Technique of oil painting and preservation of paintings

[Seriy]

NATA NOVA, blanc fixe-barium is white. In the past, Russia used the iconography. Now you can buy in stroykraskah.
Ground marble is chalk.
Lithopone is the Chinese version of the construction of white-type mixture of everything.
Aluminum oxide-nothing about its use do not know. In general it is transparent as glass, aluminum after all that we see in everyday life, always covered with oxide film.

Added after 3 minutes
Konstantin, I do not write a thick layer of a mixture of paint-can not say anything. If you are writing a thick and do not want to wait for drying Intermedia layers - you have to use dryers, t e accelerators of polymerization. In order alkyd paints, linseed oil, they have, so the paint dries for a day. Typically desiccant is salt of bad metals.

[K-Maler]

Сообщение от Seriy

Secondly, you said Svarog, 1998, but he Kiplik, original - this train early 20 century! And relevant scientific expedition .. Cartage, shorter .. That is not clear what he says and what, on what basis his findings, on what Dmitry I. so did the glue from sturgeon cartilage Astrakhan in 1856 and bequeathed to us?
Third, firms making paints, usually conceal chemical composition and origin of the pigments in the paint. Type-trust us!

Kiplik reprinted many times and still not find it on sale. Secondly, the basis of colors are the same (except such as acrylic), and this means that is the same (in time), Cartage, too, in some places was preserved. You, like, not about the contemporary-art say ... so I understand. Yes, you are right, firms are hiding, and I once phoned directly to the factory with questions, they answered "we have trade secrets. Then I said that because of this secret is not buying their products, then somehow responded that the basis of their soil, APT, that's the whole secret ... And about the new paint never know how they behave over time. I noticed that the "analog" does not harmonize with the "real", they kind of dryness and sharpness (cobalt, tseruleum).

[Seriy]

K-Maler, Kiplika not find, because modern authors do not want to write a guide to modern oil painting, then be hell to pay the claims and accusations.
No, the foundation, you probably have a view of the pigment - for 100 years has changed radically. Or you write ultramarine natural turquoise? cinnabar (mercury) - a huge list? Titanium white powder was not.
I have found the lead, incidentally. Any FC-Kiplik never heard of.

[NATA NOVA]

Thank you for your explanation!
I titanium (for old time's sake) kilogramchik ordered. I'll try, will report .. And in general. in terms of move to pigments (A-tubes only for open-air use and what those old stamps that I know to learn more ..) I have no confidence in the "cocoa-cola" ..

Added after 6 minutes

Сообщение от Seriy

is usually drier salt of bad metals.

I have something a little afraid of their (never used), and now just wait tortured and air drying have to try .. And how are you?

[Seriy]

In Russia, Art dryers expensive imported - not earned ishsho :-)
Nata, I'd warn you of an infatuation with dry pigments, if you just do not know the chemical composition of the pigment and the impact of each element on the body. Most pigments are toxic, many, such as cadmium, high-toxic-enough no body in the body millionths of a gram, so as to cause irreparable harm to the body - see the network. Under the rules, with dry pigments can work only in a special glass box through the glove êàî-NOT in any way.
When the pigment is overwritten with butter, he flies through the air and enters the body. Although now have to recommend, even with oil or switch to simulate toxic pigments or work in ordnorazovyh plastic gloves.

[Кирилл Сызранский]

Сообщение от K-Maler

So what is your problem.

It is true, everything is there and all the flaws of technology and their implications are described in detail.

Added after 31 seconds

Сообщение от Seriy

Kiplika not found,

Find, not a question ...

[NATA NOVA]

Сообщение от Seriy

Nate, I'd warn you of an infatuation with dry pigments, if you just do not know the chemical composition of the pigment and the impact of each element on the body. Most pigments are toxic, many, such as cadmium, high-toxic-enough no body in the body millionths of a gram, so as to cause irreparable harm to the body - see the network. Under the rules, with dry pigments can work only in a special glass box through the glove êàî-NOT in any way.
When the pigment is overwritten with butter, he flies through the air and enters the body. Although now have to recommend, even with oil or switch to simulate toxic pigments or work in ordnorazovyh plastic gloves.

Сообщение от Seriy

K-Maler, Kiplika not find, because modern authors do not want to write a guide to modern oil painting, then be hell to pay the claims and accusations.
No, the foundation, you probably have a view of the pigment - for 100 years has changed radically. Or you write ultramarine natural turquoise? cinnabar (mercury) - a huge list? Titanium white powder was not.
I have found the lead, incidentally. Any FC-Kiplik never heard of.

Of course, it is necessary to examine thoroughly all ..

Added after 29 minutes
Now pigments (dry) offers a directory "greatart": "Gercshtatcker" (49sht) and "Schminke" (72sht).

It says my translation)
"The studio pigments are arranged (mixed?) Of pure pigments as they are or should be in all the best artists paint (art paints ?).."
Original text: ... The studio pigments are composed of the pure pigments as they are, or should be, in all the best artist's colours ..
But we can all ask, they are always happy to tell all ..

Paints in tubes only in 1872, appeared ...
And before that were ground in the old .. and much later, too (if only because enertsii thinking)
I wonder when the tubes have appeared in Russia?
When it was published the first edition Kiplika?

Experience Kiplika likely based on the "old paint" ..

[Seriy]

Under American law at each toxic pigment should be a warning. Cadmium appeared only in the late 19 th - early 20 th. Matisse was the first who began their extensive use (red fish).
English in the network has complete information with lists of pigments for toxicity.
Nata, in the 19 th century gave the recommendation of the housewife-How to get rid of the wooden house of roaches? - In a hot oven put a jar of liquid mercury, leave the house. When it cools, more cockroaches in the house will not live.

[Артём]

It is a pity that the theme name! On the second page, I specifically asked about the canvases. Results per person! We see that there is a huge number of techniques, tricks, secrets, etc. And of course everyone believes that - it affects the quality of the painting. Now the question: Does the art historian to know about it, and if he does not know approaches, whether it is a good art critic? Pavel, do you think?

[NATA NOVA]

Сообщение от Seriy

Under American law at each toxic pigment should be a warning. Cadmium appeared only in the late 19 th - early 20 th. Matisse was the first who began their extensive use (red fish).
English in the network has complete information with lists of pigments for toxicity.
Nata, in the 19 th century gave the recommendation of the housewife-How to get rid of the wooden house of roaches? - In a hot oven put a jar of liquid mercury, leave the house. When it cools, more cockroaches in the house will not live.

A Kiplik that says about this?
U Schminke 5 cadmium. (Lim, yellow St., Zh.temn, orange, red St., kr.temn.)
U Gershtakera "is mostly of no mention ..
(toko colors: scarlet, scarlet red. French Guard (?), etc.
In Britain, the rules of "healthy and safety" very strict, but if you do not swallow, I think not deadly ... (Hotya.. All can be sold as-cocoa-cola ..)

Added after 36 minutes

Сообщение от Artem

Does the art to know about it, and if he does not know "approaches", whether it is a good art critic? Pavel, do you think

Artem, and who do you think good art critic? Who is the general art of the Vedas? What are they?

About the canvas: writing whether anyone jute? (Third time I ask ...)