Photography as an object of investment

[Galyona]

Сообщение от noart

This work is in its interest ... but [U] is a montage

Where are you noticed editing? "I, for some reason I did not notice.

Note: the numeral 1 denotes one and the same girl
2 - it's another girl. Can be defined on the figure, the type of person, etc.
3 - is a hand at the bottom of feet that are lost once in his hand and they do not continue, and look - at the foot of the breast model, visually prorisuyte on the location of the feet

[noart]

Сообщение от Galyona

Note: the numeral 1 denotes one and the same girl
2 - it's another girl. Can be defined on the figure, the type of person, etc.
3 - is a hand at the bottom of feet that are lost once in his hand and they do not continue, and look - at the foot of the breast model, visually prorisuyte on the location of the feet

What it is.
But do not think that this nullifies the whole work as a whole.

[noart]

Сообщение от noart

What's out there.
But do not think that this nullifies the whole work as a whole.

It is interesting - here at dealers who are engaged photograph ?

[noart]

Сообщение от Galyona

Note: the numeral 1 denotes one and the same girl
2 - it's another girl. Can be defined on the figure, the type of person, etc.
3 - is a hand at the bottom of feet that are lost once in his hand and they do not continue, and look - at the foot of the breast model, visually prorisuyte on the location of the feet

Not long been in America and watching these photographers in a prestigious photographic journal. 'll Do scan sheets - lay out.
In their approach and their distinctive style - the original guys.
In this demand and there

[Galyona]

Сообщение от noart

Not long ago was in America and watching these photographers in a prestigious photographic journal. 'll Do scan sheets - lay out.
In their approach and their distinctive style - the original guys.
In this demand and there

each product has its own customer

[Евгений]

From 5 years old Jack Dikinga fond of photography. In the 60's he was covering a variety of demonstrations, rallies, rallies, protest marches, others more or less important events. In 1970, he made a series of reports in schools for mentally handicapped children in Illinois. A young journalist spent on reporting only three days, but the shock remained for a long time: "I've never experienced anything like this" - he told me in an interview many years later - "a half hour, I could not bring myself to get the camera, I just looked and felt as horror overwhelms me. "

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This report brought a young photojournalist Pulitzer Prize - the most prestigious of all the possible awards. But more important was another: the state government, which is preparing a resolution to reduce the financial institutions for mentally retarded children, came to exactly the opposite - increased funding almost doubled. "This is why I became a journalist - to change the world" - spoke with pride Dikinga.

It would seem, what more could wish the photographer? Pulitzer Prize meant the all-American reputation, invitations to the work of leading magazines around the world, a good material prosperity. We Dikinga certainly enough tenacity and talent to break out among the leading photojournalists of the world, to win more than one prestigious award. But fate decreed otherwise. In 1971, Jack was shooting a report about a young man who set out to conquer one of the mountains of Appalachia. Climbing failed, but this event radically changed the life of the photographer. "Seeing the sunrise in the mountains, I realized what I lacked in life" - recalled Dikinga. Around this time he became interested in environmental issues.

In 1972 he moved to Arizona and settled in the small town of Tucson. After working for about five years, Photo Editor of the newspaper "Arizona Daily Star» ( «Arizona Daily Star»), Dikinga decided to become a freelance artist. Since then, more than 30 years, he photographed nature

[Евгений]

Interesting information from the site ARTinvestment.RU

Today, 20 March, in the Moscow International Festival "Biennale-2010" in the restaurant «Carre Blanc» (st. Seleznevskaya, 19 /2, p. 1) opens exhibition Anatoly Goryainova "Walks. Moscow - Paris ", dedicated to parks and estates in Moscow and Paris. 30 works by masters will be exhibited in two halls of the restaurant, and in honor of the exhibition in April and May are declared in the «Carre Blanc» months, "Moscow - Paris".
Read more:
http://artinvestment.ru/news/exhibit...goryainov.html

[gans]

Сообщение от Eugene

"Biennale-2010": Anatoly Goryainov

I was reminded of the project "Stalin's empire," Clavijo-Telepnev. http://www.clavijo.ru/

[noart]

Сообщение от Galyona

for each product has its buyer

do not understand - why you ?

[EL Corazon]

Сообщение от noart

Not long ago was in America and watching these photographers in a prestigious photographic journal. I will do scan sheets - lay out.
In their approach and their unique style - original guys.
In this and in demand there

If those thumbnails that you have posted are their "unique style", I do not think this is a work worthy of attention ...
Maybe I'm too old-fashioned and unmodern, but look at obnozhennyh girls and guys I absolutely do not want, the more pay for such a photograph nemyslemye money ...
Yes, I really like photography, but if this picture really is a masterpiece, but not commonplace, and "fashionable" subject of, excuse me, for vyrozhenie, perverted world.
I believe that photography can buy and pay for her large sum in the event that it is unique in its own way .. well, for example, captures a rare phenomenon of nature, or historical event, or just a frame of life, but unique, so , which is characteristic only of this character, and only in this situation and only in this second ... and without repetition, without so to speak "form on the other side ..
My opinion ..