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| Costs, valuation, attribution Discuss artworks’ prices and attribution. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #51 | |
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Гуру
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Цитата:
> And ask to extend multi-criteria evaluation (preferably one >) .And can extend the sample selected by experts at the forum. It is interesting can happen . >
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| Этот пользователь сказал Спасибо fross за это полезное сообщение: | Santa (23.01.2012) |
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Язык оригинала: Русский #52 |
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Need a specific example, a picture.
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| Этот пользователь сказал Спасибо Peter за это полезное сообщение: | Santa (23.01.2012) |
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Язык оригинала: Русский #53 |
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Авторитет
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fross, I am beginning to think that when discussing works of art the word "test" does not fall into the category of decent
> What to say about common criteria.
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Язык оригинала: Русский #54 |
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Гуру
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Delphi technique involves the introduction of more than two Amount of experts. |
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| Этот пользователь сказал Спасибо Toinen за это полезное сообщение: | Santa (23.01.2012) |
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Язык оригинала: Русский #55 | |
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Цитата:
Tell us pliz how you want the Delphi method to determine a masterpiece? |
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Язык оригинала: Русский #56 |
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Гуру
Регистрация: 21.10.2009
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In my opinion, this method does not work in the economy, and in art generally does not apply.
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| Этот пользователь сказал Спасибо Toinen за это полезное сообщение: | Santa (23.01.2012) |
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Язык оригинала: Русский #57 | |
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Гуру
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Цитата:
So expert methods for assessing and identifying the masterpieces do not work? Or just a Delphi technique is not applicable? |
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Язык оригинала: Русский #58 | |
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Гуру
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Цитата:
>) )
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| Этот пользователь сказал Спасибо fross за это полезное сообщение: | artcol (24.01.2012) |
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Язык оригинала: Русский #60 |
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Гуру
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Адрес: город П.
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That friend, Joseph inquired about the other two art experts estimate some of the work.
This is what Comrade. Joseph is the most interesting thing in our business. It is only necessary to make sure that art cut something in the subject. Remember that? "Between the two extreme views is not the truth. Between them lies the problem". And art, as opposed to mathematics, does not solve the problem, but on the contrary, raises them. And if you hear equally strong opinions, but the opposite, of a picture, then it is possible that: 1) The picture is anything to go by 2) The picture is worth nothing 3) it does not worth talking about. In general, all sewn in the art of living on a thread, and if the thread is "dead", it was no one stirs. That's rospiisi Christ the Savior Cathedral attracted various artists recognized at the time. Siemiradzki Henry Ippolitovich received seventeen thousand rubles for one of his oryasinu there. But this is no less than 200 thousand euros now. But there were still artists, about whom I had not heard anything until now! That is heard, seen, of course, read about them, but they are absolutely merciless and flew out of my head and now I'm talking about them as if I had never seen them or heard. So, for example, restored mural of HHS, for example, no worse than those that were then written. Just another case a bad time for art, where anything anybody does not work, no matter how hard you try. But people also want to have their "great". Well, and have appointed them in the third third of the 19th century Litovchenko Semiradsky, Makovsky, etc. Damn, what name of the artist in the HHS, which I do not remember sovvershenno? Koshelev, or what? No, absolutely can not remember. ===== Threat This specialist like me, never afraid to show their weaknesses. And if it's not really an expert, it only shows all its strengths, what he knows and understands everything. Wrap it around the corner. |
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