Ivan P. Bruhl (k) s (1814 - 27 October. 1834)

[vyadem]

Cyril Syzransky, many thanks for the help ... I principle, and thought it was him ... Then dwell on this version. The only thing that turns on the drawings of Ivan Pavlovich Bryullov nadpipi he made after his death ... as "Landscape with the ruins is dated year 1828, Kozlov was 12 or from my source (birth year 1818) for 10 years. And Carl ekskizah "Last Days of Pompeii" also turns out after some time ...

[Кирилл Сызранский]

vyadem, I think I know when AA Kozlov made notes on these sheets.
When engaged in engraving.

[vyadem]

Cyril Syzransky, too, so I suspect

[Кирилл Сызранский]

vyadem, in 1851, AA Kozlov wrote K. Briullov: " I began the business by accident, but now I find it hard variables, ie, change the lithograph to painting." (Archive Bryullov (accompanied by portraits) /Примеч. IA Kubasov. SPb., 1900, pp. 171).

[vyadem]

Here, if someone is interesting, "short" biography of Ivan Pavlovich. It is a pity that such people and such a fate ...

"the artist born. in 1814, died. October 27, 1834 As a child he showed unusual ability and love for drawing. For a time he was brought up in the gymnasium, where reluctant to study science. The natural inclination, as well as the praise surrounding his drawings encouraged to look for opportunities to devote himself to his beloved art. In 1830, with the help of his elder brothers Alexander and Paul and the Society for the Encouragement of Arts, Brullo entered the Art Academy. The educational institution at the academy at that time was closed, and when, with the introduction of a new statute (in 1832), Academy of pupils were entitled to remain in the academy by the rules of the new statute, the number of applicants was recorded and Brullo. At the academy, just like in high school, Brullo not have a particularly successful in the sciences, but his achievements in art classes soon drew the attention of his professors. He proved himself remarkably talented draftsman, drawing on all the exams, he received the highest scores; comrades willingly submit to the influence which he quietly to himself had on them, and imitated him. Despite his extraordinary success in drawing, Brullo, on the advice of then stationed abroad, the two older brothers (Alexander and Charles) did not set about painting, to advance to achieve perfection in the figure. This explains the fact that he has not visited yet in etyudnom class, always participated in essay contest drawings on specified issues as an excellent draftsman in-kind class and received in these competitions the top awards. In his work drawings fantasy Brullo was inexhaustible: scenes of domestic life, scenes from the vision of theatrical plays, paintings of read novels - it was all a matter of a full of life drawings. Brullo very fond of the theater and, at his initiative, students of the Academy staged in her bedroom performances in which Brullo performed a variety of roles, imitating what he had seen on stage performers. This interest Brullo theater reflected the content of his paintings: many of them represent scenes from the dramas, operas, ballets and portraits of artists (eg, Bryansk, Karatygin, Sosnitsky, Novitsky), and from the opera "Fenella" referred to the figures almost every scene. His drawings of the theater Brullo competed with landscapes Lebedev. Despite the abundance of his own works, Brullo find more time to ensure that correct dozens of drawings to his comrades, entertain him during the reading, as well as meet their numerous requests for pictures in albums for themselves or for their relatives. Brullo attractive appearance, its artistic nature, cheerful disposition, attentiveness and courtesy to others and many other moral dignity made him the idol of his comrades. lively, sensitive, observant Brullo forced expect from him in the future formed a remarkable artist, but early death did not gave fulfilled these expectations . In 1834, he developed obvious signs of tuberculosis, which has developed rapidly. The only artistic legacy left behind by Brullo are talented with pen and pencil drawings in large numbers scattered on the hands of private individuals.

FF Lvov, I. Briullov "(" Russian Antiquities "1882, June, pp 793-794). - Nicholas Ramazanov, "Materials for the History of Art in Russia", Book 1-I, Moscow, 1863, Dep. "Memoirs", p. 142-144: "Vanya Bryullov" (see "Art Newspaper, 1841, № 17). - Archive Bryullov, editing, and notes IA Kubasova (ed. J.. "Russian Antiquities"), St. Petersburg., 1900, p. 88, 102. - Articles "Bryullov" in encyclopedic dictionaries Berezina, Brockhaus-Efron and "Big Encyclopedia Vol. T-va "Enlightenment". "