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Язык оригинала: Русский #51 |
Гуру
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Sychev this know this. Khrushch from Asriev of London 100%good Khrushchev.
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Этот пользователь сказал Спасибо SAH за это полезное сообщение: | DAV (29.05.2009) |
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Язык оригинала: Русский #52 |
Новичок
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Indeed, Khrushch very interesting from the collections of Vladimir Asriev (artlondon.com). I can not say about Strelnikova (Lot 70), but the work Strelnikova VV Lot 72 is not in doubt, since published in his only exhibition catalog (1983).
In addition, - both the work of Nicholas Sheluto 200%authentic, from the family. Job Lomykina (lot78) with an iron provenance, was moved by Ms. Nakamura (Odessans know that this lady is actively exported from Odessa and Ukrainian artists in general, and published directories) in the 80's in Japan, "published in the catalog during the life of the artist. Then came to London to Vladimir Asrievu.Sychev 100%and very characteristic, Kovalenko - 90-ies. |
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Язык оригинала: Русский #54 |
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And some of these directories are preserved!
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Этот пользователь сказал Спасибо dedulya37 за это полезное сообщение: | Tana (30.05.2009) |
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Язык оригинала: Русский #56 |
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gans, it must ask the question dedulya37, it is a lot about Nakamura can tell, about her work of art.
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Этот пользователь сказал Спасибо Кирилл Сызранский за это полезное сообщение: | gans (29.05.2009) |
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Язык оригинала: Русский #57 | |
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gans, to start the question was whether you in Odessa or on /in Ukraine State Art Salon on export? |
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Язык оригинала: Русский #58 |
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There was, I saw pictures of his labels (or cliches, I do not remember exactly).
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Этот пользователь сказал Спасибо Altim за это полезное сообщение: | gans (29.05.2009) |
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Язык оригинала: Русский #59 | |
Местный
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In the period of departure of Soviet citizens to their historical homeland, with regional museums were established by the commission, giving opinions on the artistic value. On the reverse pattern is stamped "allowed to export from the USSR" and below "does not represent hud.tsennosti. Also given Help with the same verdict and podpisyami.Deystvitelno 3 months. In Odessa, it was engaged Literary Museum. Seems worth 25 rubles. plus the speed and respect. I remember when he went away from Odessa artist Edik Pavlov, we went to negotiate in hud.salon Union of Artists, which is Deribasovskoy. And there is already safely in the commission. That was long ago ....
[color="# 666686"]Added after 18 minutes[/color] Цитата:
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Этот пользователь сказал Спасибо ФЕОФАН МУХИН за это полезное сообщение: | gans (29.05.2009) |
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Язык оригинала: Русский #60 | |||
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Вложение 259485 Then the job offered to foreigners who can buy it on the spot or taken abroad and sold there, according to the agreement with the salon. Last way to use m-m Nakamura of Japan. (On this later) Asking about the salon in the Ukraine, I may not be very correctly raised the question, because then the country was united and "USSR" stands for centralization. On the other hand, it would be foolish to take the work of Ukrainian, Lithuanian, Estonian and other republics, to carry all this in Moscow and then draw up and carry abroad. Цитата:
Pro Nakamura Цитата:
Standing room she was not, because It cost quite expensive. Before departure from the USSR, Moscow, where she came in person, all the desired work photographed on a "Polaroid", apparently to visually immediately imagine buduyuschuyu exhibition. Before the exhibition has always produced color catalog, which contained all the exhibitors and their work. If one artist's works selected were many, then print only part of them, but not all. Also post pictures of the artist and a brief biography. Shook the quality of these directories, because for 70-80-ies it was fantastic! After the exhibition, these catalogs were brought to the USSR, in Salon, and there were artists. Works that have not been sold, and returned to the artists, or were left in the Salon for other possible buyers. Madame worked on a grand scale. Arranged solo exhibitions of our artists in Japan, inviting them to and contained in the full software. There were exhibitions Grits, Nalbandian, Igosheva, Stozharov and others simply do not remember. I also had to go there by invitation, but fate decided otherwise and went only to my mother. With our large exhibition of the works were sold, and those few that remained, was brought back later. (Obviously, the same happened with the work Lomykina) I need to find these directories in the archive and then I can do some scans. Quickly make no promises. |
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