Japanese Prints

[kr555]

Сообщение от Tjutchev

In light of the foregoing, I have such a dating just makes sense. Well, judge for yourself if there is a large number of impressions, and those that were published earlier, more valuable, why are dating, even if this does not make sense? From such a dating is clear that these prints were published in the artist's life, and they are more valuable. From this position, and we just started our interesting discussion. Getting started and to return. That is printed in the artist's life prints are more valuable than the printed after his death.

Of course, on this occasion no objection. I argued that the existence of such a dating has helped raise her price to $ 1 million - in reality, the imprint in 1835 it had the imprint of poor quality, and cost him thousands of red 30.
In general, I think this is possible and finish

Сообщение от Tjutchev

The question is how much was made of prints. Do not forget that the demand for this series could be flat throughout the 60 years.

That's just with this series is clear, her demand was simply a rush, the most popular series ever. And sure, it took off with all the cream, typing without a break. And as with the Red Fuji - first of all, more and more popular prints simply did not nkogda ...

[Тютчев]

Сообщение от kr555

Well, 1931 is generally quite normal, and 29 th year, probably dates from a rare early version, but in general I would not trust GMII datings in any case. There are 2 major reference museum, in their best collections of Japanese art in the world, and the best specialists, it is British and Boston. And we have serious professionals alas no ...

Well, why do you question the value and deserves a place of meeting GMII im. Pushkin among European collections of Japanese art? Believe me, this collection is large enough and, most importantly, the quality to pay attention to it. And the authority Biato Voronova for me and my colleagues have always been high. I know people who know her very long, and I have never heard of them words of doubt in her professionalism.

[kr555]

Сообщение от Tjutchev

Well, why do you question the value and deserves a place of meeting GMII im. Pushkin among European collections of Japanese art? Believe me, this collection is large enough and, most importantly, the quality to pay attention to it. And the authority Biato Voronova for me and my colleagues have always been high. I know people who know her very long, and I have never heard of them words of doubt in her professionalism.

Actually, just look at the network laid out in the same directory MFA Boston, to understand that we do not even close to the completeness of the collection ... On the meeting of the Pushkin more legends were current before, yet it does not really describe, and no one knew what it really is. I do not know, maybe there are some masterpieces of Japanese painting hidden unknown, just, again, no one knows that there is a painting is available, engraving least cataloged finally. But I am afraid that this collection will be very moderate and not attribute, because attributing none.

And about Beata Voronova I say anything bad I can not, but when the keeper of the collection of Japanese do not know a single character - this is somehow wrong or something ... How can the scientific work with engravings, with which he can not read any information? Only the water some iskustvovedcheskuyu pour, but not enough ... But then her and all sort of suspended, now everybody runs the still more distant from the Japanese art of man. In general, anyone personally I was not familiar, but the general impression from the outside and hearsay - no professionals. I would be happy if everything was better than I think.

[Кирилл Данелия]

just do not start talking about Russia's examination))))

[Евгений]

[ABC]

[Кирилл Данелия]

...

[kr555]

[Кирилл Данелия]

kr555,
While scheduled for mid-October ...
So as long as there is talk of museums - I signed a personal site * I will not, for the time being, called e * and enlisted the support of some, and not very glossy, media in covering this event.
But the collection syunga passed for 70 units of storage - the time has come and show off)))

I have it in the collection is not enough ((((

[Евгений]

I have it in the collection is not enough (((([/QUOTE]
(EA)
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  Its exhibits were 19 Japanese erotic prints, which, according to the curators, contributed to the work of the Pablo Picasso.

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Engraving XVII-XIX centuries were in the private collection of the artist along with them on display 27 drawings and prints by Picasso, which found traces of the influence of the Japanese. One of the curators of the exhibition, Malen Gual (Malen Gual), told the British newspaper The Independent, that the identification of subtexts and prototypes was like detective work.
Another organizer, Ricardo Bru (Ricard Bru), said that Picasso drew attention to the Japanese prints by the works of Van Gogh, Degas and Toulouse-Lautrec, who were keen on oriental art.