History of Counterfeiting Grigorieva

[Artem]

Сообщение от Cyril Syzran

Staffing issues in the manual timing is not level the Minister of Culture .

No, it's not easy .. , remove or appoint a director in the museum such as a belt or even the Hermitage and TG each minister can not ...

Сообщение от Cyril Syzran

We must tell them that the forum is yet another topic of EV Basner . <! - ~ 1 ~ ->

I think that this topic carefully read ...

[Кирилл Сызранский]

Сообщение от Artem

remove or appoint a director in the museum such as a belt or even the Hermitage and TG each minister can not ...

Exactly what I said, and you are my words and quoted.
<! - ~ 1 ~ ->

[Artem]

Сообщение от Cyril Syzran

Exactly what I said, and you are my words and quoted.
<! - ~ 1 ~ ->

Yes, do not carefully read and understood you correctly ...

[Питер-С]

Another news on our topic - Piotrovsky said yesterday, the Hermitage at the request of the investigating authorities made ​​the examination of B.Grigoreva belonging A.Vasileva ...
It showed that the work is not authentic ..
That is - the third examination ... and the chances of that "someone overlooked something " no .

[Кирилл Сызранский]

Сообщение от Cyril Syzran ; 3042271"

But , if you look, Valentin Rodionov 15 years of leadership THG did a lot just in terms of construction /reconstruction.

And that now looks incredibly , VA Rodionov in such a difficult period ( 1994 to 2009 ) has made allocation of 39 apartments to employees of the museum .
Too big deal , agree.

[Питер-С]

Gentlemen, I have now discovered for myself a strange thing -
browsing the Internet transmission on the channel "Rain" heard такие words from A.Vasileva : " ... None of this would not have happened if not for one thing : a job that is in the Russian Museum , never exhibited , never been played , she got to the store and the Russian Museum lying there. "
Listen, can I have hallucinations in the brain , but I remember exactly russkomuzeynuyu work B.Grigoreva " Paris Cafe " EXHIBITION FROM THE COLLECTION B.OKUNEVA , which was in 1986 in Russian .

Moreover, I even remember where it hung ! This is what I'm the one that was there on the show ? No one else remembers ?

[khmelev]

Irina Karasik , girlfriend Basner :
" In preparation for the exhibition Basner an exposition wrote an introductory article to the directory , but the directory editor was not . She has worked in the department of painting , so specific catalog descriptions , including many authors, was only on the paintings . " Parisian Cafe "is not reproduced in catalog and exhibited at the exhibition at the museum is the classification of graphics. it was kept and stored in the department of drawing and described in the catalog the other person . "
 http://art1.ru/art/vokrug-parizhskogo-kafe/
NOT EKSPONIROVAVSHESSYA EXHIBITION !

[Питер-С]

I remember , because I love to go to exhibitions with a catalog ( though, of course , is not often he appears in time ... ) . And when the little people (better when the hype discoveries slept ..) But there is such a thing - I still have it . And most importantly - with my notes , impressions ...

It means what happens if it turns out that I'm not crazy ... ?

[khmelev]

and how many in your catalog ciphers, which were exhibited in the hall?
<! - ~ 1 ~ ->

And how many of the pictures described in the catalog?

And - absolutely seriously - remind the date of vyystavki.
If you walked through the halls and noted some Guzhavin sketch, it really dates something to remember

[K-Maler]

Сообщение от Cyril Syzran ; 3041491"

quote from interview Piotrowski : " For the art market common thing when someone sells something to someone , or do not put put , forged . This is a market where people always want to buy cheap and sell very expensive . wrote Giljarovsky try "buy a penny's worth of dimes ." What happened to the picture Grigorieva . "

Strange comment - Vasiliev not paid a pittance .
 
But in another interview Piotrowski , nevertheless, spoke about the examination correctly : it was a long time in this form as it is now . Ie specialists were only in museums , where they engaged in a long time and creativity specific artists were able to identify at least " grubyatinu " (" Kustodiev " ) ... And they , even at this experience, were not free from errors (the case with Shishkin ) .
In France there is the "money " responsibility and the threat of deprivation of the license.