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25.06.2008, 17:21 | Язык оригинала: Русский #1 |
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Very brief history of forgery
Here is the translation of the first part of a sketch of Adrian Darmon. Continuation may follow - if there is interest - and maybe not - if boring, as you say Please ignore the typos, reluctance to read, put the "raw" translation. Art forgery traces its history from ancient times, when art, especially religious, took Double-role in society. It all started with borrowing methods of production, then - the stylistic characteristics of the subjects. Artists and artisans of Egypt, began to make copies and export them, that did not stop and neighboring nations to copy examples of Egyptian art. Based in Alexandria, the Greeks quickly began the production of such copies.
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25.06.2008, 19:00 | Язык оригинала: Русский #3 |
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Sequels!
I join.
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25.06.2008, 19:15 | Язык оригинала: Русский #4 |
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LCR, much-esteemed LCR, thank you, very interesting and useful material. I think it would be right to publish it on this site as an article would be a pity if he eventually lost in the bowels of the forum.
I think the administration of the site will thank you. Just do not forget to include a reference to pervoistoichnik, and continue, continue ... |
25.06.2008, 23:50 | Язык оригинала: Русский #5 |
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So, he continued:
Another ingenious counterfeiters who were caught in the trap which many art lovers, especially in the United States was David Stein, but he was eventually arrested, too, after Marc Chagall accidentally saw a fake, exhibited in the window of a gallery owner. Stein's name was on the front pages of all newspapers, and, paradoxically, it helped him earn a living after the scandal, selling them has produced the official "copies.
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This is not the end! The article, which I translated above, was published on the website http://www.artcult.fr/_Sommaire/ |
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26.06.2008, 08:55 | Язык оригинала: Русский #6 |
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This paper suggests that counterfeiting is not only an integral part of the art market, but also necessary. Some kind of additional issue of works of art potential price increases that have not yet been exhausted, and works on the market anymore. In the case of a successful time of placement and quality, fake work accepted by the market and receive equal rights with the originals. In the case of failure of timing (the market is saturated), they are rejected.
In the film, Orson Welles, this idea is also present, in fact there is asked whether to be more valuable than the original forgery. |
26.06.2008, 10:31 | Язык оригинала: Русский #7 | |
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26.06.2008, 18:15 | Язык оригинала: Русский #8 |
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qwerty,
You are all, unfortunately, speak only as art dealers, and not as the heirs of artists for whom either resigning from the family picture as a native child. Hence the distrust of the family and the desire to err on the будующее. |
26.06.2008, 20:52 | Язык оригинала: Русский #9 | |
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Eugene you are not properly understood the thought of Orson Welles, it is understood that the value is determined by the general opinion, but it usually can be changed. Here's another example: Portrait of Lorenzo de 'Medici, Raphael went to Christie `s in London for a record for the artist of $ 37.3 million - all the more impressive that his last owner, he had cost the ridiculous $ 325. Here's the hidden little trick: the portrait known long ago, but the authorship of his repeatedly changing. To him not only attributed to: a school of Raphael, or even Bronzino - of course, that was worth a portrait in this case cheaper. True, the last quarter-century author of Raphael Sanzio is considered certain. " http://globalist.org.ua/?p=87 |
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27.06.2008, 22:31 | Язык оригинала: Русский #10 |
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Falsifiers: lacquer cracks
Dedicated frosinke After an investigation that lasted over 6 years, the Court of Appeal of Paris condemned the 3-speculators, who were operated on the art market.
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Libération, July 2, 2008 |
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Метки |
authorship, Akun, copy, original, forgery, falsification |
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