Boris Kocheyshvili. "A simple summer". Personal exhibition in the timing

[Тамара]

I will not dissemble , I peeped the idea to build a special drama show with the help of light Pauline Lobachevsky .
Eighteen months ago, she carried out the project " On the beach " - an exhibition of Boris Kocheyshvili Chekhov's house . Top light was dimmed and every thing snatches from the shadows specially designed lamp.
I thought it was the only solution . The person entering the space of the exhibition , constructed in this way, is immersed in the space of the image created by the will of the artist. All the rest - half-light , nothing prevents perception.

[Art-Galera]

Channel Saint Petersburg
Reports on the opening http://www.topspb.tv/news/news22763/

"Simple summer" in St. Petersburg last until mid-September. This is not a forecast of weather forecasters - so the solo exhibition of the artist Boris Kocheyshvili.
He exhibited with the 91-year, but the museum work has for the first time and immediately - in the St. Petersburg Russian. As with all non-conformists, the artist sets his own unique style, and figurative language. For example, here portrayed by such lovers. And this, according to the artist, spring. The author himself is very humble about his work.
Boris Kocheyshvili, the artist, "It's a whole life: I tell you what I want? As Ivanov wrote: "I will write the picture, and all will be forgiven and become religious." I do not know. The only hope that there is some sort of tune with the soul. "
"Consonant with" the soul and have organized this exhibition. Kocheyshvili admirers, by the way, not only the artist but also the author of the same name with the title of the exhibition of the collection of poems "A simple summer", striking power of the word - a picturesque and literary.
Tamara Vekhova, art critic: "Kocheyshvili just do not like anyone! It has its own language. He's a poet, he is an artist, he is a sculptor, he schedule, he is a musician - writes music. I see the Russian Museum responds: yesterday at the Scientific Council, they said, "Wow! This is just the opening! ".
Discovery for many at the show will be the reliefs Boris Kocheyshvili: taking as a basis for nature, the artist invests its intricate bas-relief in the form. Paintings produced volume. But the author is true to himself, deliberately using figurative language. "The road in the forest" is shown even more dramatically with road signs and traffic lights in the woods. A frozen river as if chained to the plaster ice.

[Тамара]

Sorry, out of town a bad internet connection, was able to start , but could not finish my post)
Continue ...

Without hesitation, I turned to Nikolai Vorobiev , the man who did the light on the very same show. And he came with his assistant Natasha and a half days is quite hard work , they made ​​the best out of what could have been done of the available timing lights.
Or maybe it is better not to . ) )
The most important thing at the show - the good work ...

It should be noted that the unusual light seen everything. And in the first place - the directorate belt . I even Yevgenia Petrova praised for it in a solemn speech otkryvatelnoy . What is particularly nice)

But in fact, all, of course , praised the artist. )

But that's another topic .
 <! - ~ ~ 6 ->

And yet - photos of how the rooms look like a " copyright coverage of" Nikolai Vorobyov.

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Wow!
Lera!
What a good story!


http://www.topspb.tv/news/news22763/


Gentlemen, do not be lazy to look!

Just cool it assembled people from the Peter-TV.
I am in awe, the director - bravo!
))

[Тамара]

Wow!
Lera!
What a good story!


http://www.topspb.tv/news/news22763/


Gentlemen, do not be lazy to look!

Just cool it assembled people from the Peter-TV.
I am in awe, the director - bravo!
))

[Art-Galera]

I would say that this write-up lyrical Daria Kurdyukova in today's "Nezavisimaya Gazeta".

http://www.ng.ru/culture/2013-08-20/7_kocheishvili.html

went beyond
Boris Kocheyshvili arranged in the Marble Palace "Simple Summer"

Poems Moscow poet Boris Kocheyshvili entered the Russian Anthology of Poetry (1950-2000). By Moscow artist Boris Kocheyshvili there at the Tretyakov Gallery and the Pushkin and Russian museums. Kit included the artist in a group show of art at the end of the last century and is said to have asked for the coming reliefs dedicated to them, a survey exhibition. But is open to the eyeballs season of "Simple Summer" - an unusual show. Because of the poetic collection of samizdat, which is now re-released and will present on September 12. And because in the Northern capital of the first personal, though not retrospective - here some fifty paintings, reliefs and paintings of zero years, when the artist obsessed with painting.
 "Oh, the river, then what a great" - "splits" Kocheyshvili conversation in half, distracted look at the big window speedy St. Petersburg and Moscow. Including the artist, the poet in him to interrupt, but the fact - a wonderful storyteller. Kocheyshvili can talk about everything.

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About his friend Yuri Pogrebnichko director, who seems to idolize (albeit with an ironic word Kocheyshvili it does not fit). About the filming of Alexander Nagovitsyna in the movie "That man, a woman." About how after celebrating one of their birthdays ended up in Leningrad, as it was cheaper than taking a taxi to Zhukovsky ... Says calm, quiet and always with humor commercials suspension. As an observer, noticing the details and a few strokes of collecting history. In the works brought to the Marble Palace, mainly from the artist's studio and another from a private collection, optics and other parts a little bit, but it's also - stories.
 Kocheyshvili works with acrylic on masonite. Hardboard, first, much cheaper than the canvas, and in addition, the artist says he, for many years do graphics, it is important to feel the resistance of the surface. He says, as it should be, landscapes, still lifes, people in general but in particular the family scenes. And women, of course. There are many. They walk with an angel, and nursing children sitting around a terrible black square hatch ... Ladies Kocheyshvili elegant and statuesque its conditional (Maiolo he prefers Giacometti, but it is - in brackets): they resemble sculptures that have lost their coloring and concrete shape - even the facial features . Whether ancient Aphrodite, or bodiless shadows, or even muse that even typing in the mouth water just is - and that's it. His landscapes are relative, too, they are composed of alternating colored stripes, spots, and they are pretty one main motive - at home or river.
 He graduated in 1960 College of 1905 and then 10 years engaged in Eugene Theys in the Experimental Studio of etching Ignatius Nivinsky, Boris Kocheyshvili now in painting, as in the chart comes from the line and silhouette. Do not we need a clear image if there is poetic outline. One of them - the "White Sea", visco extending out over the landscape, as the milk cools down. Suddenly remembered Levitanovsky "Eternal Rest" and Kocheyshvili free verse: "Isaac Levitan /over the eternal /quiet /and I that."
 But the most surprising in the "simple summer" - reliefs. Label with the words "plywood, plaster, PVA, acrylic" say little about the genre Kocheyshvili. Perhaps this is the picture, escaped into the third dimension, such 3D. Released outside - not much, bas-relief, but that now the light began to play with the shadows, and man-made things - a palette knife sauntering freely from end to end, but leaves underdeveloped, and it is seen as the hand moves the author - emphasized even more than in painting. White on white, side by side here "Baroque and constructivism" is referring to other poetic disputes about the oval and angle.
 His opus pulls called metaphysical, but not in the sense of external similarity cities of Giorgio de Chirico, Giorgio Morandi's still lifes, or, as in feeling particularly sounding emptiness. Only in Kocheyshvili no gravity, and no claim on generalizations - each character all the same busy with his business in his small little world.
 However, having said, rounding, you realize that it's not all that Kocheyshvili this framework does not fit. And exposure (supervising her Moscow art critic Tamara Vekhova and senior fellow for Russian art XIX-XX centuries belt Alice Lyubimov, a space designed the head of this department, Vladimir Lenyashin, and put the light came from Moscow, Nikolai Vorobiev, who used to work in the Tretyakov Gallery) shows that perspective out very cleverly, in each hall leaving out of the general line of accents. But among the reliefs with the architecture, the girls still life "in general" - a sudden show close-close person "Jackass." In another room, between light, melancholic landscapes flashes red and green "house of Wagner." In the third, again surrounded by "all" characters shelter "Angel," and his face on a paradoxical contrast with human faces interpret a portrait, almost realistic.
 And about the river initially recalled because of the immediacy, uncomplicated kocheyshvilievskogo sight. Because of childishness, which is so necessary to man the writer - that the artist that the poet.
  St. Petersburg-Moscow

[Тамара]

And today the publication Gazeta.ru, there was quite a large amount of material about the exhibition - an interview with the artist. By Fyodor Moskover )
Here is the link

http://www.gazeta.ru/culture/2013/08/20/a_5599633.shtml

Just warning you! There, in the first paragraph of " direct speech " Blunders :

Just recently I was elected an honorary member of the Academy of Fine Arts. Small honor .

Where did this phrase come from - it is not clear ! Kocheyshvili this could not say , because basically does not have any contacts with the Academy of Fine Arts ...

I'll go find Fedor Moskovera and complain it )))

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Decided to diversify a little theme pictures.

Here are a few works that hang in the halls of the belt right now)

[Тамара]

Decided to diversify a little theme pictures.

Here are a few works that hang in the halls of the belt right now)

[Art-Galera]

Kommersant Publishing House also noted the exhibition Boris Kocheyshvili. Moreover, while, at least in its two media.

First of all - on the Kommersant FM radio in the program "Art and Facts", part of which "took" partner of the exhibition, which the organizers are very grateful for the help.
http://www.kommersant.ru/doc/2259525

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In the Marble Palace in St. Petersburg branch of the State Russian Museum, an exhibition of the poet and artist Boris Kocheyshvili called "simple summer". In his works, the wizard uses the strict color scheme and instead prefers the canvas sheets of hardboard, says commentator Dmitry Butkevitch. In addition, the artist makes a plaster reliefs and paintings.
Boris Kocheyshvili - a poet and a painter. Just at the State Russian Museum in St. Petersburg opened his big personalka called "Simple summer." In the Marble Palace paintings of the last decade have taken as many as three rooms. Or rather, not a "canvas", and the "board". In recent years, writes Kocheyshvili acrylic paints on sheets of hardboard, which is why his paintings are like a glow from within. And he makes a picturesque plaster reliefs: a broad-brush gets thick modeled relief images on sheets of thick plywood. Amazing compositions are obtained: on the one hand, like planar (the artist uses in these works are strict, local color schemes: the shades of white, pink or green), and on the other hand, deep through many layers of paint, give birth to little high relief - a "high relief. "
Partner of the project, the head of DP-Trade Dmitry Pinsky so answer my question as to why he personally supported this project. "Why I decided to support this particular exhibition? I collect art. Such a hobby. Over the years formed my taste. Everything I bought the first two years, we had to give away. Through this seems to run everything.'s Boris Petrovich I started buying a few years ago is not being familiar with it. I really liked. It fit my today's taste. Organization prestigious exhibitions available at three locations in the country: the Tretyakov Gallery, the State Russian Museum, with the exception of Pushkin and the Hermitage. So when people began to organize it exhibition, I realized that it was such a push, momentum, which is lacking great artist, who would have restored the status quo of who he is. Even some critics do not really know him well, as far as I know. And if you had the opportunity to do so in St. Petersburg , the Russian Museum, is also excellent, we are a little bit too participated in it. I am very pleased that Boris Petrovich is now a time when it began to praise, to learn, it is absolutely deserves it, "- he said.
September 12 at the Marble Palace will sort finisazh, ie closing of the exhibition "A simple summer", which will be presented to the public a book of poems and paintings by Boris Kocheyshvili.

And also - this write-up in the newspaper Anna Matveeva
http://www.kommersant.ru/doc/2259525
A special relief
"Simply Summer" Boris Kocheyshvili Russian Museum
In its "normal" painting Boris Kocheyshvili enjoys a game of countless shades of colors
In the Russian Museum opened an exhibition of Boris Kocheyshvili "Simple summer." Anna tells Kommersant-MATVEEVA.

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the middle of the low season, when most of the museums and galleries, go on vacation, the Russian Museum does not allow himself to relax. The high-profile blockbuster exhibitions for the season lawns, houses and kebabs are not planned, but the museum process goes on. August 14 at the Marble Palace, an exhibition of Boris Kocheyshvili with the timely title "Simple summer."
Boris Kocheyshvili originally from 1960-1970's, and would like to write that in the years he has matured as an artist, but to call him only an artist would be incorrect. He mnogostanochnik-bearers, wagon creative work: an artist, author and participant of numerous exhibitions, a poet (six books of poetry), movie actor. Now, when every kind of art became a separate business and work there prefer specialized, "these are not doing it." Russian museum does not focus on "non-fiction" Kocheyshvili guises, but quite without them can not: at the entrance to the exhibition the viewer meet on one wall paintings, and on the other hand, printed on translucent film short poem.
The exhibition is clearly divided into two parts, this division is confirmed by most of its topography: the hall to the left of the entrance - a traditional painting in the hall to the right of the entrance - paintings, reliefs. In all the works Kocheyshvili very noticeable interest in other art forms, the desire to push the envelope and pictorial plane, and painting itself. So, he gave this desire most that neither is material, tangible embodiment. Became mixed into the paint and plaster literally handfuls, piles, thick layers of overlay it on the canvas. Palette knife - a tool of the painter, triangular spatula, which the artist corrects the paint on the canvas - in his hands turned into a building trowel. Pictures of flat steel three-dimensional, it is almost bas-reliefs, figures protrude from the plane of the canvas, cast shadows, they are cut deep furrows, and all of this and want to feel. Noticeably, what a treat this three-dimensionality, the artist brings relief, as he plays with it, opening and testing a variety of artistic opportunities that it provides. Here are pictures, in which the space is the leading instrument and the artist relishes her cleaning cloths with anything that might interfere with the perception of relief: the painting "Woman" or "Baroque and constructivism" or pure white or monochrome (black and gray), the main thing " actor "- man-made bumps, bumps and potholes. But the "Green Tower in the Woods" - the artist painted plaster, and his painting bas-relief has shades of green.
On the plot structure of paintings also immediately evident what a keen interest in the author has for related genres, and above all to the genre of the most tangible, real, not only directly related to the visual, but also with spatial perception - in architecture. He likes to paint the house, but it's not just the image, not the urban landscape: the house on the canvas Kocheyshvili - always a full-fledged spatial volume, almost architectural model. A good half of paintings in the exhibition called "The House" or "The Tower" or "Town". The artist is not so important to portray a particular house, how to figure out the relationship - and their entire history of painting - with space, volume, depth. His "home" is not so much the objects in the landscape, as the study of how we see.
In "normal", without any Laced gypsum and bump painting Kocheyshvili also remains the researcher. His landscapes dismemberment of color planes, he is interested in how the light is refracted as it decomposes into the seven colors of the spectrum, and they, in turn, are combined in an infinite number of shades. Artist - the paintings can be seen - shamelessly enjoying their game, but do not stop to trace their origin from the simple basics of optics. Whether it's a landscape or Priokskiy glade in the forest, as if the author passes them through the prism, showing the components of what make up our field of vision. This problem - the analysis of human perception - solved all the avant-garde, not accidentally resemble paintings Kocheyshvili and Russian avant-garde Aristarchus Lentulova and Alexandra Exter, and Cubist experiments. It seems to be the vanguard of this problem was solved, but no, their method, as we see, and today there are hot followers.

[Тамара]

Little relief, exhibiting

[Art-Galera]

September 12 to celebrate the release of a new book of poems , " Simple Summer II» artist and poet Boris Kocheyshvili suit in the Marble Palace performance " long poems ."

In the halls , which is now open exhibition of the artist , he is right in front of the audience , will create a large plaster relief. Birth of relief - this is truly spectacular sight . From the void of faceless gray mass , suddenly , a few strokes palette knife artist brings to life the three-dimensional shapes and perspective of the suite . And then , at one stroke all they wear , and there are other images ... The appearance of these images out of nowhere , they are very convincing reality of harmony with the way the artist " sculpts " his poems.

In the process of creating relief will sound poetry Kocheyshvili . Reading them is the project supervisor Tamara Vekhova . And the artist and poet - not only will work at the easel , but in passing comment on his own poems , tell amusing stories about life and work , answer questions from the public .
Upon completion of performance will bring new relief Kocheyshvili Russian Museum.

more here
http://artinvestment.ru/news/artnews...heyshvili.html