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| Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues. |
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Original language: Russian #42 | |
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Авторитет
Join Date: Aug 2008
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Quote:
Correctly that does not try to deny - it means that you are humane. Deny, reject, refuse to recognize - much easier than the touch and learn to empathize with another's creativity. I works really different flavor - you're right but, as they have different purpose. Some pictures of the art of moving forward, others maintain the necessary good taste, and others - sensuality, and a fourth - that meet design requirements at various levels, a fifth - in a shocking twists that at least temporarily take the place of the first, sixth - fill in the quantitative space between them, and so on. . options to spare. The main thing is not it - the main thing to know why and what do you expect from the picture and then everything will fall into place. If you're looking for innovation - that are looking for millions and judge and blaspheme the artist for what he is not an innovator - is wrong. This problem is not the artist and the spectator. Your paintings are much closer to me and truly like - I love the color - rich, juicy combinations and improvisations. From the graphics, personally I'm waiting another - a strong line, stroke, sculpture and not black and white version of the picture. Personally, my sympathy for you because they are truthful.
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| The Following 3 Users Say Thank You to Ninni For This Useful Post: |
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Original language: Russian #44 | |
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Гуру
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[color="# 666686"]Posted 1 hour, 43 minutes[/color] They have also been Lamour. |
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| The Following User Says Thank You to Кирилл Сызранский For This Useful Post: | Allena (25-12-2008) |
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Original language: Russian #45 |
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Гуру
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Here are two more (second - other than that shown Cyril).
)))))) Memories of Anna Akhmatova: "... I knew him a beggar, and it was unclear what he lives. As an artist, he had not the slightest recognition. Beden was so that in the Luxembourg Gardens, we always sat on the bench, rather than paying chairs, as was agreed. He never complained nor entirely clear need, nor the equally explicit rejection. Only once in 1911, he said that last winter it was so bad that he could not even think about it very expensive ... " |
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