Why do artists do not sign their work?

[Amateur]

Сообщение от vyadem

I know many people who immediately raises the question of "why it was impossible to leave the autograph on the work itself? ... The back and I can write"

Updated: while some are not shy in front of the artist and sign (see example above). Here, dear artists, what can result nepodpisyvanie your work! It turns out that her and for the work of another can give.

Сообщение от DSF

I often do not put a signature, simply because I do not find place for it. Signature - a color stain, which can disrupt the existing system. Theoretically, the signature must be planned in advance, in practice it is not always possible.

And why in this case did not sign at the edge, which then still leave a frame? Current system is not broken. After all, perhaps, when planning songs artists take into account that part of the picture plane, in any case will not be visible due to the frame.

[dedulya37]

Сообщение от Amateur

part of the picture plane in any case will not be visible due to the frame.

Deepening the frame where the work lies - 5 mm from each edge. So there a little space.

[LCR]

I can clarify on Roginsky. In 60-ies. He either did not endorse on the face or put a signature block letters, large letters: actually, it was more a label than a signature - it is part of the composition (as at the Kazan station, who recently hung), destroying the illusion of space. Then, in the 70-and 80-ies. He did not put a signature, inodna signature - very small, less noticeable as possible - bear a dry, pencil or flamasterom - that he had to do with the sale of services at the request of the buyer. Then, in the 90-ies. - Work on cardboard, signature and date marked on the reverse side. It was only from about 1995, he again began to put a signature on the face, or in the lower right corner, or, as suggested by the Amateur, the edge itself, which go under the frame.

Here are some examples:

1. Still Life with Vegetables, 1964, private collection, Paris
2. Venus on a stool, 1965, meeting Grigorishin
3. Primus, 1965, Museum Zimmerly - Glasha catch!
4. Shelves, 1978, private collection, Paris - the signature dry flamasterom, it must be far to seek
5. Trolley, 2000, meeting of the company Ruhrgas - signed in the lower right corner, unnoticed tozhe

Unsigned work does not show - because they do not look at that: D

[Amateur]

Dear ecc4! What you have written sounds very intriguing:
 

Сообщение от ecc4

if you look closely at each work may find a signature, one way or another zakomuflirovanuyu, a significant artist simply could not leave a mark on the paper! Search and obryaschite! I have long been studying the creative Romas Ya.D. He was gone!

Not difficult if you provide an example to illustrate (and if possible, even several) of this camouflage? Thanks in advance!

[kozhinart]

In a notice often that the work sign directly in front of her sale of posbe buyer ... and the name and year of creation ... The reasons are different, many have already here, just forget about it .. Just when the work is crude, not very convenient to its sign ... Jobs may not like the author, which is quite normal ... As a stimulus for growth ... Attracts the very process of writing ...