Armenian artists - Страница 81 - Форум по искусству и инвестициям в искусство

Armenian artists · 04.01.2010, 08:21

Armenian artists on our site ARTinvestment.RU

A

National Gallery of Armenia
Minas Avetisyan (1928-1975)
Hakob Hakobyan
Hmayak Hakobyan
125th anniversary of Sedrak Arakelyan
Avakimyan Makarovich Victor (1935 -2007)
Agamyan Karen Gurgenovich
Avanesyan S. Rook
Vahan Ananian (1959-2007)
Aslamazyan Arshakovna Miriam (1907-2006)
Aslamazyan Eranui Arshakovna (1910-1998)
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Avoyan Ayvaz
Adalyan Ruben
Avakian, Sergei
Armenian Ceramics of Jerusalem
Armenian Ceramics of Jerusalem (2)
Armenian Ceramics of Jerusalem (Marie Balian)
Armenian ancient ceramics (Jerusalem).
Arthur Avetisyan, Ananikyan Hagop (1919-1972gg), Ananian Pato (1908-1991), Gagik Antashyan, Michael Arakelian, Vahram Haroutunian, Arutchyan Sergei Voskan Asatryan, Rafael Atoyan
Abajian Edward
Agamyan Karen
Arevik Arevshatian
Aladzhalov Manuel Hristoforovich
Amalbashyan Sarkis
Robert G. Avetisyan
died folk artist Edward Artsrunyan
Suren Ayvazian
Suren Abrahamian Artashesovich
Abrahamian Seda Artashesovna
Abrahamian Elena Levonovna
Abrahamian Vladimir Smbatovich
Abrahamian Karapet Rafaelovich
Abrahamyan Sargis Surenovich
Abrahamian David Aramaisovich
Abajian Eduvrd Gareginovich
Abrahamian Artashes Saakovich
Abrahamyan Gagik Aramaisovich
Atamyan Karabed Charles (1872-1947)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Gyumri home Aslamazyan sisters
Arutyunyan, NA Solov'eva, Arutyunyan, SA, Solovieva AV
Arpine Vartanovna Bekaryan
Ashot Adamian Kh (1951g.r.)
Adamian Olivia Ashotovna (1974g.r.)
Adamian Ovsepovich Stepan (1959.)
Harutyunyan, Anna (1976)
Stepan Aghajanian Meliksetovich (1863 - 1940)
Adiyan Anna V. (born 1972)
Azatyan Alexander Tadevosovich (1930gr)
Azatyan Levon Garushevich - 1957gr.
Azizian Tsolak L.
Susanna Azatyan Garushevna - 1947gr.
Azizian Tsolak (Private collection of pictures)
Abraham Azarian Karapetovich (1950gr).
Azizian Minasovich Gregory (1923 to 2009)
Azizian Rafael Karenovich-1937gr
Azizian Khachatur Surenovich-1948gr
Azizian Isabella Hachaturovna - 1973gr.
Atayan Alexander Keropovich-1953gr.
Armen Atayan Arshakovich-1922gr.
Atayan Armen (2)
Museum of the History of Armenia

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Friends in comments sure to write headlines, if the artist is: Name (Birth year).
If there is an error please contact admin.

Just Armenia ... I really like this country ..

Люси · 06.10.2010, 22:06

Цитата:

Сообщение от Eugene

dishes, which we decided to tell you, took thousands of years of testing to develop a taste for life.
Try!

Eugene, thank you.
Read with great interest, I have some of the recipes and know not znala.Ochen interestno.

luka77 · 07.10.2010, 01:42

Marcos Grigorian is a landmark figure in the Armenian art of the 20 th century, while considered one of the founders of the contemporary art of Iran.

His work belongs to the genre of contemporary fine art and realistic neoekspressionistskogo character, devoted mostly to the victims of the Armenian Genocide, implemented in the Ottoman Empire in the early 20 th century. The last period of creativity Grigorian theme of land, as the highest sphere of human activity.

Читать дальше...

Arthur777 · 07.10.2010, 13:51

Ashot Asatryan was born in 1954 in Artashavane (Armenia). In 1974 he graduated from the Yerevan Art College. F. Terlemezian. Since 1988 - Member of the Artists Union of Armenia. In 1995, Ashot Asatryan was adopted by the International Federation of Artists of UNESCO. Pictures Ashot Asatryan are in private collections and galleries in Russia, the USA and Europe.

Exhibitions:
1991 - Oslo, Norway (solo)
1992 - Moscow, Russia
1993 - Anbah, Germany
1994 - Bremen, Germany (solo)
1995 - Wroclaw, Poland
1997 - Moscow, Russia (solo)
1998 - Tisza, Norway
1999 - London, England (solo)
2000 - Paris, France
2000 - Fosse, Norway (solo)
2001 - Antwerp, Belgium
2002 - Dubai, UAE
2003 - Warsaw, Poland
2004 - Barcelona, Spain
2005 - Valletta, Malta (personal)
2006 - Damascus, Syria
2007 - Miami, USA
The first thing that attracts the visitor's eye in the studio Ashot Asatryan - a non-conflict neighborhood of plaster casts of famous ancient people, arranged on shelves and modernist works of art. Moreover, the alignment of work is not arranged in chronological order. Different periods of the artist mixed as seemingly arbitrary as the various techniques, in which he works. Wizard appears before the public as a painter and as a graphic artist.
    At first glance, an artist in his work leads the viewer a kind of game that resembles a puzzle in which focusing on different view, one can consider several different images. First, we seem to be invited to enjoy the abstract forms, abstract and sensual. But if you notice disguised as an abstraction of the real "prototype" as the glossy beauty dissipates and objects take on an entirely different, and sometimes biting sense. Of course, the adequate perception of paintings requires careful adjustment view, allows to see both images - abstract and concrete. There are artists who in whatever age may be, writing patterns, which in a sense celebrate the sweet dream about an abstract world.
   The color perception can be divided painters in sensual, momentary, analytical, long-term and the subconscious. Subliminal perception opens the picture up to infinity new pictorial sense, as in late, almost monochrome Rembrandt or Titian. This kind of perception, which aims to comprehend infinity, the artist puts above all else. He found ways akin to music, and are based on emotions, rhythms and intonations of color - pale colors, indistinct forms, motifs similar to the elusive dream.
- My picture - says Ashot Asatryan - never has to a standing ovation, because it usually ends when leaving it up to, and usually after seeing my work there is a silence. Silence for reflection.
   Despite some of the complexity of perception of paintings contents Ashot Asatryan, their names switch consciousness of the viewer on a conceptual level, but there lurks a kind of snag, the game of imaginary images and symbols are false. According to the old proverb saying nothing, say something.
   By the author in his work is valued energy performance, attractive texture. This painting should call the unprogrammed range of different emotional and intellectual reactions. Images like a stretch on the surface of the canvas. Themselves form sealed, creating an important quality of figuration. The artist calls it a sensible process, talk with the material provided by the stand density of paints, the density of the canvas. The author, emphasizing the specificity of the material, must obtain the aesthetic pleasure of creating the painting, the viewer is emotionally attach to this process, a kind of empathy.
   - My favorite artist was and still is El Greco - says Ashot Asatryan - but do not look for similarities between our style or the repetition of the plot. It is close to me in spirit, in thoughts that arise in the form of his work. From Armenian artists, I believe my closest Alberta Parsamyan. In general, I believe that each product as a whole and living organism that should attract its completeness. The picture should not be a understatement, in most cases, it pushes the viewer and the completed work always finds its audience.
    Frequent recourse to the artist's triptych series, the cycles are not accidental. This form of disclosure of artistic design frees the artist from the binding of static paintings and brings in an element of movement and expression, the picture on his canvases as if unfolding right in front of the viewer.
   "During the work, I dropped out of the prism of consciousness. Flight in the wilds of the subconscious - where higher. Thinking and thinking about something, it is impossible to draw mysticism. No one is truly a good product was not created with the help of reason. It binds and limits, and the artist should be very free in front of an easel. The product of true art should speak to the heart of the viewer, to give him energy, "- says the artist.
    The artist, whose work is always expressive and ambiguous. He found his form display of contemporary life, without looking at it from his Armenian roots. Interweaving of tradition and innovation, ambiguity and completeness, intimacy and infinity - a style of Ashot Asatryan.

Arthur777 · 07.10.2010, 14:30

Grant Karakhanyan was born June 4, 1952 in Yerevan. In 1967 he entered the Music College. R. Melikian in Yerevan. In 1975 he graduated from Yerevan State Theatre - Art Institute. In 1986 he admitted to the Union of Artists of Armenia. In 1995 he was accepted to the International Federation of Artists UNESCO. October 18, 2005 Grant Karakhanyan died.

Exhibitions:
1982 - Exhibition of Yerevan and its residents. " Yerevan, Armenia
1983 - International Exhibition of the USSR and Czechoslovakia. Moscow, Russia
1985 - All-Union Exhibition of watercolors. Brest, Belarus
1989 - The exhibition in Tallinn, Estonia
1990 - Exhibition in Bruges, Belgium
1992 - Exhibition at the CHA. Moscow, Russia
1993 - Exhibition in Jihlava, Czech Republic
1995 - Exhibition in Barcelona, Spain
1996 - Personal exhibition in Yerevan, Armenia
1997 - Personal exhibition in Moscow, Russia
2001 - Exhibition dedicated to Dante Alligieri. Italy
2001 - Exhibition devoted to 1700 anniversary of Christianity in Armenia
2001 - Exhibition in Abu Dhabi, UAE
2003 - Exhibition in Paris, France
2003 - Exhibitions in Rome and Florence, Italy
2004 - Exhibition in Moscow, Russia

_________________________________

HIDDEN WORLD OF GRANT KARAKHANYAN

Grant Karakhanyan one of those artists who never fall below a selected high bar for himself. Addressing the seemingly already zashtampovannym in our painting grounds, he was able to detect that hidden from the eyes of beauty that reveals the truly talented people. In the most unsightly nature, not apart and not deviating from it, but only the expressive power of his painting, he overcame a sluggish for a time, filling his tender pain, sadness and joy, revealing it is not discernible to us shades of meaning and feeling. He worked until recently, struggling with an incurable illness, is not reconciled with the inevitable evidence.
   Acutely feels the inexhaustible mystery of everyday life, Grant Karakhanyan was bound to be a creative person. Already during his school years his relationship with the party of peace was stronger than its peers. Whatever it was, Grant was one of those who had no doubt in choosing their future. Beginning to study painting, Grant was unusually persistent in acquiring professional skills and have already started thinking about the relationship of the earth, physically visible phenomena with their inner essence. Diversity of life fascinated him, and left no doubt that he will never be shortage of material for the mind and heart. And today, having already before the eyes of all his work, one can not see how it sublimated artwork immutable principles of the Armenian school of painting.
   After graduation he opened up spaces of freedom might be the time to captivate Grant risky innovations, but he quickly, clearly and firmly outlined the range of his aesthetic interests, not thinking about the old-fashioned or a modern. His artistic tastes lean to the side of truth and naturalness. Without sharp throwing Grant immediately identified as an objective reality existing unconditionally given, affordable learning and requiring the artist interpretation. The basis of his choice - the complexity of the larger world, alluring mysteries, each of which has an infinite number of answers.
   One of the first works by the artist, caught at the exhibition, was his self-portrait. Remembering this work, we note the strength and confidence of her letters. In this oval faces can be distinguished efforts to delay the artist thought that pops through the line formed by the complex clutch stroke, transmission variability moving shadows across the face. Mimicking his face, he wants to make it an equivalent of his inner world. Almost ten years later, written self-portrait is a man in whom you can barely see the old Grant. In his features reflected the fact that time is introduced into the faces of those who live, thinks, finds, loses, peering into the living flesh of things, feel the beating of his life. Artist's face lit up bright, but serious light that sculpts the face in its own way, makes solid cheekbones, forehead, chin. Self-portrait turned out not romantic and stoic, confessional, focused on the inner world of the author.
   Manner and plastic artist's handwriting changes depending on the type of human and especially when referring to a female image. They are, he writes with a tender solicitude, creating your own personal ideal of feminine charm - a fragile, kind, full of mystery. Passing resemblance, the artist at the same time retains its representation of the eternal feminine style, which concluded the program behavior for centuries.
   Not forgetting the lessons of the Armenian experience in landscape painting genre, Grant wrote everything that was included in the arsenal of this type of product, not distancing himself from reality and from time-tested images, moving from leaf to leaf in the landscapes of different artists. . . For Grant in these works the main thing - to take the right emotional tone in the transfer of the right mood, without losing any of the surrounding reality. Portraying an open view nature, the artist not only captures the elements in space. Grant dissolves them in the environment and on the move, highlighting how important the object-spatial beginning. Without breaking the composite structures, the artist is able to overcome the narrative, to bring the work into another sphere - the sphere of high and mysterious. World with all its details as it melts in the thick air, written by a viscous, soft, sensitive brush. Space in the Grant is not just a place of action. It - experience, filled with a quiet and calm, the anxiety and worry. Things lurk in some mobile and precarious environment polusumraka-demi. . .
   Uniqueness of each segment of time - that's the main thing that interested in the work of Grant. This ability to capture fleeting brief feelings felt in all genres. When he wrote still lives with the female figures in a cozy home interiors or in the studio, he chooses a small, confined space, where breathes a fine element of intimate life with my hidden characters. The artist interprets them differently, and again touching the most secret soul strings. Eternal objects still life - fruit, flowers in vases - in common with the reflected and melting in the mirror images of beautiful women and fascinating anxious plasticity. In these compositions, made an amazing fusion of plastic and light, where the image gives way to the painting. The air thickens, is almost palpable, the light scatters and accelerates the twilight on the corners, softening the volume of the object. The coloring is solved on the half-tones and transitions. The artist draws from these combinations of subtle harmony of sentiments, which are the individual experiences when he looks for salvation within themselves, escape from anxiety and depression. Referring to these still lifes and interiors, penetrating charm of the personality of the artist.
  Grant Karakhanyan art has always been inherent stylistic pluralism. This is - one of the strongest sides of his work, indicating a wide range of feelings and thoughts. A natural need to change the impressions are not reduced to hunting for exotics as such. He was a man rather a trained mind, civilized sense and erudition, not to accept a foreign novelty of the Spanish experience, when he came to this country to work. Astringency, harshness of Spanish life - it is only the outer shell, which gave a new impetus and has intensified the internal workings of the senses. Meet the artist was a new world with another, but as it turned out, not foreign and not being a stranger. He highlighted the most important thing even in this, which has become a stereotype in the first encounter with the phenomenon of Spanish as a dance, saw it as a rebellion of the human spirit as an opportunity to speak about death. Thus, the artist gets Spain, countries with a unique emotional climate, where dancing is not so much recreation and entertainment, but rather a reflection of the vitality of Spaniards, which is characteristic of both our people. Acute dynamics of dance in the artist's works embody the happiness of life, the transfer of which was the goal of emotional painting of Grant Karakhanyan, which is so necessary to us always.

Author Marina Stepanyan

Sega · 07.10.2010, 14:34

Paronyan-Hovsepian Gurgen Gevorkovich (Guros)

9/14/1905 ~ 1980

Painter.
Member of the Union of Artists.
Honored Artist of the Armenian SSR.

Much to ask, if somebody from the forum familiar with the work of this artist please write about it.

Евгений · 07.10.2010, 14:47

From the theme "Boris Kocheyshvili ...."
".... Hello gentlemen!
We successfully descended from the mountains of Armenia magic. Welcome all in the native and nearly flat Moscow. The trip was just still magical. Made many sketches and drawings, and has already begun work on a painting of the Armenian motives. Armenia and really inspiring. Our group consisted of 9-man: architect, poet, editor, a physicist and a couple of teenagers. And if in the beginning of the journey, Boris painted in every interesting place, and all of its modest waiting, wandering through the surrounding mountains and caves, by the end of the trip, seated himself at the pebble painted almost everything)))
Little by little I will upload pictures, photos, and new paintings. I plan to still write a couple of posts in the topic of Armenian artists, the truth will soon about Moscow artist with Georgian surnames and Armenian motifs, but interesting .. "

Thumbnails

Евгений · 08.10.2010, 18:05

At Thursday, October 7, 2010 at 19:30 at the Hotel Radisson Royal "Leonid Shishkin Gallery hosted an evening auction of Russian art.
Sell 33 lots of 59, including the lot number 39 (the artist Dmitry Nalbandian)
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Цитата:

Сообщение от Eugene

.... LOT 39.Nalbandyan DA (1906 - 1993)
Mishor. Cloudy day (1973)
Cardboard /canvas 60 x 70 cm
Signed in the lower right corner. Published in the directory "Dmitry Nalbandian" //Comp. AV Paramonov. M.: Visual Arts, 1986. C. 129
1200000 - 1500000 p.
http://www.shishkin-gallery.ru/aucti...007_page2.html

Евгений · 08.10.2010, 21:54

Friends sorry for the offtopic .. congratulate Armenia on the victory ..

Oct. 8.

Euro-2012.Kvalifikatsiya.
2 nd round.
Group B

Armenia - Slovakia - 3:1 (1:1, 2:0)

Goals: 1:0 - Movsisyan (23), 1:1 - Weiss (37), 2:1 - Kazarian (50), 3:1 - Mkhitaryan (89).

Евгений · 09.10.2010, 14:49

Ivan Konstantinovich Aivazovsky (1817-1900)
Storm on North Sea
1894
Oil on canvas
61 x 100 cm
Located right below the signature and date:
"Aivazovsky /1894".
Expert opinion GRC them. Grabar
(Experts Kiseleva, AR, and Ignatova, NS) on 04.21.1910, the

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Евгений · 16.10.2010, 07:08

07.10.2010, 01:42	Язык оригинала: Русский #802
luka77 Старожил Регистрация: 25.12.2009 Сообщений: 652 Спасибо: 9,126 Поблагодарили 2,525 раз(а) в 496 сообщениях Репутация: 4981	Marcos Grigorian (1925-2007) Marcos Grigorian is a landmark figure in the Armenian art of the 20 th century, while considered one of the founders of the contemporary art of Iran. His work belongs to the genre of contemporary fine art and realistic neoekspressionistskogo character, devoted mostly to the victims of the Armenian Genocide, implemented in the Ottoman Empire in the early 20 th century. The last period of creativity Grigorian theme of land, as the highest sphere of human activity. Читать дальше... Grigoryan was born in g.Kropotkin, Russia, an Armenian family who immigrated to Iran in 1930. After high school in Iran, he studied at the Academy of Fine Arts in Rome. In 1954 he returned to Iran, opened the «Galerie» in Tehran. In 1958, under the auspices of the Ministry of Culture, he organized the first Tehran Biennial. Grigorian was an influential teacher at the Academy of Fine Arts, where he extended his passion for local pop culture. In 1975 Grigorian organized a group of free painters and sculptors in Tehran and was one of its founding members. Grigorian had left Iran in 1977 at the age of 52 years. He spent some time in the United States before moving to Yerevan. In 1989 he traveled to Russia at the invitation of the Union of Artists of Russia, visited Moscow and Leningrad. He has exhibited his work in Yerevan in 1991. Later, he donated 5,000 of his works to the Government of Armenia. Some of his works currently on display at the Museum of Modern Art in New York, the Tehran Museum of Contemporary Art, Museum of Contemporary Art in Kerman, as well as the National Gallery of Armenia. Tragically passed away on August 27, 2007 in Yerevan, at the age of 82. http://www.marcosgrigorian.com/ http://iranahay.blogspot.com/2008/12...grigorian.html sale at Sotheby's http://browse.sothebys.com/?sla=1&sl...-1&woi=&office =* & sale_title = & sale_id = & lot_id = & dp = & count = 20 & v = l & slasort = 0 & search = + Миниатюры

07.10.2010, 13:51	Язык оригинала: Русский #803
Arthur777 Местный Регистрация: 26.02.2010 Сообщений: 159 Спасибо: 939 Поблагодарили 965 раз(а) в 132 сообщениях Репутация: 1964	Ashot Asatryan Ashot Asatryan was born in 1954 in Artashavane (Armenia). In 1974 he graduated from the Yerevan Art College. F. Terlemezian. Since 1988 - Member of the Artists Union of Armenia. In 1995, Ashot Asatryan was adopted by the International Federation of Artists of UNESCO. Pictures Ashot Asatryan are in private collections and galleries in Russia, the USA and Europe. Exhibitions: 1991 - Oslo, Norway (solo) 1992 - Moscow, Russia 1993 - Anbah, Germany 1994 - Bremen, Germany (solo) 1995 - Wroclaw, Poland 1997 - Moscow, Russia (solo) 1998 - Tisza, Norway 1999 - London, England (solo) 2000 - Paris, France 2000 - Fosse, Norway (solo) 2001 - Antwerp, Belgium 2002 - Dubai, UAE 2003 - Warsaw, Poland 2004 - Barcelona, Spain 2005 - Valletta, Malta (personal) 2006 - Damascus, Syria 2007 - Miami, USA The first thing that attracts the visitor's eye in the studio Ashot Asatryan - a non-conflict neighborhood of plaster casts of famous ancient people, arranged on shelves and modernist works of art. Moreover, the alignment of work is not arranged in chronological order. Different periods of the artist mixed as seemingly arbitrary as the various techniques, in which he works. Wizard appears before the public as a painter and as a graphic artist. At first glance, an artist in his work leads the viewer a kind of game that resembles a puzzle in which focusing on different view, one can consider several different images. First, we seem to be invited to enjoy the abstract forms, abstract and sensual. But if you notice disguised as an abstraction of the real "prototype" as the glossy beauty dissipates and objects take on an entirely different, and sometimes biting sense. Of course, the adequate perception of paintings requires careful adjustment view, allows to see both images - abstract and concrete. There are artists who in whatever age may be, writing patterns, which in a sense celebrate the sweet dream about an abstract world. The color perception can be divided painters in sensual, momentary, analytical, long-term and the subconscious. Subliminal perception opens the picture up to infinity new pictorial sense, as in late, almost monochrome Rembrandt or Titian. This kind of perception, which aims to comprehend infinity, the artist puts above all else. He found ways akin to music, and are based on emotions, rhythms and intonations of color - pale colors, indistinct forms, motifs similar to the elusive dream. - My picture - says Ashot Asatryan - never has to a standing ovation, because it usually ends when leaving it up to, and usually after seeing my work there is a silence. Silence for reflection. Despite some of the complexity of perception of paintings contents Ashot Asatryan, their names switch consciousness of the viewer on a conceptual level, but there lurks a kind of snag, the game of imaginary images and symbols are false. According to the old proverb saying nothing, say something. By the author in his work is valued energy performance, attractive texture. This painting should call the unprogrammed range of different emotional and intellectual reactions. Images like a stretch on the surface of the canvas. Themselves form sealed, creating an important quality of figuration. The artist calls it a sensible process, talk with the material provided by the stand density of paints, the density of the canvas. The author, emphasizing the specificity of the material, must obtain the aesthetic pleasure of creating the painting, the viewer is emotionally attach to this process, a kind of empathy. - My favorite artist was and still is El Greco - says Ashot Asatryan - but do not look for similarities between our style or the repetition of the plot. It is close to me in spirit, in thoughts that arise in the form of his work. From Armenian artists, I believe my closest Alberta Parsamyan. In general, I believe that each product as a whole and living organism that should attract its completeness. The picture should not be a understatement, in most cases, it pushes the viewer and the completed work always finds its audience. Frequent recourse to the artist's triptych series, the cycles are not accidental. This form of disclosure of artistic design frees the artist from the binding of static paintings and brings in an element of movement and expression, the picture on his canvases as if unfolding right in front of the viewer. "During the work, I dropped out of the prism of consciousness. Flight in the wilds of the subconscious - where higher. Thinking and thinking about something, it is impossible to draw mysticism. No one is truly a good product was not created with the help of reason. It binds and limits, and the artist should be very free in front of an easel. The product of true art should speak to the heart of the viewer, to give him energy, "- says the artist. The artist, whose work is always expressive and ambiguous. He found his form display of contemporary life, without looking at it from his Armenian roots. Interweaving of tradition and innovation, ambiguity and completeness, intimacy and infinity - a style of Ashot Asatryan. Миниатюры __________________ Интересно

07.10.2010, 14:30	Язык оригинала: Русский #804
Arthur777 Местный Регистрация: 26.02.2010 Сообщений: 159 Спасибо: 939 Поблагодарили 965 раз(а) в 132 сообщениях Репутация: 1964	Grant Karakhanyan (1952-2005) Grant Karakhanyan was born June 4, 1952 in Yerevan. In 1967 he entered the Music College. R. Melikian in Yerevan. In 1975 he graduated from Yerevan State Theatre - Art Institute. In 1986 he admitted to the Union of Artists of Armenia. In 1995 he was accepted to the International Federation of Artists UNESCO. October 18, 2005 Grant Karakhanyan died. Exhibitions: 1982 - Exhibition of Yerevan and its residents. " Yerevan, Armenia 1983 - International Exhibition of the USSR and Czechoslovakia. Moscow, Russia 1985 - All-Union Exhibition of watercolors. Brest, Belarus 1989 - The exhibition in Tallinn, Estonia 1990 - Exhibition in Bruges, Belgium 1992 - Exhibition at the CHA. Moscow, Russia 1993 - Exhibition in Jihlava, Czech Republic 1995 - Exhibition in Barcelona, Spain 1996 - Personal exhibition in Yerevan, Armenia 1997 - Personal exhibition in Moscow, Russia 2001 - Exhibition dedicated to Dante Alligieri. Italy 2001 - Exhibition devoted to 1700 anniversary of Christianity in Armenia 2001 - Exhibition in Abu Dhabi, UAE 2003 - Exhibition in Paris, France 2003 - Exhibitions in Rome and Florence, Italy 2004 - Exhibition in Moscow, Russia _________________________________ HIDDEN WORLD OF GRANT KARAKHANYAN Grant Karakhanyan one of those artists who never fall below a selected high bar for himself. Addressing the seemingly already zashtampovannym in our painting grounds, he was able to detect that hidden from the eyes of beauty that reveals the truly talented people. In the most unsightly nature, not apart and not deviating from it, but only the expressive power of his painting, he overcame a sluggish for a time, filling his tender pain, sadness and joy, revealing it is not discernible to us shades of meaning and feeling. He worked until recently, struggling with an incurable illness, is not reconciled with the inevitable evidence. Acutely feels the inexhaustible mystery of everyday life, Grant Karakhanyan was bound to be a creative person. Already during his school years his relationship with the party of peace was stronger than its peers. Whatever it was, Grant was one of those who had no doubt in choosing their future. Beginning to study painting, Grant was unusually persistent in acquiring professional skills and have already started thinking about the relationship of the earth, physically visible phenomena with their inner essence. Diversity of life fascinated him, and left no doubt that he will never be shortage of material for the mind and heart. And today, having already before the eyes of all his work, one can not see how it sublimated artwork immutable principles of the Armenian school of painting. After graduation he opened up spaces of freedom might be the time to captivate Grant risky innovations, but he quickly, clearly and firmly outlined the range of his aesthetic interests, not thinking about the old-fashioned or a modern. His artistic tastes lean to the side of truth and naturalness. Without sharp throwing Grant immediately identified as an objective reality existing unconditionally given, affordable learning and requiring the artist interpretation. The basis of his choice - the complexity of the larger world, alluring mysteries, each of which has an infinite number of answers. One of the first works by the artist, caught at the exhibition, was his self-portrait. Remembering this work, we note the strength and confidence of her letters. In this oval faces can be distinguished efforts to delay the artist thought that pops through the line formed by the complex clutch stroke, transmission variability moving shadows across the face. Mimicking his face, he wants to make it an equivalent of his inner world. Almost ten years later, written self-portrait is a man in whom you can barely see the old Grant. In his features reflected the fact that time is introduced into the faces of those who live, thinks, finds, loses, peering into the living flesh of things, feel the beating of his life. Artist's face lit up bright, but serious light that sculpts the face in its own way, makes solid cheekbones, forehead, chin. Self-portrait turned out not romantic and stoic, confessional, focused on the inner world of the author. Manner and plastic artist's handwriting changes depending on the type of human and especially when referring to a female image. They are, he writes with a tender solicitude, creating your own personal ideal of feminine charm - a fragile, kind, full of mystery. Passing resemblance, the artist at the same time retains its representation of the eternal feminine style, which concluded the program behavior for centuries. Not forgetting the lessons of the Armenian experience in landscape painting genre, Grant wrote everything that was included in the arsenal of this type of product, not distancing himself from reality and from time-tested images, moving from leaf to leaf in the landscapes of different artists. . . For Grant in these works the main thing - to take the right emotional tone in the transfer of the right mood, without losing any of the surrounding reality. Portraying an open view nature, the artist not only captures the elements in space. Grant dissolves them in the environment and on the move, highlighting how important the object-spatial beginning. Without breaking the composite structures, the artist is able to overcome the narrative, to bring the work into another sphere - the sphere of high and mysterious. World with all its details as it melts in the thick air, written by a viscous, soft, sensitive brush. Space in the Grant is not just a place of action. It - experience, filled with a quiet and calm, the anxiety and worry. Things lurk in some mobile and precarious environment polusumraka-demi. . . Uniqueness of each segment of time - that's the main thing that interested in the work of Grant. This ability to capture fleeting brief feelings felt in all genres. When he wrote still lives with the female figures in a cozy home interiors or in the studio, he chooses a small, confined space, where breathes a fine element of intimate life with my hidden characters. The artist interprets them differently, and again touching the most secret soul strings. Eternal objects still life - fruit, flowers in vases - in common with the reflected and melting in the mirror images of beautiful women and fascinating anxious plasticity. In these compositions, made an amazing fusion of plastic and light, where the image gives way to the painting. The air thickens, is almost palpable, the light scatters and accelerates the twilight on the corners, softening the volume of the object. The coloring is solved on the half-tones and transitions. The artist draws from these combinations of subtle harmony of sentiments, which are the individual experiences when he looks for salvation within themselves, escape from anxiety and depression. Referring to these still lifes and interiors, penetrating charm of the personality of the artist. Grant Karakhanyan art has always been inherent stylistic pluralism. This is - one of the strongest sides of his work, indicating a wide range of feelings and thoughts. A natural need to change the impressions are not reduced to hunting for exotics as such. He was a man rather a trained mind, civilized sense and erudition, not to accept a foreign novelty of the Spanish experience, when he came to this country to work. Astringency, harshness of Spanish life - it is only the outer shell, which gave a new impetus and has intensified the internal workings of the senses. Meet the artist was a new world with another, but as it turned out, not foreign and not being a stranger. He highlighted the most important thing even in this, which has become a stereotype in the first encounter with the phenomenon of Spanish as a dance, saw it as a rebellion of the human spirit as an opportunity to speak about death. Thus, the artist gets Spain, countries with a unique emotional climate, where dancing is not so much recreation and entertainment, but rather a reflection of the vitality of Spaniards, which is characteristic of both our people. Acute dynamics of dance in the artist's works embody the happiness of life, the transfer of which was the goal of emotional painting of Grant Karakhanyan, which is so necessary to us always. Author Marina Stepanyan Миниатюры __________________ Интересно

07.10.2010, 14:34	Язык оригинала: Русский #805
Sega Новичок Регистрация: 07.10.2010 Сообщений: 1 Спасибо: 3 Поблагодарили 8 раз(а) в 1 сообщении Репутация: 16	Guros (Paronyan-Hovsepian Gurgen Gevorkovich) artist Paronyan-Hovsepian Gurgen Gevorkovich (Guros) 9/14/1905 ~ 1980 Painter. Member of the Union of Artists. Honored Artist of the Armenian SSR. Much to ask, if somebody from the forum familiar with the work of this artist please write about it. Миниатюры Последний раз редактировалось Sega; 07.10.2010 в 17:49.

07.10.2010, 14:47	Язык оригинала: Русский #806
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	Boris Kocheyshvili. Life in Art From the theme "Boris Kocheyshvili ...." ".... Hello gentlemen! We successfully descended from the mountains of Armenia magic. Welcome all in the native and nearly flat Moscow. The trip was just still magical. Made many sketches and drawings, and has already begun work on a painting of the Armenian motives. Armenia and really inspiring. Our group consisted of 9-man: architect, poet, editor, a physicist and a couple of teenagers. And if in the beginning of the journey, Boris painted in every interesting place, and all of its modest waiting, wandering through the surrounding mountains and caves, by the end of the trip, seated himself at the pebble painted almost everything))) Little by little I will upload pictures, photos, and new paintings. I plan to still write a couple of posts in the topic of Armenian artists, the truth will soon about Moscow artist with Georgian surnames and Armenian motifs, but interesting .. " Thumbnails

08.10.2010, 21:54	Язык оригинала: Русский #808
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	Armenian team showed how to beat the Slovaks Friends sorry for the offtopic .. congratulate Armenia on the victory .. Oct. 8. Euro-2012.Kvalifikatsiya. 2 nd round. Group B Armenia - Slovakia - 3:1 (1:1, 2:0) Goals: 1:0 - Movsisyan (23), 1:1 - Weiss (37), 2:1 - Kazarian (50), 3:1 - Mkhitaryan (89). Миниатюры

09.10.2010, 14:49	Язык оригинала: Русский #809
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	Auction House Kabinet, Aivazovsky (1817-1900) Ivan Konstantinovich Aivazovsky (1817-1900) Storm on North Sea 1894 Oil on canvas 61 x 100 cm Located right below the signature and date: "Aivazovsky /1894". Expert opinion GRC them. Grabar (Experts Kiseleva, AR, and Ignatova, NS) on 04.21.1910, the Читать дальше... Ivan Konstantinovich Aivazovsky (1817-1900) - painter, seascape, painter of battle. Was enrolled in the Simferopol gymnasium. Then he was accepted at government expense at the IAH St. Petersburg and enrolled in a landscape painting class of Professor Maxim Vorobiev. In 1835 he was awarded a silver medal and was designated the Assistant to the fashionable French landscape painter Philip Tanner. Participated in the autumn exhibition of Fine Arts in 1836. In 1837, Aivazovsky received a gold medal for his painting "Calm". In 1844, he became a painter of the Naval Staff, and from 1847 - professor at St. Petersburg IAH, was also in the European Academies: Rome, Paris, Florence, Amsterdam and Stuttgart. Was awarded many medals and received the rank of admiral. Opened an art school in Feodosia. Was elected a member of the Odessa Society of History and Antiquities. His works are in Feodosia art gallery, TG, RM. Preliminary estimate: 19 000 000 - 25 000 000 rub. http://www.kabinet-auktion.com/auction/rusevris/028/ Миниатюры

16.10.2010, 07:08	Язык оригинала: Русский #810
Евгений Гуру Регистрация: 04.06.2008 Сообщений: 14,663 Спасибо: 18,865 Поблагодарили 16,460 раз(а) в 4,507 сообщениях Записей в дневнике: 271 Репутация: 32447	American gallery owner Larry Gagosian has topped the list of 100 most influential people .... Миниатюры

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