Современные художники Грузии

[Ninni]

Мераб Абрамишвили (Merab Abramishvili)


Merab Abramishvili started painting in early childhood. He studied at the Iacob Nikoladze Art College, but it was Alexandre (Shura) Bandzeladze’s private studio that became for him the real school of artistic mastery. To this day, Merab recalls the years spent there with immense gratitude. This is because Mr. Alexandre was not only an outstanding teacher, but also a man endowed with many virtues.

In his youth, Merab took part in scientific expeditions organised to study the Ateni Sioni frescoes. These expeditions headed by Merab’s father, Dr. Guram Abramishvili, an art historian and doctor of Philosophy strongly influenced the formation of his personality and thinking.

Merab Abramishvili was very young when he first started painting the copies of the frescoes of the Ateni Sioni Monastery and it was with enormous enthusiasm and passion that he continued this work for many years.

The eighties were Merab’s formative years as a professional painter. In 1981, he graduated from Tbilisi State Academy of Art, the Faculty of Drawing. In 1987, he made his first significant work “The Three Hundred Aragvians”.

In order to attain the artistic expressiveness of medieval easel painting, he applies the Leukas technique which was developed in the same epoch and was used in fresco painting.

The Leukas technique is applied on wood which is first covered with chalk and a resin priming. After that the painter makes the initial drawing with tempera paints which is then partially watered down, and afterwards is the main work done. At the very end, the surface of the picture is covered with egg-yolk. Thus, a work executed by means of this quite complicated and laborious method creates the association of a fresco.

A thorough study of the Ateni Sioni wall paintings has determined the predominance of religious themes in the painter’s artistic creations. “The Last Supper”, “Annunciation”, “Mourning”, “Crucifixion”, “Gabriel”, “The Morning Angels”, “Resurrection”, “Apocalypse” – these are the themes that the painter repeatedly returns to in his work.

Along with the love for Georgian frescoes, the motifs of oriental decorative art are also prevalent in Merab Abramishvili’s works.

“At a certain stage of my creative development, my artistic thinking changed, demanding from me an abundance of colour. So I began to study the eastern (Persian) miniatures,” the painter says.

He created his next series of works based on the interpretation of these motifs: “Shah Abbas”, “The Silk Road”, “Kharakiri”, “Harem”…

The organic merging of these two very different artistic trends (the Georgian fresco and oriental miniatures) has produced an utterly original idiosyncratic style of Merab Abramishvili’s art.

“In my childhood, I wished to become a lion-tamer, yet I was afraid of dogs!”, recalls the painter. In his youth, the painter was fascinated by the documentary works on hunting by Jim Corbet, Karl Hagenbeck, John Tener and others. The abundance of animal themes in his work echoes this passion - “A Cannibal from Kumaon”, “Rudrapraiag panther”, “Condor”, “Giraffe”, “Lion”, “Deer”…

On the outskirts of the Ateni village, there is a house built to accommodate the expedition. It stands there separately, away from the other buildings, with the 5th century kvevris (wine vessels) and an “Atenian” grape arbor.

“For me Ateni is like revisiting the primal source. Here, I feel filled with energy and I paint nearly all day and night.”

Today, however, unlike the days of his youth, the painter instills life into the reddened bush of eglantine growing on a slope, a sparrow sitting on the balcony railings, a fox disappearing in the shrubs and a snail which has crawled out in the morning dew…

[Ninni]

bykinist,

Спасибо Вам за помощь - очень, очень рада!

[Ninni]

Леван Чогошвили (Levan Chogoshvili)

Date of birth: May 22, 1953,
Education: 1970-1975 - Tbilisi State Academy of Art, Department of painting
Work: 1979 – Producer of unofficial film about Georgian Ethnic Culture beyond the borders of Soviet Georgia
1990 – The member of Association of the History of Science (Georgian Academy of Science)
1995 - President of the Association for Protection of Ancient Christian Art
1997 – 2007- Professor of the Tbilisi Art Academy, Head of the Arts Interdisciplinary Studio
1998-til today – Representative of only functioning in Georgia Artists Exchange Program (IAAB) “Basel-Tbilisi-Freiburg” of Christoph Merian Foundation (Switzerland)
2000 - Founder of the Contemporary Art Centre
2000 - Cofounder of the Caucasian Institute of Photography and New Media (CCCD)
2001 – 2004 – Professor of the Caucasian Institute of Photography and New Media (maf-media art farm)
2001 – Founder of Arts Interdisciplinary Research Laboratory (AIRL)
2002 - grant of Pollock-Krasner foundation, New-York
from 2007 - Professor of IB Euro-Caucasian University

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Group Exhibitions:

1976 - non-official group exhibition, Tbilisi Cinema House
1977 - non-official group exhibition, Tbilisi Artists House
1987 - group exhibition, Gallery Empedocle Restivo, Palermo
1987 - 1st exhibition of group "10th Floor," Karvasla Museum, Tbilisi
1988 - group charity exhibition for the victims of Armenia earthquake, Artists House, Tbilisi
1988 - group exhibition, CAH, Moscow
1988 - 1st exhibition of Non-Conformist artists of Georgia, Karvasla Museum, Tbilisi
1990 - group exhibition Foundation Mona Bismarck, Paris
1990 - group exhibition on the international Art Festival, Cagnes-sur-Mer (the Prize of the President of France for the best National Selection)
1990 - group exhibition “From Pirosmani up to Avant-garde, Gallery “Brok,” Barcelona
1995 - group exhibition, Modern Art Gallery, Tbilisi
1995 - group exhibition, International Art Festival, Ankara, First prize for the best National Selection
1995 - group exhibition, Art Centre “Senet,” Baku
1996 - Untitled, +/- Gallery, Basel
1996 - two-men exhibition “In-between Past and Present,” International Art Centre, Tbilisi
1996 - group exhibition in the frames of international project “Icon and Perception,” Tbilisi
1996 - 1st Tbilisi International Biennial in Contemporary Art, Blue Gallery
2002 – exhibition of the Centre for Rehabilitation of Tortured Victims, Tbilisi
History Museum
2002 – group exhibition, Tbilisi, Old Gallery; (1st position in the rating of acting Georgian artists born after 1945 – organizers: art collector A. Piradov and Tbilisi Art Institutions)
2002 - 2nd Biennial in Florence,Italy
2004 – Double Bottom, in the frames of the AIRL’s international project “Tuesday is Gone,” Club 22, Tbilisi
2004 – “Research Without Boundaries”, Curating and Cultural Exchange in the Intercultural Age, Goethe Institute, Tbilisi
2005 – “Saberebi Desert Group”, Air Gallery, London
2005 – Wednesday Calls the Future, curator Daniel Baumann, NAC, Tbilisi; (www.tbilisi2.com)
2006 – Lets’ Stay Alive Till Monday, Daniel Baumann, Elene Akhvlediani Gallery, Tbilisi; curator (www.tbilisi3.com)
2007- Every Day is Saturday, Tbilisi; curator Daniel Baumann, Cumberto/space, Tbilisi; (www.tbilisi4.com)

Solo Exhibitions:

1976 – “From Forbidden Photos” unofficial exhibition, private apartment of princess Sidamon-Eristavi, Tbilisi
1985 – “From the History,” Artists House, Tbilisi
1990 – “Kings”, Tbilisi History Museum (Karvasla)
1991 – one man exhibition, Gallery L`orangerie, St. Paul de Vance
1993 – one man exhibition, CAH, Moscow
1994 – “Paintings-from-photos”, one man exhibition, XS Gallery, Basel
1994 – “Home Archeology”, unofficial video show together with Archile Chogoshvili,
Studio 27, Tbilisi
1996 – “Destroyed Aristocracy,” Gallery Zyw, Edinburgh, Edinburgh
International Festival
1996 – “Destroyed Aristocracy,” Brimpton d ' Aversy Castle, Somerset, England
1998 – “Real Politics”, Christoph Merian Foundation, Basel
2000 – “Accommodation,” Hobby Gallery, Tbilisi, in the frames of the
international project “DifferAnce” in the contemporary art
2003 – “Beyond Bans,” 50th Venice Biennial in Visual Art
2003 – “Hit Eat Gods” (video), Mitte, Basel
2004 – “Where is the King of Poland?”, Gallery Elektor, Warsaw
2005 – “Red Dog”, Art Studios, Freiburg, Germany
2006 – “Noble Wine 2, Merab Abramishvili-Levan Chogoshvili”, Wine Gallery, Tbilisi

[Кирилл Сызранский]

Ninni, понял из Вашего текста, что работы Мераба Абрамишвили выполнены на дереве темперой. Так?

[Ninni]

Сообщение от Кирилл Сызранский

Ninni, понял из Вашего текста, что работы Мераба Абрамишвили выполнены на дереве темперой. Так?

Да, яичная темпера - левкас. У него весьма своеобразная техника приближенная к традициям иконописи.

[Samvel]

В январе 2007года из жизни ушел талантливый грузинский художник, замечательный человек, отличный друг и товарищ Тенгиз Мирзашвили (1934-2007гг). Живописец, книжный график и театральный художник.

[Samvel]

Так и хочется ещё выставлять работы Тенгиза.

[Ninni]

Samvel,

Спасибо !

В продолжении темы :


Тенгиз Мирзашвили ( Tengiz Mirzashvili )
1934-2008

Graduated the Tbilisi State Academy of Art.

The Honoured painter of Georgia. Works of this painter are exhibited in a collection of museums of Georgia, the State Museum of Arts, in the State Tretyakov Gallery, the Museum of people of the East and also in private collections of Russia, Austria, France, Germany, USA and other countries of the world.

[таша]

Ninni, Огромное спасибо за эту тему! Очень талантливые художники! Очень талантлив грузинский народ! Всего через край- цвета, света, эмоций, радости бытия. А если печаль или грусть, то мудрая и все равно светлая. В каждой работе -большое мастерство и высокий профессионализм, согретые горячей любовью к окружающему миру в целом и к каждому человеку в отдельности.
Ninni, А есть ли в Москве галереи, представляющие грузинское искусство? Может попробовать представить художников Грузии в Московском Музее Современного искусства Зураба Церетели? Было бы здорово !

[Samvel]

NiNNi
Мне кажется, что последные две фотографии не с его выставки.
У меня много его политических комиксов - вот некоторые.