Picasso model

[Seriy]

Today, they say, to create something terrible-all, as in Soviet times. We look forward to everyday, from early morning ...

[Сима]

Seriy, I do not want you encouraging, but on Mondays when the museum is closed to the public at such exhibitions allowed for various permits. To let promised. You explore, you also have something that might come in useful.

[Seriy]

Thank you. I'll call them tomorrow, ask. I only have a ticket of a trade union of artists. They say that with it you can try to jump the queue, which I doubt ...
In any case, in the halls of the crush also fun to look below the average.

[Сима]

Seriy, experience shows that "queue" works poorly. Police did not understand the intricacies of "crusts. and all ready to devour. Mondays better for it and arranged. Perhaps not since the first week.
In the main entrance just do not. And in a side entrance in case of emergency, call the administrator. There is a special lady for oral showdown (perhaps we could call ext. Telephone, which is available there). Dare.

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Сообщение от Sima

the police did not understand the intricacies of "peel".

I'm just in the Tretyakov Gallery in the queue was Lavrushensky-time was not enough, the train would be late-explained missed without crusts, but I have not asked, but simply said that I need to work now going in the 18.00 train.

[Seriy]

Went to Picasso. Came to 10 am, T e to the opening, turn short of the first corner. He stood for about 15 minutes, allowed for 45 people. When released, all bent over a corner and reached the building, T e stand for over an hour. In the halls dushnovato because of the climate-control system, the people with tolerance, all the paintings in glass boxes.
HUGE exhibition, took half of the museum. It is shocking and raises many questions under the theme - Mystery of Picasso. Argue on this subject have no strength, only a few strokes.
Many pictures have been easier than I thought. Copying a white woman with a great ear, I bloat Impressionism, and it was written by three pigments, vermilion, ocher, black and white. What I thought was the remnants of the old podmalevka, through the translucent white. In general, the entire early Picasso is a red ocher, white, vermilion and black. Sometimes it is added to the green as emerald green and Prussian blue. Neither vermilion, emerald green or no longer exists. There are substitutes. What's black and not understood. Canvas fine-grained, slightly primed, so the paint withered. This is especially noticeable in the famous portrait of Olga's 17-th year. This work, disappointment compared to the illustration. In 30-ies he threw cinnabar and passed on some synthetic T magenta. Linens and whiting in the early work turned brown, t e early works were brighter. In general, safety-mediocre, compared with the Impressionists in a nearby building.
Presents tremendous work 60-70-x. Sometimes they seem to be garbage, then encounters the naked with a pillow, which crush, like a hammer, with its power.
Some work, which represents large, are tiny 10h20 see
Analytical Cubism was not impressed.
Agent Picasso Paul Rosenberg, he was engaged in the sale of his paintings. There is a big Bagato portrait of his wife with a child - navorocheno in the Impressionist manner kilogram paints of all colors of the rainbow - horror.
Picasso often changed his workshops, there are photo-sheds, stables, without the glamor. He bought a castle at the foot-fetish Cezanne.
1935 he wrote, made a break and wrote poems, plays, published-nothing about this I do not know.
In the photo studio 60-year visible work 1904, t he e them carried with him and, for some reason, Les Demoiselles d'Avignon, he also sold them in 1923? Copy?
Another mystery Exhibition in Moscow in 1956 in addition to works owned by Picasso, consisted of works from private collections of Soviet people! Ehrenburg quotes a letter from Pablo, send me some sketches, Pablo came to my ceramics!
And where did they all gone Then, after the death Ehrenburg? T e in Moscow, perhaps someone on the sofa hangs a Picasso 2 and a half? And in the bedroom 90h130?
Sculptures somehow not impressed. Movies I've seen. It seemed strange why he starts to draw the figure with no head-torso, but with some minor details. Now I think that these minor details, the invisible backbone of hidden armature, which keeps track, so with them and starts.
Among the visitors were very many ladies poslebalzakovskogo age, who loudly indignant, "What is this painting?" We do not understand! "He can not draw!" - Though he did not know where to go and why were all ...
 Picasso continued to force himself to watch and be outraged.

[Seriy]

Many works were not signed, is only a date. Apparently, Picasso signed only when the work left the studio.
Presents sculptures from wire and fittings, which reminded that artists Pablo continues to serve as a source and part of it.
Abundance of records, T e wrote one, then changed his mind and wrote above the other, titanium white powder was not yet all-translucent.
On the ground, apparently, he had a problem. Out of the blue period to the hands of the remaining work, which all reared, went cracks.
Very little in the exhibition of still lifes, unfortunately.

[Seriy]

do not remember what topic I mentioned, I'll specify here-(I was the second time in the exhibition)
After the death of Picasso in his studio left 70 000 units of works.
Yes, the photo studio 60-year hang "Les Demoiselles d'Avignon". Perhaps cardboard or author's copy. In the catalog of Picasso, no full-size copies I've seen.
Once again drew attention to the signatures - they are almost nowhere to be found. In Portrait of Olga in 1918 (rather than the 17-th-as indicated on the label) in general there is no date or signature.

[Peter]

One artist who is not a Picasso, said: "And you would be" Guernica "in his bedroom over the bed hung ?"

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Сообщение от Peter

One artist who is not a Picasso, said: "And you would be" Guernica "in his bedroom over the bed hung?"

Recently watched the movie Franco Zeffirelli's "Tea with Mussolini" about Englishwomen in Florence, where Sher played an American singer, who married an elderly rich man in her house was full of super-duper art-Balla, Boccioni, Russolo, Carrà, Severini and Picasso, just a smaller version of Les Demoiselles d'Avignon in the bedroom.