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Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues. |
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Опции темы | Опции просмотра |
06.07.2008, 15:31 | Язык оригинала: Русский #1 |
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Contemporary Art. Criticism of criticism)))
The issue was recently discussed at the forum article by Maxim Kantor for several decades is the subject of the liveliest debates in the art world, it is impossible to imagine a number of symposia, workshops, books and articles on this topic.
I think it may be useful to get acquainted with a few samples of this controversy, so I offer you an abridged translation of his speech, Mr. Paul Ardenne at the International Symposium of art critics, held at the Museum of Contemporary Art in Barcelona on March 18, 2005, this author shares the view of M. Cantor ( I have, in general, too, but that no one may wonder why write it in the brackets - and the small print), but I intend offer to your attention and intervention, people who have others - and sometimes contradictory - views. Contemporary art and art criticism - two aesthetic laboratory Paul Ardenne, Professor of History of Contemporary Art at the University of Picardy The first of these laboratories is very aesthetic contemporary art. After all forms are created by artists, each of them, building on their individual experience, offers its formal vision of the world. Nowadays artists pushed the boundaries of art, they put into it the notion of a work "common type", which is interested in a purely formal problems, and social and political issues.
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07.07.2008, 13:07 | Язык оригинала: Русский #2 |
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Dear LCR,
Very surprising lack of interest in this new topic. In a stormy debate on the theme emerged as a consequence. Due to the fact that "... it poses the situation of art institutions - museums, markets, major fairs, etc., where their existence is interested much more than art" One of two things: either you have overestimated our strength, posting just so much valuable information, or seen from a great distance " |
Этот пользователь сказал Спасибо fross за это полезное сообщение: | K-Maler (26.02.2009) |
07.07.2008, 13:37 | Язык оригинала: Русский #3 |
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fross, you torus of Pitts events. People have not had time to comprehend. The interest is, and very large.
LCR, many thanks for a wonderful story! |
08.07.2008, 11:33 | Язык оригинала: Русский #4 |
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LCR,
Perhaps recruiting (inventing) exhibitions, as well as collecting (and even business) - also works. In music - DJs in art - curators. Promo governs the world |
08.07.2008, 11:42 | Язык оригинала: Русский #5 | |
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Цитата:
I totally agree with you - that does not necessarily mean that I agree with this trend. You can also add - in the musical drama (opera) - director, on this occasion, too, can tell many interesting stories. |
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Этот пользователь сказал Спасибо LCR за это полезное сообщение: | Glasha (03.11.2009) |
08.07.2008, 12:20 | Язык оригинала: Русский #6 | |
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Цитата:
I am always very interested in your comments, but here especially. Therefore I would like clarification. Disagreement with the trend does, that there are other (non-promotion in the conventional sense) options for bringing this art to the recipient? According to my observations, all successful in terms of kommerchesvom artists (both talented and untalented) is a promoter (or a pro - gallery owners, critics, dealers, or mother-sister-wives, children or the advertisers themselves, as Andriyaka, Tsereteli etc.). Oh, I forgot another bulldozer with epaulets. It was the most powerful and most free promo for overclocked artists - on the final result. |
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Этот пользователь сказал Спасибо iosif за это полезное сообщение: | K-Maler (26.02.2009) |
08.07.2008, 13:06 | Язык оригинала: Русский #7 | |
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Цитата:
I do not like to talk about their personal tastes - after all, it is unclear why they should be of interest to anyone whatsoever, but there have itself to blame I love painting, and I think so: the greater the artist, the less he needs to make his exhibition "invented". Accordingly, a case of real artists, curators and directors, there is nothing to do but to usurp his greatness, or show really needs to "feed", but this show has nothing to do me P.S. It is symptomatic that the curators fall into a rage at special exhibitions, which show no painting, but different ', Arta (video art, I simply hate, happenings, installation is an art - I do not argue, but that is another art that has me interested. Anyway, I'm not ready to go to London, so as not to miss the exhibition at the Tate, which the article appeared today on this site), |
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08.07.2008, 13:19 | Язык оригинала: Русский #8 | |
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08.07.2008, 13:57 | Язык оригинала: Русский #9 |
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This is a controversial zayavlenie.Hudozhnik art dealer (gallery owner), the buyer, is the basis of the normal life of any artist.
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08.07.2008, 14:24 | Язык оригинала: Русский #10 | |
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Цитата:
Another thing, if we take any of average artist, that no matter how tuzhsya - above its level does not rise. Although, if you look at recent auctions of contemporary art sale, then mused, is it? Artists are mediocre, and the prices are flying up - means that everything is decided by supply?: Confused: |
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Этот пользователь сказал Спасибо qwerty за это полезное сообщение: | Ninni (04.12.2008) |
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criticism, contemporary art |
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