How is the ranking and the prestige of the museum?

[NATA NOVA]

Сообщение от artcol

Apparently the Russian language

 

artcol,
  
 
I'm sorry, but I think you're "not much in the know" ...
Both galleries have their homes in America ...
<! - ~ 1 ~ ->

[artcol]

Сообщение от NATA NOVA

artcol,
  
 
I'm sorry, but I think you're "not much in the know" ...
Both galleries have their homes in America ...
<! - ~ 1 ~ ->

Which two?

[iside]

Сообщение от Kirill Syzran; 2043051 '

Actually, in museums, as a rule, do not sell the picture. And if you conceives an exhibition and sale, you will initially be sought is a commercial site, I think.

Сообщение от artcol; 2043131"

Price tags hang will not allow, of course, but can be sold only after parsing the exposure. As an option - try to establish partnerships with local galleries, let your agent will be in place. May agree, if the exhibition will be a success.

Cyril Syzran, artcol Yes, I'm not exactly put it in a hurry stressed the, I apologize.
First, the price tags we do not have a hang up, do not remember the last time I saw them, I remember precisely, but it was made specifically to the jaw dropped at the visitors and she fell <! - ~ 9 ~ ->
Secondly, of course nobody at the time of exposure does not sell, only if the negotiating, etc.
The meaning of the question was that there are some museums that do not want to deal with the work, which should cause a commercial interest, not smart (do not know how to put it more precisely), and other museums on the contrary belong understandingly and say that we are saying here can not sell themselves, but if there is interest and questions from visitors, we will forward them to you. This I have heard for a long time, even so I do not remember from whom. Therefore, Council of partnerships with local galleries, he is a very useful, we must advance, and find the appropriate gallery, etc. etc. in general, the farther into the forest by wolves angrier. <! - ~ 1 ~ ->

PS By the way, what about the artist who exhibited in Florence, and that it was then - and nothing. Career still has not gone up, yes, parochial sale is an exhibition somehow affected. That's when he showed this directory "connoisseurs, lovers," to try to sell something, preferably a higher price. But there is no interest from him as artmira was not, or not.
What is required to prove that a show even if that format does not help to help, only to gratify the ego <! - 6 ~ ~ ->

[Кирилл Сызранский]

Сообщение от iside

price tags, we do not even have a hang

Yes, that's artcol so put it figuratively and quotes.
<! - ~ 7 ~ ->

[artcol]

Сообщение от iside

[B]
The meaning of the question was that there are some museums that do not want to deal with the work, which should cause a commercial interest, not smart (do not know how to put it more precisely), and other museums on the contrary belong knowingly, and contrary say that that's saying We do not sell we can, but if there is interest and questions from visitors, we will forward them to you. This I have heard for a long time, even so I do not remember from whom. Therefore, Council of partnerships with local galleries, he is a very useful, we must advance, and find the appropriate gallery, etc. etc. in general, the farther into the forest by wolves angrier. <! - ~ 1 ~ ->

Here it is necessary to look at the goals and objectives of the exhibition - in the first place, and that in the second. For sale - there are fair and comments. galleries, the museum - it's still not a commercial format. Otherwise, why they are necessary for society? In these things, I always rely on a massive stereotype. IMHO.

By the way, in my experience, non-commercial formats always successful commercially, and commercial - neither fish nor fowl. So, being uncompromising in these matters - benefits <! - 6 ~ ~ -> Even if you do not burn out - mentally still in profit <! - ~ 7 ~ ->

Posted 9 minutes

Сообщение от iside

But there is no interest from him as artmira was not, or not.

As a curiosity, if only <! - ~ 1 ~ ->

[iside]

Сообщение от artcol; 2043431"

By the way, in my experience, non-commercial formats always successful commercially , and commercial - neither fish nor fowl .

By the way, too, is noticed . And I thought I had the same impression .
Yes, the priority of course is a non-profit format - well done curatorial project. But since I did not curated , therefore , to be honest , I can not think about money <! - ~ 12 ~ ->

[NATA NOVA]

Сообщение от iside; 2043341"

show even if such a format

Сообщение от iside; 2043341"

which is exhibited in Florence

 
iside, I do not attribute it to "this format" .. It's confusing (IMHO)
 Florence Biennale in fall is not an issue: Please send images of work (plus pay the money to couple than tysch euro per vystablennuyu work)

 I personally have two times the packets sent, but I have common sense, for example, (for myself) do not watch it ....
Unknown and there is nothing to do for beginners (except to spend money and walk Flofentsii <! - ~ 1 ~ ->)

Сообщение от artcol; 2043251 '

Which two?

So who among us does not understand Russian? (Look for themselves in text messages of Isis, "You are a clever" (a) )

Posted 10 minutes

Сообщение от iside; 2043471"

But since I did not curated, therefore, to be honest, I can not think about money

 

Сообщение от NATA NOVA; 2040481"

iside, there is not a museum, there is need fair ...
alternatively: the museum can be any, but without the correct positioning and warning not to do ...

Posted in 4 hours 46 minutes
And of course the prestige of the museum (1), the relevance of the artist (2) and the reputation of the supervisor (3) must be in "balance and conformity"
This is perhaps the most important and basic ... (1,2,3)

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Added after 8 minutes 41 minutes

Сообщение от iside; 2043471"

But since I did not curated , therefore , to be honest , I can not think about money

Let's Check your dictionary:
curated exhibitions - this is a special profession of art in contemporary art. The curator of the exhibition comes up with a concept , selects a work of art ( and often the artists new work orders ) corresponding to this concept, the actual tracks from his point of view , directions and trends, interact with people who work in this direction , and creates a general view exposure , builds her, she finds a suitable place (Hall , park in front of the gallery , etc.). We can say that it forms a medium. This is a designer, artist , critic and manager all rolled into one . It depends on the person , how interesting, informative and relevant to show. And from this , in turn, depends on profit galleries .

[iside]

Uh, ahem, ahem , gentlemen, one more question <! - ~ 12 ~ ->

When you write a letter to the museum, the best way to subscribe (to make the best impression ) gallery manager , curator of the gallery, or even to send a letter to the owner of the gallery . And whether it is proper to write on behalf of private galleries, they might like to deal with any non -profit foundations ( associations or organizations )?

[artcol]

Сообщение от iside

Uh, uh, ahem , gentlemen, one more question <! - ~ 12 ~ ->

When you write a letter to the museum, the best way to subscribe (to make the best impression ) gallery manager , curator of the gallery, or even to send a letter to the owner of the gallery . And whether it is proper to write on behalf of private galleries, they might like to deal with any non -profit foundations ( associations or organizations) to have a deal ?

The more titles - the better <! - ~ 1 ~ ->

[Кирилл Сызранский]

Сообщение от iside

When you write a letter to the museum, the best way to subscribe (to make the best impression) gallery manager, curator of the gallery, or even to send a letter to the owner of the gallery.

On behalf of the best art director.