And about Tsereteli

[Pavel]

Сообщение от Seriy

Konstantin, it has Peter on the Moscow River is worth it!
And the prices are good, such and should be a good artist with erudition and experience. Picasso studied. Not 300 as the euro?
Artist vivid and powerful are more expensive.

Here you post a picture painter with a pale pink nude on 300 thousand compared with Tsereteli underestimated.
In Tsereteli-artist strikes swing - huge figures on huge canvases. comes to mind Mandelstam, "for the enlarged lips, enlarged to caress, coarse rest and good "...

Learn from the Picasso was impossible. He never taught, and the last few years to his wife nimu nobody admits to not interfere with work.
Matisse taught but a very long time.

[fabosch]

Сообщение от Fed

"artistic value" - the other categories of reality, in which reside critics who write for money allegedly investigation.
Prices for paintings Putin does not surprise me, because bought by Russian in Russia.
Tsereteli's works were adopted by the world's largest auction and sold. The fact that I would not have bought it the tenth, as the opinion of critics.
And the views are different. Here's an example for me an authoritative-
Alfaro Siqueiros

You know, in the end it's not the terminology, I do not hold on to the terms. I think the meaning is different. Zurab as a person has a very furious vital force, a kind of charisma. This is an important component of its current success and status, it simply does not match the charisma of his talent level. Of course he is a strong professional in the painting (but not more) and very good muralist (here I can partially agree with Siqueiros, who, nevertheless, strongly exaggerates the real role of Zurab monumental). But here it is also that success (ie, the ability to create products and introduce them into the official public traffic) in monumental art, as well, and in sculpture, are highly dependent just on certain personal qualities, since it is impossible to do monumentalkoy not with real orders, etc.
But he is a sculptor - just trouble. I have not seen nmchego ugly and tasteless than his sculpture in a shopping complex in Okhotny row (do not know if I should not call this place).
When, as in Moscow, I first saw it, I literally could not believe my eyes. Just really hard to believe that such poverty can someone please.
As for the price of his paintings at auction, then you need not think that the average western buyer something different from our own (except welfare). They are also guided by those who on hearing. Here, for example the price of Hirst - they amaze you too?

[L-ana64110]

Please everybody is a privilege artisans, artists can not please everybody, that's fine.
The brighter the ambiguity, the more interesting.

[fabosch]

Сообщение от L-ana64110

artist can not please everybody, that's fine.

Frankly, I saw in your post any information.
What someone says the opposite?

Сообщение от L-ana64110

The brighter the ambiguity, the more interesting

That I just do not understand.
I can answer, for example, write:
Fainter than the uniqueness of the so-boring
or so:
The brighter uniquely more interesting,
or so:
The more interesting ambiguity, the brighter, etc.
Do you believe that this should be a discussion??
Do not you think that this is simply a set of words that does not carry information, and will do literally everything, including to the exact opposite things?

[iside]

Сообщение от fabosch; 1342051"

Frankly, I saw in your post any information.

But there is a link to the "controversial" paintings that are sold. The idea is that the post anywhere yet prohibit and increase the chances of being seen and sold, and the desire to participate in the discussion do not look "- and that can respond very" cultural "<! - - ~ 8 ~ ->

[Кирилл Сызранский]

Сообщение от fabosch

But here it is also that success (ie, the ability to create products and introduce them into the official public traffic) in monumental art, as well, and in sculpture, are highly dependent just on certain personal qualities, since it is impossible to do monumentalkoy having no real orders, etc.

Monumental sculpture, books, and sets the power of the city.
Sculpted in the order is limited: by the order, an idea, a place for future installations, bound to the place, etc.
Looking for horses, there you have horses, you need a Peter-that's Peter.
The idea to establish such a monument to the 300 th anniversary of the Russian Navy has come since neither Tsereteli.

[fabosch]

Сообщение от Cyril Syzransky

monumental sculpture, books, and sets the power of the city.
Sculpted in the order is limited: by the order, an idea, a place for future installations, bound to the place, etc.
Looking for horses, there you have horses, you need a Peter-that's Peter.
The idea to establish such a monument to the 300 th anniversary of the Russian Navy has come since neither Tsereteli, he just embodies this idea.

Yes, embodied on the other hand, as the grand
I agree that in this particular case there was a "bow towns and villages, and two deserve each other component is" successfully "connected. History knows such examples, such as the Medici and Donatello

[Кирилл Сызранский]

Сообщение от fabosch

History knows such examples, such as the Medici and Donatello

Similarly, Gelman so Luzhkov and neighborhood "our Medici!

[leonard]

Tsereteli in his youth, was a talented, in my opinion a sculptor - a departure from sots.realisticheskoy sculpture, the use of aproportsionalnyh national motives, but then messed up guy - president of the Russian Academy of Arts, but he is Russian for 30 years, he had learned, received millions of dollars, such as, for Peacock in the Patriarchal Cathedral of Christ the Saviour hall, etc.

[Кирилл Сызранский]

And he has a wonderful mosaic-mural, such as the Palace of Culture in Tbilisi (the beasts) to the bus station there, great work in Adler and Pitsunda bottom of the pool at the Hotel Crown in Ulyanovsk.

Me and the monument "friendship forever" on Tishinskaya like.