Russian, Soviet porcelain, ceramics

[Евгений]

I recommend a beginner collector of Soviet porcelain ( EA ) .. and just an interesting book .

Publisher: ArtEgo , 2009
Hardcover , 260 pages
ISBN 978-5-91014-007-7
Circulation: 1000 copies. (cost about 2000 rubles ).
This book - the catalog of artworks, made ​​by leading porcelain factories of the Soviet Union since the late 1930s to mid 1980s. It contains logos of plants for different periods of time, cost of products and differences in the painting of the same figures.
More than 1,000 illustrations.

[Евгений]

The name of the honored artist of North Ossetia Olga G. Maltyzovoy due beginning of the modern Ossetian decorative arts. A man in love is infinite in time, the enthusiast, collecting crumbs of what is to become a precious asset of Ossetian culture and art ... The value of her work can not be overestimated: it keeps not gone, not forgotten the materials and manufacturing technology primarily ceramics having so enviable predecessor as Alanian, famous Ossetian artistic embroidery, braiding cord - aldymbyd, applique on felt, cloth, metal, notch, etc.

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Maltyzova Olga was born in 1915 in Tsarskoe Selo. Childhood years spent in his grandfather's home - Zahara Semenovich Maltyzova - in the village Chernoyarsky near Mozdok, etched in her memory, a large, full of celebration. Folk songs, ancient crafts, skillfully embroidered dresses of women, feasts, dances that were held on the banks of the Terek, - in such an atmosphere, held its first acquaintance with Olga Maltyzovoy applied creativity, with art, inseparable from the life of its people.
The first class graduated from secondary school in Chernoyarsky Olga, and then the family moved to Ordzhonikidze, and she became a student of first Ossetian The pilot schools. Here, fate brought her to one of the first professional painters Ossetian Maharbek Tuganov, who taught drawing. Next to the figure of his beloved grandfather figure grows favorite teacher. It is impossible not to mention one person that influenced the fate of Olga. Zalihan N. Kesayeva, her cousin, encouraged serious lessons in drawing girls. Thanks to her, Olga went to study in the then Leningrad. In autumn 1932 she enrolled at the Art Pedagogical College (formerly School of the Art Promotion, now - the Art School. Serov), which was in the premises of the Academy of Fine Arts. Teachers - Sergey Butler, Vladimir Levitsky, Mariam Arshakovna Aslamazyan, Alexander Gromov, Dmitry Filippov Filippovich - noted the ability of a student in decorative painting, an innate sense of color. One of the strongest impressions Maltyzovoy was related to its opening for a Paul Gauguin in the Hermitage. Decorative element vision, implicit in it, as would have found concrete evidence and expression in the paintings of French artist, shocked and grabbed her for life.
After college over a year, Olga worked as a teacher in one of the Leningrad School. Then - the courses at the factory decorating fabrics, work in a factory. Feeling a lack of arts education, Olga tried as much as possible to work on yourself, thinking of continuing their studies. But the war is ordered differently. In September and October 41st for all workers at a factory called the defense work. In addition, Maltyzova, after graduating from courses defense, became commander of the firefighting unit at his own factory. On duty at night and by day she worked in a factory. Sewed gloves for engineers, covers for digging tools, wove camouflage net - and the method of Maltyzovoy as woven cloth Ossetian, with one node. In March, 42 th Olga returned home, however, peaceful life for her only began in January 43rd, when Soviet troops liberated the land Ossetia from the Nazis. In Alagir began working in the collective performance mobile, which has issued several productions, including "Doctor willy-nilly" by Moliere and "oversalting is thirsty" A. Makeyev, and many Ossetian authors.
In Leningrad Maltyzova returned in 1946 as a tutor children selected for study at the National Ballet School studio with them. AY Vaganova, who then would make up the future of musical theater troupe of the Republic. Among her pets were Adyrkhaeva S., E. Gioev, B. Revazova, N. Balaova, T. Hatsaeva and many others.
Since 1951, O. Maltyzova continued to work in his factory, parallel learning skills to work with porcelain on the Leningrad Porcelain Factory. When in 1953, returned to Ossetia, now forever, worked as an artist at the National Puppet Theater. The first performance, it was decorated "Chippolino" D. Rodari, and then - "Cinderella! Charles Perrault," Goldilocks "I. Keiner," Honestly, "Mikhailov and others

But despite the successes, a theater artist, Olga did not. In one interview, when asked how she decided to devote himself to applied art, Maltyzova said: "It did not come immediately. I've long been looking for. I tried your hand at painting fabrics, porcelain. But it was not, although now I have no regrets - everything was good. In the future started to look at yourself. I tried to recall everything that was common during my life, from childhood, that was a necessary accessory Ossetian daily life. It turned out that she had seen and know many of the that has already gone out of life today, and perhaps even forgotten, unjustly. I've seen woven cloth and wearing such items of cloth, such as hoods, like gold and silver embroidered morocco slippers, and she wore like a woman cut out of paper intricate ornaments, woven braid, braid, cords and trimmed their men's clothes: tunic, tunic, leggings, - lay felts, beeches, planted mulberry silk yarn and received, from which the sirloin tip wove beautiful openwork scarves and much, much more. " A huge influence on the work of Olga Maltyzovoy had Soslanbek Edzieva heritage, interacting with people skilled worker, embroiderers Farizat Shanaeva, who owned almost all the traditional forms of folk embroidery. In addition, Maltyzova actively explored cutting-patterns Aminath Chekhoev, K. Ramonovoy.

And at the exhibition "The Soviet South 74" panel appears - Triptych "Earth". And when, nationally, but the self-image born of a triptych flashed elements of the ornament, in the technique, which is close to traditional Ossetian gold sewing, it became clear that this "tradition" in a clever transformation of the modern artist. Looking ahead, we can note that when the 1977 Jubilee solo exhibition Maltyzovoy exhibited in Tskhinvali, the press especially hard pointed out that "visitors can learn about the ancient art of gold embroidery, restored in the republic O. Maltyzovoy."
Meeting with the goldsmiths Salam Zakharovich Gappoevym allowed Olga learn a new craft, and in the mid-60s on one of the national exhibitions of Maltyzovoy appear pendants.
With many artists had a chance to talk to her, many she could learn something, which is why we realized how important not to lose time. Craftsmen became less and less, their art also took along with them. One after another, appearing in print articles Maltyzovoy calling to preserve and develop folk tradition of telling folk artists. In 1967, she had to speak at a seminar in the city of Grozny to the report, focusing on the folk art.
Maltyzova continued to explore the ancient art of his people, and in 1958 participated in an archaeological expedition, led by Professor BA Kaloev. Intrigued Koban bronze and ceramics Alani, it nonetheless recognizes that it is necessary to seek a new way. The first sketches, samples of pottery ... but do not have enough professional knowledge, experience, and in 1961 commander of the Union of Artists of the House the work of artists of the Latvian SSR "major" - one of the strongest bases of ceramic artists. After 15 years, opens a personal exhibition of the artist, and then she just mastered the potter's wheel, doing simple everyday forms: pitchers, bowls, mugs - a majolica, with or without the glaze. But there she was trying to use Alan motives. Striving for a simple and natural forms, people close to ceramics, the artist refuses to over-decorating and ornament. The press noted that "Olga Maltyzova skillfully combines traditional forms of pottery from a purely national, Ossetian. Her works are utilitarian in nature, they are intended for use in the home. Simple in form, interesting color, they will be a decoration for any apartment." The artist is actively exploring the possibility of technical ceramics, glazes, salt.
Upon returning home, working at the House of Folk Art, as well as in the glass factory, workshop painting on porcelain. Returned to painting fabric, and in the 60s appear decorative fabrics "Dance", "Koban bronze," "The Ossetian motives" (for this work Maltyzova won first prize - at the national contest national souvenir in 1962). The Republican Exhibition of Decorative Arts in 1966, OG Maltyzova already acted as a fully mature artist. Widely presented its porcelain, earthenware, clay, women's jewelry in the art burning and metal checkering on wood, fine fabrics and painted scarves, dolls in traditional national dress. Ossetian primitive. Singer'''Mistress,''The Bride'
Maltyzovoy talent manifested itself in teaching: Ten years of Art School she worked for them. Tavasieva to teach children the ancient techniques. Experience of work she expounded in the methodological articles. On a serious presentation she gave at a conference in Dzerzhinsk.
In 1969, the second trip of the artist in Latvia in the House of already with sketches, ideas. So there is a decorative relief, "World," which was exhibited at the Fine Arts Exhibition "Soviet South-69" in Stavropol, the Republican show. "Grief," "Apple", "Dance" ... At the artistic record of these things were noted as deeply popular, national. Then she took her first work in engineering applications in a purely national spirit - they were exhibited in the same 69-m. Maltyzova also creates a set of ceramic dishes, "Aluton" (one of the most successful), "Hamyts." In the third his arrival in Riga, in 1973, under the influence of nostalgia, was born three-part ceramic composition "Song."

Artist deeply and carefully studied the history, culture and art Ossetia, painting Maharbek Tuganova, decorative sculpture Soslanbek Edzieva, folk Ossetian architecture and sculpture, ornaments. But in an applied in Hungary, Czechoslovakia, Poland, Armenia, Georgia, Baltic States, Moscow had to learn.
Interested in a new form - the form tsyrta, Ossetian tombstone. She was determined and sconces, and decorative things, intended for the interior. They were first presented in 1974 at the Republican show, and later at an exhibition in the House of Creativity in Riga.
During a trip to Romania for a Maltyzova said ceramic plates along the frieze of a house. Already in his workshop returns to the ceramics.
Much love and desire for art, finding out earlier in painting on porcelain, textiles, now found himself in the tapestry, which took in her work is not the last. "Apple Nartov." "Summer," "Waterfall," "Labyrinth," "Sunrise" (exhibition "The Soviet South 77" and "Soviet Russia-77") - in each tapestry of its language, its decorative finds. Working in the tapestry has prompted the idea to try Maltyzovu resurrect in modern art and antique carpet traditional Caucasian felt - for example, degastansky arbabash. Two of the best felt in a number of other works of art Ossetia were sent to the nuclear icebreaker "Arktika" in order to decorate the cabin of Captain Hero of Socialist Labor nuclear-powered JA Kuchiev.
The enormous and fruitful work of Olga Maltyzovoy the development of national art has been appreciated. In 1975 she was awarded the title "Honored Artist of the RNO-A," and in 1976 at the National Art Museum. MS Tuganova opened a personal exhibition of the artist, dedicated to the 60th anniversary of her birth, which is then exhibited with great success in Tskhinvali in Grozny.

No longer exists in this world master artist as well as loving his native Ossetia, but the memory of this talented and hard-working woman is not fading, but fading interest in the applied arts, has received thanks to her second birth. "Wrong person who passes by incomprehensible, - said Olga Maltyzova. - Man, even far from the art should know that it is, art that is public. He - art - do not care what your cultural level. It all pays the same their wealth, Manage to just take him to concentrate on their mind and senses, force, as they say, to work the soul.
If a person is not affected by serious art, if he is deaf to it - so he does not use one-hundredth of their mind, their emotional force, and therefore live in a world more dull than he could live. There are lovers argue that, well, serious art is not available "crowd." What is a "crowd", as people do not? And art is born where? In the midst of the people! "

This article was written for the competition Zinaida Dzhatieva "Forgotten Names" organized by our group of like-minded 10 years ago. Some more work on the site Maltyzovoy www.gassiev.ru under collection.

From the author's blog http://forum.artinvestment.ru/blog.php?b=92271

Добавлено через 18 минут
1.Statuetka "Basil Terkin."
Porcelain, painting. USSR Lomonosov Porcelain Factory, 1950-1960-ies.
Height 13 sm.Sohrannost great ..
At the bottom of the blue overglaze mark "LPF".
The authors of the original model - the sculptor Sergei Velikhov, the artist EN Lupanov.
The product described in the "Soviet porcelain. 1930 - 1980", № 46, p. 72.
2.Statuetka "skier." Porcelain, painting. USSR Lomonosov Porcelain Factory, 1953-1954-ies.
Height 22 sm.Sohrannost otlichnoe.Iz series "Happy Childhood".
The authors model - Galina Stolbova (1908-1996), artist - Elizabeth N. Lupanov (1911-1973).
The statuette is described in the "Soviet porcelain. 1930 - 1980", № 74 p. 77.
3.Statuetka "Konkobezhka." Porcelain, painting. USSR Lomonosov Porcelain Factory, the second half of the twentieth veka.Redkost.
Height 20 cm
Preservation horoshaya.Pod glaze the letter "D"
The authors model - sculptor Sofya Velikhov (1904 - 1994), the artist Elizabeth N. Lupanov (1911 - 1973).
The statuette is described in the "Soviet porcelain. 1930 - 1980", № 75, p. 77
4.Statuetka "Young dancer." Porcelain, gilding, glazing. USSR Lomonosov Porcelain Factory, 1950s.
Height 13.5 cm
Preservation is excellent.
At the bottom of the blue stamp nadglazuroe "LPF".
The authors of the original model - the sculptor G. Stolbova artist and KS Kosenkova.
The product described in the "Soviet porcelain. 1930 - 1980", № 55, p. 73
5.Statuetka "Young sailor with accordion." Porcelain, painting. USSR Lomonosov Porcelain Factory, 1960. Height 13 cm of preservation is good. At the bottom of the blue overglaze mark "LPF". The authors of the original model of the sculptor G. Stolbova, artist
EN Lupanov.
The statuette is described in the "Soviet porcelain. 1930 - 1980", № 14, p. 66.
Antique shop "The Collector" (Sochi).

Добавлено через 8 минут
The new catalog .. Friends who read?
-------------------------------------------------- ----
On sale since April 20.
 

 

Pelinsky I. Safonova M.

ID "Favorite Book"
Moscow 2011. col. ill.

This edition is a catalog of the determinant of the Soviet porcelain since the beginning of its production to the Soviet collapse. Today, the product of Soviet porcelain began to enjoy a high popularity among collectors, as well as among many people, just with warm memories of the events of its former Soviet life. It should be noted that the collecting demand for Soviet porcelain originated long ago in the first decades of the Soviet state. But then it was connected with the emergence of a new phenomenon in the world of art - Soviet propaganda and avant-garde porcelain. Today, this porcelain continues at peak popularity both abroad and domestically, and prices on the reach of tens and hundreds of thousands of dollars. Postwar porcelain much more accessible and widely collected many thousands of people. And, as always, when a new collective and aspirations of the collectors, antique dealers and who are interested in an acute shortage of the necessary information.
We hope that this publication will answer many questions and becomes a reference book for all fans of Soviet porcelain and professional market participants. This illustrated catalog of the determinant involves a huge amount of information in text and pictures and describes over 2,500 items of Soviet art porcelain from 1917 to 1991. Based on market analysis and expert survey were formed at current prices a huge array of items of porcelain that time, the volume is made, an intuitive and user-friendly Marochnik manufacturers for the entire period under review, prepared by other reference materials.
From the site http://shopuuu.ru/product_info.php/products_id/4600

[Евгений]

1.Statuetka "Basil Terkin."
Porcelain painting. USSR, LPF, 1950-1960-ies.
Height 13 sm.Na bottom blue overglaze mark "LPF".
The authors of the original model - the sculptor Sergei Velikhov, EN Lupanov artist.
The product described in the "Soviet porcelain. 1930 - 1980", № 46, p. 72.
2.Statuetka "skier." Porcelain painting. USSR, LPF, 1953-1954-ies.
Height 22 sm.Iz series "Happy Childhood".
The authors model - Galina Stolbova (1908-1996), artist - Elizabeth N. Lupanov (1911-1973).
The statuette is described in the "Soviet porcelain. 1930 - 1980", № 74 p. 77.
3.Statuetka "Konkobezhka." Porcelain painting. USSR, LPF, the second half of the twentieth veka.Redkost.
Height of 20 cm under the glaze by the letter "D"
The authors model - Sofya sculptor Velikhov (1904 - 1994), the artist Elizabeth N. Lupanov (1911 - 1973).
The statuette is described in the "Soviet porcelain. 1930 - 1980", № 75, page 77
4.Statuetka "Young dancer." Porcelain, gilding, glazing. USSR, LPF, the 1950s.
Height 13.5 sm.Na bottom nadglazuroe blue stamp "LPF".
The authors of the original model - GS sculptor and painter Stolbova KS Kosenkova.
The product described in the "Soviet porcelain. 1930 - 1980", № 55, page 73
5.Statuetka "Young sailor with the accordion." Porcelain painting. USSR, LPF, 1960. Height 13 sm.Na bottom blue overglaze mark "LPF". The authors of the original model of the sculptor G. Stolbova, artist
EN Lupanov.
The statuette is described in the "Soviet porcelain. 1930 - 1980", № 14, p. 66.
Antique shop, "The Collector" (Sochi).

[Евгений]

The new catalog .. Friends who read it?
-------------------------------------------------- ----
On sale since April 20. Pelinsky I. Safonova AM Moscow 2011. col. ill.

The present publication is a catalog of the determinant of Soviet porcelain since the beginning of its production to the Soviet collapse. Today, the product of Soviet porcelain began to enjoy a high popularity among collectors, and among many people, just with warm memories of the events of its former Soviet life. It should be noted that the collecting demand for Soviet porcelain originated long ago in the early decades of the Soviet state. But then it was connected with the emergence of a new phenomenon in the world of art - Soviet propaganda and the avant-garde porcelain. Today, this porcelain continues to be on the peak of popularity both abroad and domestically, and its prices to tens and hundreds of thousands of dollars. The post-war china and much more accessible to collect many thousands of people everywhere. And, as always, when a new collective and aspirations of the collectors, antique dealers and who are interested in an acute shortage of the necessary information.
We hope that this publication will provide answers to many questions and become a reference book for all fans of Soviet porcelain and professional market participants. This fully illustrated catalog is the determinant involves a huge amount of information in the form of text and images, and describes more than 2,500 products of the Soviet art porcelain from 1917 to 1991. Based on market research and expert survey were formed at current prices a huge array of items of porcelain that time, the volume is made, an intuitive and user-friendly Marochnik manufacturing plants for the entire period under review, prepared by other reference materials.
From the site http://shopuuu.ru/product_info.php/products_id/4600

[Кирилл Сызранский]

Сообщение от Eugene ; 1741581"

The new catalog .. Friends who read ?

His co-author Marina Safonova -Maroussia presented at the Fall ( 2010) inside * on the stand .
There is nothing to read , this reference meterial , quite detailed, but not original: the material is issued and Nasonova - 4-volume catalog of the "Soviet china ".
________
* [COLOR=DimGray"]- lying! Not to fall , but here at last , spring ![/COLOR] >

[Евгений]

Good figure brought to the store ... ( EA )
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Statuette of " Ivan and the Firebird in his hands ." USSR Lomonosov Porcelain Factory , the second half of the twentieth century.
Size: 15 x 10 x 20 cm
Preservation is excellent.
Based on blue overglaze mark " LPF ".
Sculptor GP Yakimova, EN Lupanov artist .

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statue described in the " Soviet porcelain. 1930 - 1980 ", № 12, p. 13.
Firebird , the character of Russian fairy tales , is usually to find a hero. Its production involves great difficulties and is one of the main tasks that sets the tale of the king (the father) sons. Get the Firebird can not only good son.
Presented statue has been painstakingly developed : passed in china small folds of clothing and hair of Ivan , the feathers of the Firebird . Painting figures in bright colors with gold plating , which gives the song a beautiful and elegant appearance. Statuette can be considered one of the finest examples of porcelain sculpture LPF .
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Antique store " Collector" Sochi .

[Евгений]

Few of the famous, Ukrainian factory ... (EA)
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The first mention of the city is full refers to 996g. He was one of the oldest settlements in Volyn. The city's name can be found in the annals of so-called Ipatievskoy 1171g. He was assigned to the Kiev dyasitinnoy church and was called "full of hail dyasitinnoy Virgin." After that, the city name is repeated many times in many historical documents in different versions: "full, full, dipole."

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In 1898, as evidenced by the "Encyclopedia Britannica and EFONA" Polonnoe had more than 10 thousand inhabitants. The city had nine Orthodox churches, two synagogues and church, two schools, faience and porcelain factories, two large mills, several stores, markets and fairs. As you can see, the existence of faience and porcelain factory in the city they say is already in the documents of the last century. We are talking here about former faience factory capitalist Zusman, based at the station at the site of today Polonnoe company. As for the porcelain factory, there is meant a small craft company for the production of porcelain, which existed in the village of peas (now the village came into the city limits). The company was located in an area of ​​1.50 hectares, the whole territory was fenced by a high fence. This company can justifiably be considered a precursor Polnoskogo art pottery factory, located now at the other end of town. It should be noted that the name of the plant - faience and porcelain - are listed in the encyclopedia are conditional. At different times in these two small companies named differently. The porcelain factory was often called ceramic, doll and porcelain - on the contrary, porcelain, and then, in 1923, when he again went to work after the Civil War, porcelain factory portselyanovym name Profintern.
Read more:
Website: http://www.zhk.ru/index.php?id=20

1.Farforovaya figure "Resting skater" Height - 15cm.
Ukraine. ZHK. 50s. Twentieth century. Porcelain, painting colors.
2.Figurka "Come Take away ka!" Height - 16 cm
60 years of the twentieth century. Polonsky works of art ceramics. ZHK - mark porcelain. Porcelain, painting colors. From the series "Our happy childhood." Preservation is excellent.
3.Figurka "Girl feeding pigeon" Height - 12cm.
Porcelain. 50 to 60 years of the twentieth century. Ukraine. Polonsky works of art ceramics.
4.Statuetka "Snowman" Height: 18 cm
Porcelain art pottery factory Polonsky
80 years of the 20th century.
5.Statuetka "Doves"
Polonsky works of art ceramics
ZHK - brand china
60s 20.

Добавлено через 21 минуту
Few Gzhel .. (rare, good figures )
1. Gzhel, " calf " of the model LP Azarova
Rarity , 1954 .. one of the best known and most successful works Azarovoy.Sohrannost otlichnaya.Vysota - 17cm
2.Gzhel , "The girl weaving a wreath " in 1950 - '60
Author: Ch. T. Sapozhnikov. H . 18 cm
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Antique store " Collector" Sochi.

[Евгений]

Few Gzhel .. (rare figurines)

1.
Gzhel, "calf" of the model LP Azarova

Rarity, 1954 .. one of the most famous and successful works Azarovoy.Sohrannost otlichnaya.Vysota-17 cm

2.Gzhel, "The girl weaving a wreath" 1950 - '60

Author: CK.
T. Sapozhnikov.
Height.
18 cm

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Antique shop "Collector" Sochi.

[Евгений]

The collection compartment there are three good figure .. (EA)
1.Statuetka "Ural Quadrille." Blue Brand "Dulevo." 1963 god.vysota 16 sm.Sohrannost idealnaya.Avtor model (1954), sculptor, Malyshev NA
2.Statuetka "Girl with chickens" height 19sm.sinyaya mark "DZ Dulevo." 1959. Author model (1959) - sculptor Malyshev NA
3.Statuetka "Dancing Girl". Porcelain, gilding, glazing. USSR, Dulevo, 1956. Height 21 cm of preservation is good. Green stamp "Dulevo." The statuette is described in the "Soviet porcelain. 1930 - 1980", № 12, p. 162.

Nina Malyshev (1914-1983) - Soviet sculptor farforist.
In 1937 she graduated from the Moscow Pedagogical College of Art.

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in 1947 - Ceramics Department at MIPIDI where studied painting under the guidance of R. Falk, and sculpture - from N. Zelinsky and E. Belashova.
She worked at the porcelain factory Dulevsky, mainly on complex multi-figure sculptures, among which the most significant are "Sadko" (1953 - 1954) and "China" (1953) and on the humorous songs - sculpture "The Telephone" (1954), "Manicure" (1954), "Girl with chickens" (1959).
N. Malysheva worked consistently, developing the best traditions of Russian small plastic XVIII - early XIX century, striving to create sculptures content plastically expressive, decorative, but not designed for the momentary effect.
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Dulevsky porcelain factory was founded by merchant Terenty Kuznetsov in 1832 in the wastelands Dulevo (since 1937 Likino-Dulevo Moscow region). From 1889 to 1917 belonged to the partnership MS Kuznetsova.
In revolutionary times Dulevsky Porcelain Works was known for large colorful hand-painted teacups and teapots, popular among the Russian merchant class and middle class, dubbed the "tavern dishes." They were associated with Russian tea and table appointments were pubs and tea. The paintings can be seen Kustodiev lush beauties, bills of sale with cups in their hands. These cups were usually decorated with roses and bouquets filled with a wide full-fledged stroke, with a "sling". They quickly and neatly applied to the porcelain female masters, who were called Agafia. Hence, this manner of writing, and the products themselves are called "agashki." All of these sets, teapots, cups, trays, decorated with large flowers and determined the mass production of Dulevo plant. In 1932 the plant as a major artist has been appointed Peter V. Leonov. He was obsessed with creating a new national porcelain, glorify Dulevo, refers to the Russian national tradition, but takes them well, emotionally. Begin to be produced original Leonov sets, their characteristic decorative motifs, a riot of colors, large scale, for example, sets "Firebird", "Mary chooses the groom" and others still in the range of traditional Dulevo remains a big "inn" teapot, it Pyramid teapots and a series of "delicious" trehgrammovyh cups on saucers deep. Such dishes signs large bouquets of roses and are often used color-wing Tie and profuse gilding.
By the end of 1950 dulevtsy moving towards the outlined back in the prewar years of painting style of their products, which increases distinctly decorative and emotional moment. One can not but take into account the impact of creativity P. Leonov, and in particular his famous tea set "Golden Deer" (1958). So there has been a new direction for Dulevo plant - the way a wide use in painting motifs of Russian folklore and folk ornaments, bright contrasting palette, dominated by so characteristic dulevskgo china orange-red (selenium), green and blue.
In the 60 - years in china Dulevsky appears completely different way of decoration. In such a tea set, as "gentle" (painting Kukushkin, 1964), "Checkerboard" (painting S. Anikin, 1966), "Golden Bird" and "Grapes" (painting Kolosov, 1967) felt the desire to set off the whiteness of the porcelain soft pastels paintings, gold stroke, a simple geometric pattern. It was a peculiar feature of the counterbalance excessive "listed to the" Dulevo porcelain, which was observed in previous years.
In 70 years, highlights the work of Vladimir Yasnetsova - a large painting of the artist's lyrical talent warehouse. It is decorated with sketches of Russian nature sets, covers meals wildflowers. Mass production Dulevo plant begins to gain more and more stores, it can always be found on large forms, rough shards and a bright smear of painting. For more than 170-year history of the porcelain factory Dulevo much has changed.
Today it is technically equipped company with a continuous production cycle, which employs about 3 thousand people. And he still is one of the largest factories in Europe, specializing in the production of high quality porcelain for the widest strata of the population.

[Pecheneg]

Сообщение от Eugene

Polonsky works of art ceramics.
ZHK - mark porcelain.

Do not know how you do in Russia, but we have such porcelain, each littered with antique shops.