretyakov Gallery, Moscow. Right: Barnett Newman, Onement I (onement - state of being in harmony or reconciliation - AL), 1948, MoMA, New York 2. Sugetsu DC, landscape-style haboku, ca. 1510, Cleveland Museum of Art. Among the fascinating features of abstraction is kind of pleasure delivered by a shift of scale elements, or the fact that we offer to name an abstract fractal relationship of the viewer. Textures, layers, colors, glazes, stippling, the effects of arrangement of colors, the tone - all this leads to different realities of different scales. 3. Correggio, Jupiter and Io, 1530. Even the viewer's perception of figurative images operates abstract level, despite the fact that we do not expect these paintings abstract qualities, as long as we do not get involved in this arresting elements. As in the case of Japanese painting haboku in the previous example, textures, paint layers, a glaze, graininess effects arrangement of flowers, produce different tone pattern elements in the hierarchy of scales. 4 In Zen there is no distinction between the figurative and the abstract, as there is no clear distinction between painting and calligraphy. Left: The Zen master Torei Enji (1721-1792) painted with a brush circle ENSO, the "heart /mind" as well as reproducing the universe. Inside the circle Torey calligraphy written declaration of the Buddha: "In heaven and on earth I worshiped one." Right as authoritative Ungo Kiyo (1582-1659) the sign of the unity Iti, meaning "All things come back to one." Последний раз редактировалось Art-lover; 31.05.2013 в 02:20. Причина: подписи к рисункам |
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30.05.2013, 14:15 | Язык оригинала: Русский #328 | ||
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Exhibition at the Guggenheim : Wave Abstract Wars between one thousand nine hundred and nineteen -1939 [/URL] - 40 works (paintings, sculptures, drawings ) - 20 artists : Alexander Calder, Alberto Giacometti, Fernand Léger, Francis Picabia, and Joaquín Torres-García et al - photo
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Цитата:
__________________
Per aspera ad astra |
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30.05.2013, 20:49 | Язык оригинала: Русский #329 | ||
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Цитата:
And it is here homespun truth, and therefore still have to translate captions for pictures of the opus Denson, good and funny pictures and captions. Part 1 I have added, the signature to the 2 nd shall insert soon. Цитата:
Say - I say, but let us first finish the prosecutor's speech comrade. Denson. ) PS Captions 2nd portions already in place. It is worth paying attention to the fact that they relate to the presence in the perception of figurative abstraction layers (in particular, the fractal structuring). Remember, these questions have been addressed - it seems that due to Arnheim (page 8 threads and beyond). Последний раз редактировалось Art-lover; 31.05.2013 в 02:37. Причина: ЗЫ |
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14.12.2013, 11:27 | Язык оригинала: Русский #330 | |
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Here I sit reading Catherine Tar , which recently permeated great respect and reverence , and she writes the following:
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__________________
Per aspera ad astra |
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Метки |
abstract painting, abstract art, abstract artists abstract |
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