21. 12. 2012

[Pablo]

Pavel, thank you. In turn, looked your work , very positive and bright! I really liked.
As for the exhibition. Many papers were presented in 2012 . As for the buildings I can say in my opinion the author has decided to "play" with the prospect , but he won or lost only he knows himself. Looks cool >
There was a lot of portraits, in fact, a lot of details , unnecessary in my opinion. Honestly , I can not say that the work he just , he was " hooked " on something, but it seems to me that its limit. Kitsch work , no doubt , here, as I can see, only one apparent reason - man cuts coupons >
Again , I agree with Mr. Fed: too smooth letter , really hurts the eyes , I think that's his style , he attracts the viewer.
In general , for people not spoiled art very fitting beginning .
I think once you can see

BUT : Do not leave the plastic feeling of something , I can not understand it , it's like a mosquito in my ear on a summer night . And does not sleep , and the head can not hide - hot.

[Pavel]

Сообщение от Pablo

Pavel, thank you. In turn, looked your work, very positive and bright! I really liked.
As for the exhibition. Many papers were presented in 2012. As for the buildings I can say in my opinion the author has decided to "play" with the prospect, but he won or lost only he knows himself. Looks cool >
There was a lot of portraits, in fact, a lot of details, unnecessary in my opinion. Honestly, I can not say that the work he just, he was "hooked" on something, but it seems to me that its limit. Kitsch work, no doubt, here, as I can see, only one apparent reason - man cuts coupons >
Again, I agree with Mr. Fed: too smooth letter, really hurts the eyes, I think that's his style, he attracts the viewer.
In general, for people not spoiled art very fitting beginning.
I think once you can see

BUT: Do not leave the plastic feeling of something, I can not understand it, it's like a mosquito in my ear on a summer night. And does not sleep, and the head can not hide - hot.

I was left with the impression that he was doing work on a printer with a computer. From this small and lacquer surface and kitsch.

[Pablo]

Pavel, <! - ~ 11 ~ -> I have no words!
And then a couple of strokes from the top and the picture is ready?
It can not be!
If so, then there really was the end of the world >

[Кирилл Сызранский]

Сообщение от Pablo; 2397671"

I have no words ! And then a couple of strokes from the top and the picture is ready? It can not be !

In his work Nikas Safronov often uses the most modern printing technology along with traditional techniques . The artist said it makes copies of their copyright works : first print to the printer , then tosses a dozen strokes - " bring " picture. Similarly, create many original works by the artist .

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[Pablo]

Cyril Syzran, so it seems. Now here is the Internet climbed, all write about it and even had the scandals . Maybe he uses (which I did not catch the hand ). Perhaps many of the printed , many, but I think not all.
How many years does he say? The 80- xx ? Then another , and printers was > I would like to see his old work (wanted to write about it more in the previous post ).
But he somehow earned itself a name and fame ? Some also work, he wrote himself?
But the building, in my opinion, if he did on komputer , he would have them in the future. But this is my IMHO of course.